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Skidmore, Colleen. “Women Workers in Notman’s Studio : Young Ladies of the Printing Room.” History of Photography Vol. 20, no. 2 (1996): 122–128.
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Kollar, Kathryn L. Women Painters of the Beaver Hall Group. Montreal: Sir George Williams Art Galleries of Concordia University, 1982.
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Watchtel, Wendy, ed. There Is A Voice: A Collection of English Poetry and Photography by Montreal Women. New York, NY: Angle Lightning Press, 1978.
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Holowach-Amiot, Elaine. The Women’s Art Society of Montreal: A Century of Commitment to the Arts. Montreal: McCord Museum of Canadian History, 1994.
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Gualtieri, Julia M. “The Woman as Artist and as Subject in Canadian Painting (1890-1930): Florence Carlyle, Laura Muntz Lyall, Helen McNicoll.” Master’s Thesis, Queen’s University, 1989.
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McCullough, Norah. The Beaver Hall Hill Group/Le Groupe de Beaver Hall Hill: Une Exposition Itinérante de La Galerie Nationale Du Canada/Organized and Circulated by the National Gallery of Canada. Ottawa, ON: The Gallery/La Galerie, 1966.
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Avon, Susan. “The Beaver Hall Group Redefined.” Imposture Vol. 6 (Winter 1992): 56–61.
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Millar, Joyce. “The Beaver Hall Group: Painting in Montreal, 1920-1940.” Woman’s Art Journal Vol. 13, no. 1 (Spring/Summer 1992): 3–9.
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Hébert Stoneberger, Jacqueline. “The Beaver Hall Group: Montréal Painters between World War I and World War II.” Master’s Thesis, University of Miami, 1996.
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Bradley, Jessica, and Matthew Teitelbaum, eds. The Art of Betty Goodwin. Toronto, ON: Douglas & McIntyre, 1998.
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Brock, Ellison M. “Symbols of Order and Harmony in the Work of Marian Scott, 1931-1949.” Master’s Thesis, Carleton University, 1985.
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Campbell, James D. Sylvia Safdie. Montreal: Centre Saidye Bronfman, 1987.
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Nemiroff, Diana. “Sorel Cohen: An Interview.” Parachute No. 21 (Winter 1980): 28–31.
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Meadowcroft, Barbara. Sarah Robertson, 1891-1948: Exposition Rétrospective / Sarah Robertson, 1891-1948: Retrospective Exhibition. Montreal: Galerie Walter Klinkhoff, 1991.
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Meadowcroft, Barbara. Rediscovering Jori Smith: Selected Works, 1932-1993: 17 April-8 May 1993, Galerie Dominion. Montreal: The Galerie, 1993.
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Braide, Janet. Prudence Heward (1896-1947): An Introduction to Her Life and Work. Montreal: Galerie Walter Klinkhoff, 1980.
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Jackson, A.Y. Prudence Heward, 1896-1947. Ottawa, ON: National Gallery of Canada, 1948.
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Godmer, Gilles. Oratio Obliqua (Eva Brandl). Montréal: Musée d’art contemporain, 1987.
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Nash, Joanna. “Montreal’s Powerhouse Gallery: The Evolution of a Woman’s Art Space.” Fireweed No. 3-4 (Summer 1979): 22–27.
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McMann, Evelyn (de Rostaing). Montreal Museum of Fine Arts, Formerly Art Association of Montreal: Spring Exhibitions 1880-1970. Toronto, ON: University of Toronto Press, 1988.
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Cameron, Elspeth. “Montreal Modernists: The Emergence of Canadian Art and Literature in Montreal, 1926-1951.” In Canada Ieri e Oggi: 2, Sezione Anglofona, edited by Giovanni Bonanno, 291–299. Fasano, Italia: Schena, 1986.
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Trépanier, Esther. “Marian Dale Scott (1906-1993). Une approche picturale de la ville.” In Ces femmes qui ont bâti Montréal : La petite et la grande histoire des femmes qui ont marqué la vie de Montréal depuis 350 ans, edited by Maryse Darsigny and Francine Descarries, 205–206. Montréal: Éditions du Remue-Ménage, 1994.
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Meadowcroft, Barbara. Mabel Lockerby, 1882-1976. Montreal: Galerie Walter Klinkhoff, 1989.
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Meadowcroft, Barbara. Lilias Torrance Newton, 1896-1980: Retrospective Exhibition, September 9-23 1995 / Lilias Torrance Newton, 1896-1980: Exposition Rétrospective, 6-23 Septembre 1995. Montreal: Galerie Walter Klinkhoff, 1995.
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Farr, Dorothy. Lilias Torrance Newton, 1896-1980. Kingston, ON: Agnes Etherington Art Centre, 1981.
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Gosselin, Claude, and Bella Rabinovitch. Liliana Berezowsky. Translated by Yves Lapointe. Montréal: Centre international d’art contemporain de Montréal, 1999.
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Bogardi, George. Liliana Berezowsky. Montreal: Centre Saidye Bronfman, 1989.
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Pontbriand, Chantal. La ruse historique : l’art à Montréal/The Historical Ruse : Art in Montreal : Céline Baril, Geneviève Cadieux, Melvin Charney, Angela Grauerholz, Gilles Michalcean, Roland Poulin, Robert Racine, Irene F. Whittome. Toronto, ON: Power Plant, 1988.
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Israël, Véronique. “La problématique de la fonction de l’art dans la production des années quarante de Ghitta Caiserman-Roth.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Nadeau-Saumier, Monique. La joie de l’art : Kay Kinsman : Musée des beaux-arts de Sherbrooke, 14 novembre au 19 décembre 1987 / The Joy of Art : Kay Kinsman : Musée des beaux-arts de Sherbrooke, November 14-December 19, 1987. Sherbrooke, QC: Musée des beaux-arts de Sherbrooke, 1987.
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