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Gold, Muriel. A Gift For Their Mother. The Saidye Bronfman Centre: A History. Montreal: Miri Publications, 2007.
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Dietze, Antje. “A Middleman’s Process : Booking and Managing Musical Theater Venues in Montreal from the 1880s to the First World War.” Journal of Urban History Vol. 47 (2020).
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Margolis, Rebecca. “Ale Brider: Yiddish Culture in Montreal and New York City.” European Journal of Jewish Studies (EJJS) Vol. 4, no. 1 (2010): 137–164.
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Bangham, Nicola. “An Experiment in Integration: Working with Youth-At-Risk in Performative Style Drama Therapy at the Centre for the Arts in Human Development (Concordia University).” Master’s Thesis, Concordia University, 2000. https://spectrum.library.concordia.ca/1213/1/MQ54351.pdf.
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Tumarkin, Pola. “An Historiographical Reading of the Founding of Canada’s National Theatre School.” PhD dissertation, York University, 2016. https://yorkspace.library.yorku.ca/xmlui/bitstream/handle/10315/32289/Tumarkin_Pola_R_2016_PhD.pdf?sequence=2.
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Gibb, Alexandra. “Beyond the Decline: Revaluing Montreal’s Movie Palaces.” PhD dissertation, McGill University, 2016. https://escholarship.mcgill.ca/concern/theses/12579w10t.
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Henry, Jeff. “Black Theatre in Montreal and Toronto in the Sixties and Seventies: The Struggle for Recognition.” Canadian Theatre Review Vol. 118 (Spring 2004): 29–33.
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Larrue, Jean-Marc. “Cent huit ans de théâtre yiddish : l’exception montréalaise.” In New Readings of Yiddish Montreal/Traduire le Montréal yiddish/Taytshn un ibertaytshn Yiddish in Montreol, edited by Pierre Anctil, Norman Ravvin, and Sherry Simon, 45–56. Ottawa: Presses de l’Université d’Ottawa/University of Ottawa Press, 2007.
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Bellavance, Guy, and Christian Poirier. “Champ culturel et espace montréalais (I) : la vie culturelle à Montréal avant 1960.” In Histoire de Montréal et de sa région. Tome II. De 1930 à nos jours, edited by Dany Fougères, 1285–1320. Les régions du Québec. Québec: Les Presses de l’Université Laval, 2012. http://www.chairefernanddumont.ucs.inrs.ca/wp-content/uploads/2013/09/PoirierC_BellavanceG_2012_Champ_culturel_et_espace_montrealais_I_La_vie_culturelle_a_Montreal_avant_1960.pdf.
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Hurley, Erin. “Changing States: The Well-Being of English Language Theater in Quebec.” In Theater and Human Flourishing, edited by Harvey Young, 154–177. New York, NY: Oxford University Press, 2023.
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Robert, Lucie. “Chronique de la vie théâtrale.” In La Vie culturelle à Montréal vers 1900, edited by Micheline Cambron, 71–86. Montréal: Fides et Bibliothèque nationale du Québec, 2005.
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Lefebvre, Marie-Thérèse. Chroniques des arts de la scène à Montréal durant l’entre-deux-guerres. Danse, théâtre, musique. Québec: Septentrion, 2016.
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Juma, Flora. “Classic Montreal: Revisiting Anglo Institutions: Centaur Theatre.” Quebec Heritage News, Fall 2015. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_autumn_2015.mf_reduced.pdf.
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Bellavance, Guy, and Louise Gauthier. Creation and Implementation of a Space Dedicated to the Professional English-Language Theatre Community of Montreal : Final Report : Project Vitality: A Study for the Quebec Drama Federation. Montréal: Institut national de la recherche scientifique, Urbanisation, Culture et Société, 2003.
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Bradley, John. “David Fennario persiste et signe : entrevue avec David Fennario.” Translated by Yves Rochon. Nouveaux Cahiers du socialisme, Hiver 2016. https://www.erudit.org/en/journals/ncs/2016-n15-ncs02387/80871ac.pdf.
