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Vachon, Christian. “Notman, Creator of the First Halftone.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 152–157. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Truchon, Caroline. “Collectionner à Montréal au 19e siècle : Gerald E. Hart et la construction d’une pratique utile.” In À la recherche du savoir: Nouveaux échanges sur les collections du Musée McCord / Collecting Knowledge: New Dialogues on McCord Museum, edited by Joanne Burgess, Cynthia Cooper, Céline Widmer, and Natasha Zwarich, 101–114. Montréal: Éditions MultiMondes, 2016.
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Straw, Will. “Media Networks and Language Crossing in Montreal.” In Speaking Memory: How Translation Shapes City Life, edited by Sherry Simon, 153–168. Montreal and Kingston: McGill-Queen’s University Press, 2016.
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Schwartz, Joan M. “With Word and Image: Notman and the Photographically Illustrated Book.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 144–151. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Samson, Hélène. “The Art of Photography According to Notman.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 68–73. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Parsons, Sarah. “Notman’s Studio as a Space of Performance.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 76–83. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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McNabb, Heather. “The Arrival of the Notman Archives at the McCord Museum.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 230–236. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Leitch, Gillian I. “Claiming the Streets: Negotiating National Identities in Montreal’s Parades, 1840-1880.” In Celebrating Canada. Volume 1: Holidays, National Days and the Crafting of Identities, edited by Matthew Hayday and Raymond B. Blake, 29–53. Toronto, ON: University of Toronto Press, 2016.
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King, Jason. “‘Une Voix d’Irlande’: Integration, Migration, and Travelling Nationalism Between Famine Ireland and Quebec.” In Famine Irish: Emigration and the Great Hunger, edited by Ciarán Reilly, 194–207. Dublin, Ireland: The History Press Ireland, 2016.
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Huston, Lorne. “Le traitement des informations culturelles dans le Montreal Daily Star et The Gazette, 1919-1939.” In Chroniques des arts de la scène à Montréal durant l’entre-deux-guerres : Danse,Théâtre, Musique, edited by Marie-Thérèse Lefebvre, 40–50. Québec: Septentrion, 2016.
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Huston, Lorne. “‘Empire’ et ‘Nation’ dans le regard du Montreal Star sur la scène dramatique francophone : Les chroniques de Samuel Morgan-Powell (1913-1953).” In Chroniques des arts de la scène à Montréal durant l’entre-deux-guerres : Danse,Théâtre, Musique, edited by Marie-Thérèse Lefebvre, 167–194. Québec: Septentrion, 2016.
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Horner, Daniel. “Port Cities in Crisis: Considering Urban Governance, Modernity and Migration in Mid-Nineteenth-Century Montreal and Liverpool in a Transnational Context.” In Cities Beyond Borders: Comparative and Tansnational Approaches to Urban History, edited by Nicolas Kenny and Rebecca Madgin, 43–60. London, England: Ashgate Press, 2016.
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Hague, Nora. “Notman’s Numbers.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 224–229. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Grenier, Gilles, and Serge Nadeau. “English as the Lingua Franca and the Economic Value of Other Languages : The Case of the Language of Work in the Montreal Labor Market.” In The Economics of Language Policy, edited by Michele Gazzola and Bengt-Arne Wickström, 267–312. Cambridge, MA: The MIT Press, 2016.
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Eleff, Zev. “They Who Control the Time : The Orthodox Alliance of Abraham De Sola and Jacques Judah Lyons and the Nineteenth-Century Jewish Calendar.” In Neither in Dark Speeches nor in Similitudes : Reflections and Refractions between Canadian and American Jews, edited by Barry L. Stiefel and Hernan Tesler-Mabé, 95–110. Waterloo, ON: Wilfrid Laurier University Press, 2016. https://www.academia.edu/30895334/_They_Who_Control_the_Time_The_Orthodox_Alliance_of_Abraham_De_Sola_and_Jacques_Judah_Lyons_and_the_Nineteenth_Century_Jewish_Calendar_95-110._In_The_Borderlands_of_Jewish_Identity._Eds._Barry_Stiefel_and_Herman_Tesler-Mabe._Waterloo_Ontario_Wilfrid_Laurier_University_Press_2016.
