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34 resources
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Lam, Emily. “‘People Didn’t Call It Klezmer’: Klezmer Music in Jewish Montreal 1924-1970.” Student Journal of Canadian Jewish Studies Vol. 3, no. 1 (Spring 2009): 40–70. http://portico.concordia.ca/canadianjewishjournal/assets/downloads/articlesspring2009.pdf.
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MacLeod, Rod. “Harry Norris : Ode to Montreal West’s Wandering Minstrel.” Quebec Heritage News, April 2009. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_mar-apr_2009_web-version_0.pdf.
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Morris, Kim Chow. “‘Small Has No Inside, Big Has No Outside’: Montreal’s Chinese Diaspora Breaks Out/In Music.” MUSICultures: Canadian Society for Traditional Music/Société canadienne pour les traditions musicales Vol. 36 (2009): 49–82. http://journals.hil.unb.ca/index.php/MC/article/view/20246.
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Cummins-Russel, Thomas. “Networks in Montreal’s Independent Music Industry.” Master’s Thesis, Concordia University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976639.pdf.
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Battle, Shevaughn. “‘The Beginning After the End’: Independent Music, Canadian Cultural Policy and the Montreal Indie Music Scene.” Master’s thesis, Concordia University, 2009. https://spectrum.library.concordia.ca/976402/1/MR63287.pdf.
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Maki, Christine. “The Conservation of a Gender Fantasy: Women and Top 40 Radio in Montreal.” Master’s Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=22016&silo_library=GEN01.
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Fauteux, Brian. “Campus Frequencies: The ‘Alternativeness’ of Campus Radio Broadcasting.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR45295.PDF.
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Elliott, Robin. “István Anhalt and New Music at McGill.” In Compositional Crossroads: Music, McGill, Montreal, edited by Eleanor V. Stubley, 33–55. Montreal and Kingston: McGill-Queen’s University Press, 2008.
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Stubley, Eleanor V., ed. Compositional Crossroads: Music, McGill, Montreal. Montreal and Kingston: McGill-Queen’s University Press, 2008.
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Wolfson, Elliot R. “New Jerusalem Glowing: Songs and Poems of Leonard Cohen in a Kabbalistic Key.” Kabbalah: Journal for the Study of Jewish Mystical Texts Vol. 15 (2006): 103–153. http://themathesontrust.org/papers/judaism/wolfson-new_jerusalem_glowing.pdf.
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Sansregret, Marthe. Oliver Jones. The Musician, the Man: A Biography. Montreal: XYZ, 2006.
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Rodgers, Guy. “The Jazz Scene in Montreal during the Second World War : Johnny Holmes Gave Starts to Oscar Peterson, Maynard Ferguson.” Quebec Heritage News, October 2005. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/QHN%20September-October%202005.pdf.
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Hornbacher, Marya. “Return of a Virtuoso.” Smithsonian Magazine Vol. 35, no. 10 (January 2005): 56–62.
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Brott, Alexander, and Betty Nygaard King. My Lives in Music. Oakville, ON: Mosaic Press, 2005.
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Marrelli, Nancy. Stepping Out: The Golden Age of Night Clubs in Montreal, 1925-1955. Montreal: Véhicule Press, 2004.
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Burgess, Joanne. “Le centre victorien : commerce et culture, 1850-1880.” In L’histoire de Vieux Montréal à travers son patrimoine, edited by Gilles Lauzon and Madeleine Forget, 151–198. Sainte-Foy, QC: Les publications du Québec, 2004.
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Boucher, David. Dylan and Cohen : Poets of Rock and Roll. New York, NY: Continuum Publishing Group, 2004.
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Stahl, Geoff. “Crisis? What Crisis?: Anglophone Musicmakers in Montreal.” PhD dissertation, McGill University, 2003. http://www.collectionscanada.gc.ca/obj/s4/f2/dsk3/QMM/TC-QMM-19483.pdf.
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Mathieu, Catherine. “La musique anglo-québecoise depuis les années 80.” Student essay, Université de Montréal, 2003. http://tagg.org/xpdfs/CathMathieuAngloQbc.pdf.
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Marin, Reva. Oscar: The Life and Music of Oscar Peterson. Toronto: Douglas & McIntyre, 2003.
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Peterson, Oscar. Jazz Odyssey: The Life of Oscar Peterson. London, England: Continuum, 2002.
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Lazar, Barry. “La culture anglophone à la conquête du Québec.” In L’Annuaire du Québec 2003 : toute l’année politique, sociale, économique et culturelle, edited by Michel Venne and Roch Côté, 135–140. Montréal: Fides, 2002.
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Constantinides, John. “The Sound System: Contributions to Jamaican Music and the Montreal Dancehall Scene.” Master’s Thesis, Université de Montréal, 2002. https://debate.uvm.edu/dreadlibrary/constantinides2004.htm.
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Barris, Alex. Oscar Peterson: A Musical Biography. Scarborough, ON: Harper Collins Canada, 2002.
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Reynolds, Mark. “Toot Sweet: When Jazz Ruled Montreal.” The Beaver Vol. 81, no. 3 (July 2001): 26–32.
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Stahl, Geoff. “Tracing Out an Anglo-Bohemia: Musicmaking and Myth in Montréal.” Public Vol. 22/23 (2001): 99–121. https://public.journals.yorku.ca/index.php/public/article/view/30328.
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Rasky, Harry. The Song of Leonard Cohen: Portrait of a Poet, a Friend and a Film. Oakville, ON: Mosaic Press, 2001.
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Lefebvre, Marie-Thérèse. “La semaine annuelle de musique de Montréal sous les auspices du Delphic Study Club, 1923–1937.” Canadian University Music Review / Revue de musique des universités canadiennes Vol. 21, no. 2 (2001): 60–76. https://www.erudit.org/en/journals/cumr/2001-v21-n2-cumr0473/1014485ar.pdf.
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Laplante, Benoît, and Guy Bellevance. “L’évolution de la formation des artistes québécois au xxe siècle.” Recherches sociographiques Vol. 42, no. 3 (2001): 543–584. https://www.erudit.org/en/journals/rs/2001-v42-n3-rs1612/057475ar.pdf.
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Nonnekes, Paul. Three Moments of Love in Leonard Cohen and Bruce Cockburn: Desire, Love and Politics, from the Masculine Perspective. Montreal: Black Rose Press, 2000.
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