Your search results
25 resources
-
Fortin, Josiane. “Le rôle des femmes dans le développement des pratiques chorégraphiques expérimentales à Montréal dans la seconde moitié du XXe siècle.” Études canadiennes / Canadian Studies Vol. 88 (2020): 269–299. https://journals.openedition.org/eccs/3738#tocto1n5.
-
Blais-Tremblay, Vanessa. “Gorgeous Girlies in Glittering Gyrations! Capital érotique et danse jazz dans l’entre-deux-guerres québécois.” Recherches féministes Vol. 32, no. 1 (2019): 89–109. https://www.erudit.org/en/journals/rf/2019-v32-n1-rf04777/1062226ar/.
-
Blais-Tremblay, Vanessa. “Jazz, Gender, Historiography : A Case Study of the ‘Golden Age’ of Jazz in Montreal (1925-1955).” PhD dissertation, McGill University, 2018. https://escholarship-test.mcgill.ca/concern/theses/12579v62c?locale=en.
-
Lecours, Marie-Josée. “La bibliothèque de la danse Vincent-Warren de Montréal.” In Bibliothèques québécoises remarquables, edited by Claude Corbo, 297–307. Montréal: Del Busso, 2017.
-
Corbo, Claude. Bibliothèques québécoises remarquables. Montréal: Del Busso, 2017.
-
Lefebvre, Marie-Thérèse. Chroniques des arts de la scène à Montréal durant l’entre-deux-guerres. Danse, théâtre, musique. Québec: Septentrion, 2016.
-
Huston, Lorne. “Le traitement des informations culturelles dans le Montreal Daily Star et The Gazette, 1919-1939.” In Chroniques des arts de la scène à Montréal durant l’entre-deux-guerres : Danse,Théâtre, Musique, edited by Marie-Thérèse Lefebvre, 40–50. Québec: Septentrion, 2016.
-
Foss, Brian. “Out on the Town: Modernism, Arts and Entertainment in Montreal, 1920-33.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 126–159. Montreal; Montreal Museum of Fine Arts, 2015.
-
Mansbridge, Joanna. “In Search of a Different History : The Remains of Burlesque in Montreal.” Canadian Theatre Review Vol. 158 (Spring 2014): 7–12.
-
Sajnani, Nisha, Warren Linds, Alan Wong, and Lisa Ndejuru. “Turning Together: Playback Theatre, Oral History, Trauma, and Arts-Based Research in the Montreal Life Stories Project.” In Remembering Mass Violence: Oral History, New Media and Performance, edited by Steven High, Edward Little, and Thi Ry Duong, 91–110. Toronto, ON: University of Toronto Press, 2014.
-
Stevens, Lys. “Miss Swing: Ethel Bruneau from Harlem to Rockhead’s.” Quebec Heritage News, Winter 2013. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_winter_2013_layout_1_reduced.pdf.
-
Roquigny, Peggy. “Les plaisirs de la danse à Montréal : transformation d’un divertissement et de ses pratiques, 1870-1940.” PhD dissertation, Université du Québec à Montréal, 2012. http://www.archipel.uqam.ca/5500/.
-
Stevens, Lys. “Ethel Bruneau : Montreal’s Rhythm Tap Legend.” Dance Collection Danse, Fall 2011. https://www.dcd.ca/download/71DCDTheMagazine.pdf.
-
Roquigny, Peggy. “Loisirs dansants de la bourgeoisie anglo-montréalaise. Transformation et persistance des lieux de pratique, 1870-1940.” Urban History Review/Revue d’histoire urbaine Vol. 40, no. 1 (October 2011): 17–29. http://www.erudit.org/revue/uhr/2011/v40/n1/1006403ar.pdf.
-
Ghandhi, Rohinton. “Jitterbug Nation: The Clash of ’39.” Quebec Heritage News, Fall 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_fall_2011_reset_layout_1_reduced.pdf.
-
Boivin, Jennifer. “From the Community to the World: Ukrainian Dance in Montréal.” Master’s Thesis, University of Alberta, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/AEU/TC-AEU-29828.pdf.
-
Cauthery, Bridget. “If Not a Shaman, Then What? : Margie Gillis and Trance.” Ethnologies Vol. 30, no. 1 (2008): 141–155. https://www.erudit.org/en/journals/ethno/2008-v30-n1-ethno2406/018839ar.pdf.
-
Comtois, Patricia. “Jeunes femmes et loisirs commerciaux durant les années folles (1919-1929) : étude des discours ecclésiastiques et journalistiques.” Master’s Thesis, Université du Québec à Montréal, 2007. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-817.pdf.
-
Cloutier, Michèle France. “The Montreal Theatre Ballet (1956-1957) : histoire d’une compagnie éphémère.” Master’s Thesis, Université du Québec à Montréal, 2005.
-
Tembeck, Iro Valaskakis. “Politics and Dance in Montreal, 1940s to 1980s : The Imaginary Maginot Line Between Anglophone and Francophone Dancers.” In Canadian Dance : Visions and Stories, edited by Selma Landen Odom and Mary Jane Warner, 278–280. Toronto, ON: Dance Collection Danse Press/es, 2004.
-
Constantinides, John. “The Sound System: Contributions to Jamaican Music and the Montreal Dancehall Scene.” Master’s Thesis, Université de Montréal, 2002. https://debate.uvm.edu/dreadlibrary/constantinides2004.htm.
-
Laplante, Benoît, and Guy Bellevance. “L’évolution de la formation des artistes québécois au xxe siècle.” Recherches sociographiques Vol. 42, no. 3 (2001): 543–584. https://www.erudit.org/en/journals/rs/2001-v42-n3-rs1612/057475ar.pdf.
-
De Lorimier, Élaine. “Eleanor Moore Ashton (1917 -) : la femme et son œuvre montréalaise.” Master’s thesis, Université du Québec à Montréal, 2000.
-
Hardt, Yvonne. “Writing Bodies: Modern Dance, Gender, and Jewish Identity in New York and Montreal, 1930 to 1960.” Essay, Concordia University, 1999.
-
Warner, Mary Jane. “Anne Fairbrother Hill: ‘A Chaste and Elegant Dancer.’” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 12, no. 2 (Fall 1991): 169–191. https://journals.lib.unb.ca/index.php/TRIC/article/view/7264.