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Cancian, Sonia. “From Montreal and Venice with Love: Migrant Letters and Romantic Intimacy in Italian Migration to Postwar Canada.” In Sisters or Strangers? Immigrant, Ethnic or Racialized Women in Canadian History, edited by Franca Iacovetta and Marlene Epp, 191–200. 2nd ed. Toronto, ON: University of Toronto Press, 2016.
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Burge, John. “Talbot Papineau, the Future All before Him.” In Three Soldiers and the Ethos of Service: The First World War and What We Left Behind, 26–54. [S.l.]: social-ethos.com/, 2016. https://social-ethos.com/wp-content/uploads/2016/06/revised-ethos1.pdf.
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Abrams, Jeanne. “‘Chasing the Cure’ on Both Sides of the Border : Jewish Tuberculosis Sanatoriums in Denver and Montreal.” In Neither in Dark Speeches nor in Similitudes : Reflections and Refractions between Canadian and American Jews, edited by Barry L. Stiefel and Hernan Tesler-Mabé. Waterloo, ON: Wilfrid Laurier University Press, 2016.
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Trépanier, Esther. “The Beaver Hall Group: A Montreal Modernity.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 160–261. Montreal: Montreal Museum of Fine Arts, 2015.
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Trépanier, Esther. “1920 : création du Groupe de Beaver Hall : des femmes font jazzer la couleur.” In De la Belle époque à la Crise: Chroniques de la vie culturelle à Montréal, edited by Denis Saint-Jacques and Marie-José des Rivières, 245–259. Montréal: Nota Bene, 2015.
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Spergel, Julie. “Gendered Experience in Chava Rosenfarb’s The Tree of Life : A Trilogy of Life in the Łódź Ghetto.” In Women Writers of Yiddish Literature : Critical Essays, edited by Rosemary Horowitz, 208–229. Jefferson, NC: McFarland and Company, 2015.
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Sicotte, Hélène. “Intersecting Paths of Budding Artists.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 113–125. Montreal: Montreal Museum of Fine Arts, 2015.
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Margolis, Rebecca. “Yiddish at a Crossroads: The Jewish Public Library in 1954.” In The Future of the Past: The Jewish Public Library of Montreal, 1914-2014, edited by Ira Robinson, Rivka Augenfeld, and Karen Biskin, 26–42. Montreal: Hungry I Books/Concordia Institute for Jewish Studies, 2015.
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Kircher, Ruth. “Quebec’s Shift from Ethnic to Civic National Identity : Implications for Language Attitudes Among Immigrants in Montreal.” In Language and Identity : Discourse in the World, edited by David Evans, 55–80. London, England: Bloomsbury Academic, 2015.
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King, Jason. “French-Canadian and Irish Memories of Montreal’s Famine Migration of 1847.” edited by Patrick Fitzgerald, Christine Kinealy, and Gerard Moran, 95–106. West Haven, CT: Quinnipiac University Press, 2015.
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Huston, Lorne. “L’élite montréalaise qui se cache dans les nouvelles humoristiques du professeur Leacock: Publication du Arcadian Adventures with the Idle Rich (1914).” edited by Denis Saint-Jacques and Marie-José des Rivières, 149–162. Montréal: Nota Bene, 2015.
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Hunrault, Kristina. “‘As Well as Men’: The Gendering of Beaver Hall.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 262–292. Montreal: Montreal Museum of Fine Arts, 2015.
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Foss, Brian. “Out on the Town: Modernism, Arts and Entertainment in Montreal, 1920-33.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 126–159. Montreal; Montreal Museum of Fine Arts, 2015.
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Des Rochers, Jacques. “Setting the Stage: The Emergence of the Beaver Hall Group.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 39–55. Montreal: Montreal Museum of Fine Arts, 2015.
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Des Rochers, Jacques. “Defining the Beaver Hall Group Today.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 57–112. Montreal: Montreal Museum of Fine Arts, 2015.
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