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Leofeli Romero Barlizo, Marie. “Diversity In Bloom In Montreal English Theatre.” TicArtToc, Spring 2018. https://www.erudit.org/en/journals/ticarttoc/2018-n10-ticarttoc03667/88173ac.pdf.
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Huston, Lorne. “‘Empire’ et ‘Nation’ dans le regard du Montreal Star sur la scène dramatique francophone : Les chroniques de Samuel Morgan-Powell (1913-1953).” In Chroniques des arts de la scène à Montréal durant l’entre-deux-guerres : Danse,Théâtre, Musique, edited by Marie-Thérèse Lefebvre, 167–194. Québec: Septentrion, 2016.
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Reid, Gregory J. “Face to Face: A Conversation with Vittorio Rossi.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 21, no. 2 (Fall 2000): 177–194. https://journals.lib.unb.ca/index.php/TRIC/article/view/12636.
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ArtExpert. ca, sous la direction de Louise Poulin. Faire les bons choix : état des immobilisations pour la création, ;a production et la diffusion du théâtre professionnel d’expression anglaise : territoire de l’île de Montréal : rapport final. Montréal and Québec: Ville de Montréal; et Culture, communications et conditions féminine, 2007. http://collections.banq.qc.ca/ark:/52327/bs1901478.
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Poulin, Louise. Faire les bons Choix. État des immobilisations pour la création, la production et la diffusion du théâtre professionnel d’expression anglaise : territoire de l’île de Montréal : rapport final. Montréal: ArtExpert.ca, 2007. https://numerique.banq.qc.ca/patrimoine/details/52327/1901477?docref=z17KP-Vkc3MFCCwUhpnQUQ.
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Duckworth, Martin. Fennario : The Good Fight. DVD Video, Documentary. Adobe Productions International, 2015.
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Huston, Lorne, and Marie-Thérèse Lefebvre. George M. Brewer et le milieu culturel anglophone montréalais, 1900-1950. Québec, QC: Septentrion, 2020.
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Margolis, Rebecca. “Holocaust and Post-Holocaust Yiddish Theatre in Montreal: A Canadian Response to Catastrophe.” In Leket: Yidishe Shtudyes Haynt/Leket: Jiddistik Heute/Leket: Yiddish Studies Today, edited by Marion Aptroot, 525–540. Düsseldorf, Germany: Düsseldorf University Press, 2012. https://docserv.uni-duesseldorf.de/servlets/DerivateServlet/Derivate-23711/cuknya6h/Leket_ganz_A.pdf.
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Galli Mastrodonato, Paola Irene. Il teatro politico di David Fennario. Salerno/Milano, Italy: Oèdipus, 2002.
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Moss, Jane. “Immigrant Theater: Traumatic Departures and Unsettling Arrivals.” In Textualizing the Immigrant Experience in Contemporary Quebec, edited by Susan Ireland and Patrice J. Proulx, 65–81. Westport, CT: Praeger, 2004.
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Plummer, Christopher. In Spite of Myself : A Memoir. New York, NY: Knopf, 2012.
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Gale, Lorena. Je Me Souviens : Memories of an Expatriate Anglophone Montréalaise Québecoise Exiled in Canada. Vancouver, BC: Talon Books, 2001.
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Moss, Jane. “’Je me souviens’ : Staging Memory in Anglo-Québécois Theatre.” Journal of Canadian Studies/Revue d’études canadiennes Vol. 46, no. 3 (Fall 2012): 28–59. http://0-literature.proquest.com.fama.us.es/searchFulltext.do?id=R05007356&divLevel=0&area=abell&forward=critref_ft.
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Comtois, Patricia. “Jeunes femmes et loisirs commerciaux durant les années folles (1919-1929) : étude des discours ecclésiastiques et journalistiques.” Master’s Thesis, Université du Québec à Montréal, 2007. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-817.pdf.
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Bayne, Clarence S. “Le Black Theatre Workshop de Montreal: Un Nouveau Bilan.” L’Annuaire théâtral: Revue québécoise d’études théâtrales Vol. 29 (Printemps 2001): 141–155.
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