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Béland, Mario. “Daniel Charles Grose à Québec.” Cap-aux-Diamants, Automne 2021.
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Gallop, Mark W. “Thomas and Ellen Castle : Bringing Ancestors out of the Shadows, with Four Plot Twists Along the Way. Part 1.” Connections: Journal of The Quebec Family History Society Vol. 41, no. 2 (February 2019): 13–16.
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Mackey, Frank. “A Painter’s Progress.” Connections: Journal of The Quebec Family History Society, June 2017.
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Grignon, Marc. “Architecture and ‘Environmentality’ in the Nineteenth Century.” Journal of the Society for the Study of Architecture in Canada /Journal de la Société pour l’étude de l’architecture au Canada Vol. 39, no. 2 (2014): 65–77. https://dalspace.library.dal.ca/bitstream/handle/10222/64726/Pages%20from%20vol39_no2_65_77.pdf?sequence=1&isAllowed=y.
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Bernier, Geneviève. “La bourgeoisie en portrait au Bas-Canada (1790-1830).” Master’s thesis, Université Laval, 2012. http://www.theses.ulaval.ca/2012/29172/.
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Turcot, Laurent. “The Surrender of Montreal to General Amherst de Francis Hayman et l’identité impériale britannique.” Mens: Revue d’histoire intellectuelle et culturelle Vol. 12, no. 1 (Automne 2011): 91–135. https://www.erudit.org/fr/revues/mens/2011-v12-n1-mens0146/1010567ar.pdf.
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McGuire, Susan. “Discovered by Descendants : William Satchwell Leney, 1769-1831.” Quebec Heritage News, Summer 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_summer_2011_layout_1_reduced.pdf.
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Malboeuf, David, and Rima Hammoudi. Jennifer Hornyak. Montreal: Jennifer Hornyak, 2011.
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Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.
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Nadeau-Saumier, Monique. “The Impact of Immigration on Art, History and Architecture.” Histoire Québec, 2008. https://www.erudit.org/en/journals/hq/2008-v14-n2-hq1059842/11378ac.pdf.
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Nadeau-Saumier, Monique. “Caractéristiques historiques et culturelles des Cantons-de-l’Est.” Histoire Québec, 2008. https://www.erudit.org/en/journals/hq/2008-v14-n2-hq1059842/11379ac.pdf.
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O’Brien, Donald C. “William Satchwell Leney, Artist, Engraver and Entrepreneur.” Imprint Vol. 31, no. 1 (Spring 2006): 2–13.
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Samulak, Anna Regina Christine. “Krieghoff in Context: Souvenir Paintings of the Habitant Community in Nineteenth-Century British North America.” Master’s Thesis, Queen’s University, 2006.
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Parkinson, Kamille T. H. “Philip John Bainbrigge and the Group of 1838: Imperial Landscapes and the Colonial Art Scene in Canada.” PhD dissertation, Queen’s University, 2005.
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Parent, Alain. Entre empire et nation : les représentations de la ville de Québec et de ses environs, 1760-1833. Sainte-Foy, QC: Presses de l’Université Laval, 2005.
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Lamarche, Hélène. “Elizabeth Frances Hale, seigneuresse et artiste.” Mémoires de la Société généalogique canadienne-française, t 2004.
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Burant, Jim, ed. Drawing on the Land : The New World Travel Diaries and Watercolours of Millicent Mary Chaplin, 1838-1842. Ottawa, ON: Penumbra Press, 2004.
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Parent, Alain. “Entre empire et nation : Gravures de la ville de Québec et des environs, 1760-1833.” PhD dissertation, Université Laval, 2003. http://theses.ulaval.ca/archimede/fichiers/20940/20940.html.
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Guay, Odette. “L’iconographie des chutes d’eau de la région de Québec, 1759-1890.” Master’s Thesis, Université Laval, 2002.
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Drouin, Daniel. “Benjamin Fisher : Le militaire aquarelliste.” Continuité, t 2001. https://www.erudit.org/en/journals/continuite/2004-n101-continuite1056439/15676ac.pdf.
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Skidmore, Colleen. “‘All That Is Interesting in the Canadas’ : William Notman’s Maple Box Portfolio of Stereographic Views, 1860.” Journal of Canadian Studies/Revue d’études canadiennes Vol. 32, no. 4 (Winter 1998): 69–90.
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Prioul, Didier. “British Landscape Artists in Quebec: From Documentary Views to a Poetic Vision.” In Painting in Quebec, 1820-1850: New Views, New Perspectives, edited by Mario Béland, 50–59. Québec: Musée du Québec, 1992.
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Prioul, Didier. “Les paysagistes britanniques au Québec : de la vue documentaire à la vision poétique.” In La Peinture au Québec, 1820-1850: nouveaux regards, nouvelles perspectives, edited by Mario Béland, 50–59. Québec: Musée du Québec & Les Publications du Québec, 1991.
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Gignac, Gilbert. “Elizabeth Frances Hale: 1774-1826.” In La Peinture au Québec 1820-1850: Nouveaux Regards, Nouvelles Perspectives, edited by Mario Béland, 276–282. Québec: Musée du Québec, 1991.
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Gustavison, Susan J. “Robert J. Wickenden (1861-1931) and the Late Nineteenth-Century Print Revival.” Master’s Thesis, Concordia University, 1989. http://spectrum.library.concordia.ca/4140/1/ML51387.pdf.
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Caulfield, Jon. “Three Preconfederation Painters of the Canadian City. Part I: James Cockburn.” Urban History Review/Revue d’histoire urbaine Vol. 16, no. 1 (June 1987): 69–77. https://www.erudit.org/en/journals/uhr/1987-v16-n1-uhr0777/1017947ar.pdf.
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Kollar, Kathryn L. John Arthur Fraser, 1838-1898: Watercolours / John Arthur Fraser, 1838-1898: Aquarelles. Montreal: Concordia Art Gallery, 1984.
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Grigor, Angela Nairne. “Arthur Lismer: A Critical Analysis of His Pedagogy in Relation to His Use of the Project Method in Child-Centered Art Education.” Master’s Thesis, Concordia University, 1982. https://spectrum.library.concordia.ca/2572/1/MK58418.pdf.
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Doyon, Pierre. “Les aquarellistes britanniques se l’Académie Royale Militaire de Woolwich et la représentation du paysage québécois de 1759 à 1871.” Master’s Thesis, Université de Montréal, 1982.
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Rosenfeld, Roslyn. “Miniatures and Silhouettes in Montreal, 1760-1860.” Master’s Thesis, Concordia University, 1981. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3683.pdf.
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