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St-Jean, France. “La réception critique dans la presse montréalaise francophone des décennies 1930 et 1940 de l’œuvre de cinq femmes artistes : Prudence Heward, Lilias Torrance Newton, Anne Savage, Marian Scott et Jori Smith.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Meadowcroft, Barbara. Painting Friends: The Beaver Hall Women Painters. Montreal: Véhicule Press, 1999.
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McLeod, Ellen Mary Easton. In Good Hands: The Women of the Canadian Handicrafts Guild. Montreal and Kingston: Published for Carleton University by McGill-Queens University Press, 1999.
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Luckyj, Natalie. Helen McNicoll: A Canadian Impressionist. Toronto, ON: Art Gallery of Ontario, 1999.
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Israël, Véronique. “La problématique de la fonction de l’art dans la production des années quarante de Ghitta Caiserman-Roth.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Gosselin, Claude, and Bella Rabinovitch. Liliana Berezowsky. Translated by Yves Lapointe. Montréal: Centre international d’art contemporain de Montréal, 1999.
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Trépanier, Esther. Peinture et modernité au Québec, 1919-1939. Québec: Éditions Nota bene, 1998.
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Smith, Jori. Charlevoix County, 1930. Manotick, Ont: Penumbra Press, 1998.
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Pearce, Lynne. “The Viewer as Producer: British and Canadian Feminists Reading Prudence Heward’s ‘Women.’” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 25, no. 1–2 (1998): 94–103.
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Meadowcroft, Barbara. “How Many Artists Are There In The Family? The Career of Montreal Painter Regina Seiden (1897-1991).” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 25, no. 1–2 (1998): 73–83.
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Bradley, Jessica, and Matthew Teitelbaum, eds. The Art of Betty Goodwin. Toronto, ON: Douglas & McIntyre, 1998.
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Pepall, Rosalind M. Jori Smith : A Celebration / Jori Smith : une célébration. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University / Galerie d’art Leonard & Bina Ellen, Université Concordia, 1997.
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Lemerise, Suzanne, and Leah Sherman. “Contribution of Professional Artists to the Development of Art Education in Québec.” In Readings in Canadian Art Teacher Education, edited by Rita L. Irwin and Kit Grauer, 213–227. Boucherville, QC: Canadian Society for Education Through Art, 1997.
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Edward, Joan. Rediscovering McGill’s Heritage: A Collection of Pen Drawings. Montreal: McGill Development Office, 1997.
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Skidmore, Colleen. “Women Workers in Notman’s Studio : Young Ladies of the Printing Room.” History of Photography Vol. 20, no. 2 (1996): 122–128.
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Hébert Stoneberger, Jacqueline. “The Beaver Hall Group: Montréal Painters between World War I and World War II.” Master’s Thesis, University of Miami, 1996.
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Grafftey, Heward. Portraits From a Life. Montreal: Véhicule Press, 1996.
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Meadowcroft, Barbara. Lilias Torrance Newton, 1896-1980: Retrospective Exhibition, September 9-23 1995 / Lilias Torrance Newton, 1896-1980: Exposition Rétrospective, 6-23 Septembre 1995. Montreal: Galerie Walter Klinkhoff, 1995.
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Trépanier, Esther. “Marian Dale Scott (1906-1993). Une approche picturale de la ville.” In Ces femmes qui ont bâti Montréal : La petite et la grande histoire des femmes qui ont marqué la vie de Montréal depuis 350 ans, edited by Maryse Darsigny and Francine Descarries, 205–206. Montréal: Éditions du Remue-Ménage, 1994.
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St-Jean, France. “Ghitta Caiserman Roth (née en 1923) : Peintre sociale de l’après-guerre.” In Ces femmes qui ont bâti Montréal: La petite et la grande histoire des femmes qui ont marqué la vie de Montréal depuis 350 ans, edited by Maryse Darsigny, 275–276. Montréal: Édition du Remue-Ménage, 1994.
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Holowach-Amiot, Elaine. The Women’s Art Society of Montreal: A Century of Commitment to the Arts. Montreal: McCord Museum of Canadian History, 1994.
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Ferrari, Pepita, and Erna Buffie. By Woman’s Hand. Animations Piché Ferrari in co-production with Studio B, National Film Board of Canada, 1994.
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Meadowcroft, Barbara. Rediscovering Jori Smith: Selected Works, 1932-1993: 17 April-8 May 1993, Galerie Dominion. Montreal: The Galerie, 1993.
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Millar, Joyce. “The Beaver Hall Group: Painting in Montreal, 1920-1940.” Woman’s Art Journal Vol. 13, no. 1 (Spring/Summer 1992): 3–9.
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Avon, Susan. “The Beaver Hall Group Redefined.” Imposture Vol. 6 (Winter 1992): 56–61.
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Tippett, Maria. By a Lady: Celebrating Three Centuries of Art by Canadian Women. Toronto, ON: Viking, 1992.
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Sherman, Leah. “Anne Savage : A Study of Her Development as an Artist/Teacher in the Canadian Art World, 1925-1950.” In Histories of Art and Design Education : Cole to Coldstream. Burnt Mill, Harlow, Essex, England: Longman in association with the National Society for Education in Art and Design, 1992.
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Prioul, Didier. “British Landscape Artists in Quebec: From Documentary Views to a Poetic Vision.” In Painting in Quebec, 1820-1850: New Views, New Perspectives, edited by Mario Béland, 50–59. Québec: Musée du Québec, 1992.
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Nadeau-Saumier, Monique. Nina M. Owens (1869-1959). Sherbrooke, QC: Musée des beaux-arts, 1992.
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Meadowcroft, Barbara. Anne Savage, 1896-1971 : exposition rétrospective, 12-26 septembre 1992 / Anne Savage, 1896-1971 : Retrospective Exhibition. Montreal: Galerie Walter Klinkhoff, 1992.
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