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175 resources
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Nasrallah, Dimitri. “Stepping Out: The Birth of Montreal’s Music Industry.” Quebec Heritage News, Winter 2012. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_winter_2012_second_version_layout_1.pdf.
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Mimnagh, Keely. “The Music Criticism of Jacob Siskind : A Case Study of Corpus Linguistic Analysis.” Master’s Thesis, Carleton University, 2012. https://repository.library.carleton.ca/concern/etds/pg15bf42c?locale=en.
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Middles, Mick. Arcade Fire: Behind the Black Mirror. London, England: Omnibus Press, 2012.
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Light, Alan. The Holy of the Broken: Leonard Cohen, Jeff Buckley & the Unlikely Ascent of Hallelujah. New York, NY: Atria Books, 2012.
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Glazer, Aubrey L. “Leonard Cohen and The Tosher Rebbe: On Exile as Redemptions in Canadian Jewish Mysticism.” Canadian Jewish Studies / Études juives canadiennes Vol. 20, no. 1 (2012): 149–189. http://pi.library.yorku.ca/ojs/index.php/cjs/article/view/34696.
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Burns, Patricia. Life on the Home Front: Montreal 1939-1945. Montreal: Véhicule Press, 2012.
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Bellavance, Guy, and Christian Poirier. “Champ culturel et espace montréalais (I) : la vie culturelle à Montréal avant 1960.” In Histoire de Montréal et de sa région. Tome II. De 1930 à nos jours, edited by Dany Fougères, 1285–1320. Les régions du Québec. Québec: Les Presses de l’Université Laval, 2012. http://www.chairefernanddumont.ucs.inrs.ca/wp-content/uploads/2013/09/PoirierC_BellavanceG_2012_Champ_culturel_et_espace_montrealais_I_La_vie_culturelle_a_Montreal_avant_1960.pdf.
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Boucher, Denis. “Église Erskine and American : Un patrimoine polyphonique.” Continuité, t 2011. https://www.erudit.org/fr/revues/continuite/2011-n129-continuite1812835/64384ac.pdf.
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Cohen, Judith R. “Selanikli Humour in Montreal : The Repertoire of Bouena Sarfatty Garfinkle.” In Judeo Espaniol : Textos Satíricos Judeoespañoles, de Salonicenses o Sobre Salonicences / Judeo-Espaniol : Satirical Texts in Judeo-Spanish by and about the Jews in Thessaloniki, edited by Rena Molho, Hilary Pomeroy, and Elena Romero, 220–242. Thessaloniki, Greece: ETS Ahaim Foundation, 2011.
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Palmer, Tony. Leonard Cohen: Bird on a Wire. DVD. Tony Palmer Films, 2010.
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Cappelletti, Arrigo. Paul Bley: The Logic of Chance. Translated by Gregory Burk. Montreal: Véhicule Press, 2010.
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Lam, Emily. “‘People Didn’t Call It Klezmer’: Klezmer Music in Jewish Montreal 1924-1970.” Student Journal of Canadian Jewish Studies Vol. 3, no. 1 (Spring 2009): 40–70. http://portico.concordia.ca/canadianjewishjournal/assets/downloads/articlesspring2009.pdf.
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MacLeod, Rod. “Harry Norris : Ode to Montreal West’s Wandering Minstrel.” Quebec Heritage News, April 2009. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_mar-apr_2009_web-version_0.pdf.
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Morris, Kim Chow. “‘Small Has No Inside, Big Has No Outside’: Montreal’s Chinese Diaspora Breaks Out/In Music.” MUSICultures: Canadian Society for Traditional Music/Société canadienne pour les traditions musicales Vol. 36 (2009): 49–82. http://journals.hil.unb.ca/index.php/MC/article/view/20246.
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Cummins-Russel, Thomas. “Networks in Montreal’s Independent Music Industry.” Master’s Thesis, Concordia University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976639.pdf.
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Battle, Shevaughn. “‘The Beginning After the End’: Independent Music, Canadian Cultural Policy and the Montreal Indie Music Scene.” Master’s thesis, Concordia University, 2009. https://spectrum.library.concordia.ca/976402/1/MR63287.pdf.
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Maki, Christine. “The Conservation of a Gender Fantasy: Women and Top 40 Radio in Montreal.” Master’s Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=22016&silo_library=GEN01.
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Fauteux, Brian. “Campus Frequencies: The ‘Alternativeness’ of Campus Radio Broadcasting.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR45295.PDF.
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Elliott, Robin. “István Anhalt and New Music at McGill.” In Compositional Crossroads: Music, McGill, Montreal, edited by Eleanor V. Stubley, 33–55. Montreal and Kingston: McGill-Queen’s University Press, 2008.
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Stubley, Eleanor V., ed. Compositional Crossroads: Music, McGill, Montreal. Montreal and Kingston: McGill-Queen’s University Press, 2008.
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Wolfson, Elliot R. “New Jerusalem Glowing: Songs and Poems of Leonard Cohen in a Kabbalistic Key.” Kabbalah: Journal for the Study of Jewish Mystical Texts Vol. 15 (2006): 103–153. http://themathesontrust.org/papers/judaism/wolfson-new_jerusalem_glowing.pdf.
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Sansregret, Marthe. Oliver Jones. The Musician, the Man: A Biography. Montreal: XYZ, 2006.
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Rodgers, Guy. “The Jazz Scene in Montreal during the Second World War : Johnny Holmes Gave Starts to Oscar Peterson, Maynard Ferguson.” Quebec Heritage News, October 2005. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/QHN%20September-October%202005.pdf.
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Hornbacher, Marya. “Return of a Virtuoso.” Smithsonian Magazine Vol. 35, no. 10 (January 2005): 56–62.
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Brott, Alexander, and Betty Nygaard King. My Lives in Music. Oakville, ON: Mosaic Press, 2005.
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Marrelli, Nancy. Stepping Out: The Golden Age of Night Clubs in Montreal, 1925-1955. Montreal: Véhicule Press, 2004.
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Burgess, Joanne. “Le centre victorien : commerce et culture, 1850-1880.” In L’histoire de Vieux Montréal à travers son patrimoine, edited by Gilles Lauzon and Madeleine Forget, 151–198. Sainte-Foy, QC: Les publications du Québec, 2004.
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Boucher, David. Dylan and Cohen : Poets of Rock and Roll. New York, NY: Continuum Publishing Group, 2004.
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Stahl, Geoff. “Crisis? What Crisis?: Anglophone Musicmakers in Montreal.” PhD dissertation, McGill University, 2003. http://www.collectionscanada.gc.ca/obj/s4/f2/dsk3/QMM/TC-QMM-19483.pdf.
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Mathieu, Catherine. “La musique anglo-québecoise depuis les années 80.” Student essay, Université de Montréal, 2003. http://tagg.org/xpdfs/CathMathieuAngloQbc.pdf.
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