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29 resources
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Béland, Mario. “Daniel Charles Grose à Québec.” Cap-aux-Diamants, Automne 2021.
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Béland, Mario. “William Brymner en Irlande.” Cap-aux-Diamants No. 132 (Hiver 2018): 47–48.
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Mackey, Frank. “A Painter’s Progress.” Connections: Journal of The Quebec Family History Society, June 2017.
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Prakash, A. K. Impressionism in Canada: A Journey of Rediscovery. Stuttgart, Germany: Arnoldsche Art Publishers, 2015.
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Truchon, Caroline. “Entre passion et raison : une histoire du collectionnement privé à Montréal (1850-1910).” PhD dissertation, Université de Montréal, 2014. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/18363/Truchon_Caroline_2014_these.pdf?sequence=10&isAllowed=y.
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Lerner, Loren. “William Notman’s Photographic Selections (1863).” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 33, no. 1 (2012): 16–45. http://jcah-ahac.concordia.ca/fr/archive/2012_33-1.
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Burton, Samantha. “Canadian Girls in London: Negotiating Home and Away in the British World at the Turn of the Twentieth Century.” PhD dissertation, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=107634&silo_library=GEN01.
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Sorbelli, Silvia. “Renaissance Art in Montreal: The City’s Early Collectors and Their Gifts to the Art Association of Montreal and the Montreal Museum of Fine Arts.” Master’s Thesis, Concordia University, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR70958.PDF.
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Boutillier, Alicia, and Paul Maréchal, eds. William Brymner: Artist, Teacher, Colleague. Kingston, ON: Agnes Etherington Art Centre, 2010.
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Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.
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Trudel, Jean. “L’Art Association of Montreal : Les années d’incertitude : 1863-1877 (Première partie).” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 29 (2008): 116–145. http://jcah-ahac.concordia.ca/fr/archive/2009_30.
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Sicotte, Hélène. “L’Implantation de la galerie d’art à Montréal : le cas de W. Scott & Sons, 1859-1914. Comment la révision du concept d’œuvres d’art autorisa la spécialisation du commerce d’art.” PhD dissertation, Université du Québec à Montréal, 2003.
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Graham, Conrad. “Cornelius Krieghoff and the Shakspeare [Sic] Club.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 24, no. 1/2 (2003): 46–59. http://jcah-ahac.concordia.ca/en/archive/2003_24.
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Nadeau-Saumier, Monique. “L’exceptionnelle contribution de Samuel Foote Morey (1845-1926) au développement culturel de la ville de Sherbrooke.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 21 (Automne 2002): 99–114. http://www.etrc.ca/journal/jets-archive/.
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Sicotte, Hélène. “Le rôle de la vente publique dans l’essor du commerce d’art à Montréal au XIXe siècle : le cas de W. Scott & Sons ou comment le marchand d’art supplanta l’encanteur.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 23, no. 1–2 (2002): 6–33.
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Bondil, Nathalie, and Hélène Lamarche. The Museum of Fine Arts, Montreal. Translated by Margaret Clarke. Paris and Montreal: Fondation BNP Paribas and Montreal Museum of Fine Arts, 2001.
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Béland, Mario. “Montréal vu par John P. Drake.” Cap-aux-Diamants No. 52 (Hiver 1998): 63. https://www.erudit.org/fr/revues/cd/1998-n52-cd1042789/8106ac.pdf.
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Béland, Mario. “Le lieutenant William J. Hugues.” Cap-aux-Diamants No. 47 (Automne 1996): 55. https://www.erudit.org/en/journals/cd/1996-n47-cd1041940/8243ac.pdf.
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Haskins, Heather Victoria. “Bending the Rules: The Montreal Branch of the Women’s Art Association of Canada, 1894-1900.” Master’s Thesis, Concordia University, 1995. http://spectrum.library.concordia.ca/6199/.
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Trudel, Jean. “Aux origines du Musée des beaux-arts de Montréal : la fondation de l’Art Association of Montreal en 1860.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 15, no. no, 1 (1992): 31–62. http://jcah-ahac.concordia.ca/fr/archive/1992_15-1.
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Lesser, Gloria. “The R.B. Angus Art Collection: Paintings, Watercolours and Drawings.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 15, no. 1 (1992): 108–123. http://jcah-ahac.concordia.ca/en/archive/1992_15-1.
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Graham, Conrad. Mount Royal : Early Plans and Views of Montreal/Ville Marie : vues et plans anciens de Montréal. Montreal: McCord Museum of Canadian History, 1992.
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Trudel, Jean. “The Montreal Society of Artists : Une galerie d’art contemporain à Montréal en 1847.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 13, no. 1 (1990): 61–87. http://jcah-ahac.concordia.ca/fr/archive/1990_13-1.
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Brooke, Janet M. Discerning Tastes: Montreal Collectors, 1880-1920. Montreal: Montreal Museum of Fine Arts, 1989.
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Stirling, J. Craig. “The Development of Art Institutions in Quebec and Ontario (1876-1914) and the South Kensington Influence.” PhD dissertation, University of Edinburgh, 1988.
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de Pencier, Honor. Posted to Canada : The Watercolours of George Russell Dartnell, 1835-1844. Toronto, ON: Dundurn Press, 1987.
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Milborne, A. J. B. “The Mural Paintings in the Montreal Masonic Memorial Temple.” In The Papers of the Masonic Research Association, 1949-1976, 1:251–272. [S.l.]: The Heritage Lodge No. 730, A.F. & A.M., G.R.C., 1986. https://archive.org/details/papersofcanadian01cana.
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Bazin, Jules. “Un peintre américain à Montréal.” Vie des arts No. 66 (1972): 19–23.
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McInnes, G. Campbell. “Art and Philistia : Some Sidelights on Aesthetic Taste in Montreal and Toronto, 1880–1910.” University of Toronto Quarterly Vol. 6, no. 4 (July 1937): 515–524.