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403 resources
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Samson, Hélène. “The Art of Photography According to Notman.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 68–73. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Parsons, Sarah. “Notman’s Studio as a Space of Performance.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 76–83. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Nelson, Charmaine A. Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica. New York, NY: Routledge, 2016.
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Nadeau, Jean-François. Les Montréalais : Portraits d’une histoire. Montréal: Les Éditions de l’Homme, 2016.
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McNabb, Heather. “The Arrival of the Notman Archives at the McCord Museum.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 230–236. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Hague, Nora. “Notman’s Numbers.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 224–229. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Esteves, Filipa. “La position historique des artistes issus de l’immigration : le cas de Leopold Plotek.” Master’s Thesis, Université de Montréal, 2016. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/18743/Esteves_Filipa_2016_memoire.pdf?sequence=2&isAllowed=y.
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Samson, Hélène, and Suzanne Sauvage, eds. Notman: A Visionary Photographer. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Trépanier, Esther. “The Beaver Hall Group: A Montreal Modernity.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 160–261. Montreal: Montreal Museum of Fine Arts, 2015.
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Trépanier, Esther. “1920 : création du Groupe de Beaver Hall : des femmes font jazzer la couleur.” In De la Belle époque à la Crise: Chroniques de la vie culturelle à Montréal, edited by Denis Saint-Jacques and Marie-José des Rivières, 245–259. Montréal: Nota Bene, 2015.
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Skelly, Julia. “The Politics of Drunkenness: John Henry Walker, John A. Macdonald, and Graphic Satire.” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 40, no. 1 (2015): 71–84. http://www.uaac-aauc.com/sites/default/files/40_1_Skelly.pdf.
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Sicotte, Hélène. “Intersecting Paths of Budding Artists.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 113–125. Montreal: Montreal Museum of Fine Arts, 2015.
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Prakash, A. K. Impressionism in Canada: A Journey of Rediscovery. Stuttgart, Germany: Arnoldsche Art Publishers, 2015.
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McNabb, Heather. “Visions of Canada: Photographs and History in a Museum, 1921-1967.” PhD dissertation, Concordia University, 2015. https://spectrum.library.concordia.ca/980517/1/McNabb_PhD_F2015.pdf.
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Hunrault, Kristina. “‘As Well as Men’: The Gendering of Beaver Hall.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 262–292. Montreal: Montreal Museum of Fine Arts, 2015.
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Foss, Brian. “Out on the Town: Modernism, Arts and Entertainment in Montreal, 1920-33.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 126–159. Montreal; Montreal Museum of Fine Arts, 2015.
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Fleming, Arwen Jean. “David Marvin’s Griffintown: An Archival Exploration of a Ghosted Neighbourhood.” Master’s thesis, Concordia University, 2015. https://spectrum.library.concordia.ca/980525/1/Fleming_MA_F2015.pdf.
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Durante, Agnes. “The Visual Politics of the Female Form in 1920s Canada.” PhD dissertation, York University, 2015. https://yorkspace.library.yorku.ca/xmlui/handle/10315/30630.
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Des Rochers, Jacques. “Setting the Stage: The Emergence of the Beaver Hall Group.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 39–55. Montreal: Montreal Museum of Fine Arts, 2015.
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Des Rochers, Jacques. “Defining the Beaver Hall Group Today.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 57–112. Montreal: Montreal Museum of Fine Arts, 2015.
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Des Rochers, Jacques, and Brian Foss, eds. 1920s Modernism in Montreal: The Beaver Hall Group. Montreal: Montreal Museum of Fine Arts, 2015.
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Wiseman, Lauren. “The Work of Louis Muhlstock: A Compassionate Despiction of Depression-Era Subjects.” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 91–100. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Wing, Emily. “On Different Sides of the Studio: Chinese Male and Female Sitters in Montreal’s Photographic Portraiture, Pre Exclusion Era (1885-1923).” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 77–90. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Bordeleau-Cass, Jaya. “Through the Lens of William Notman’s Camera: The Exoticization of ‘Indianness’ in Montreal Fancy Dress Balls and Skating Carnivals.” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 3–15. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Truchon, Caroline. “Entre passion et raison : une histoire du collectionnement privé à Montréal (1850-1910).” PhD dissertation, Université de Montréal, 2014. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/18363/Truchon_Caroline_2014_these.pdf?sequence=10&isAllowed=y.
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Stanworth, Karen. Visibly Canadian: Imaging Collective Identities in the Canadas, 1820-1910. Montreal and Kingston: McGill-Queen’s University Press, 2014.
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Ramirez, Bruno. “Immigrants italiens dans l’espace social et culturel montréalais : une synthèse historique.” In Histoires d’immigrations au Québec, edited by Guy Berthiaume, Claude Corbo, and Sophie Montreuil, 43–59. Québec: Presses de l’Université du Québec, 2014.
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Parsons, Sarah. “William Notman: Life & Work.” Electronic monograph. Art Canada Institute / Institut de l’art Canadien. Last modified 2014. https://www.pinterest.ca/artcaninstitute/william-notman-life-work-by-sarah-parsons/.
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Des Rochers, Jacques. “Circonscrire l’œuvre : quelques notes au sujet des encadrements d’œuvres de membres du Groupe de Beaver Hall.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 35, no. 2 (2014): 207–211. http://jcah-ahac.concordia.ca/en/archive.
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Blanchette, Jean-François. “Collectionner le Québec de tradition française à la manière de Nettoe Covey Sharpe.” In Du coq à l’âme : l’art populaire au Québec, 39–61. Gatineau, QC: Musée canadien de l’histoire / Les Presses de l’Université d’Ottawa, 2014. https://www.historymuseum.ca/cmc/exhibitions/arts/sharpe/sharpe_e.html.
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