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Gagnon, François-Marc. “Le Lac Memphrémagog et les peintres.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 14 (printemps 1999): 9–17.
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St-Jean, France. “La réception critique dans la presse montréalaise francophone des décennies 1930 et 1940 de l’œuvre de cinq femmes artistes : Prudence Heward, Lilias Torrance Newton, Anne Savage, Marian Scott et Jori Smith.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Reid, Dennis. Krieghoff: Images of Canada. Vancouver and Toronto: Douglas & McIntyre; and Art Gallery of Ontario, 1999.
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Meadowcroft, Barbara. Painting Friends: The Beaver Hall Women Painters. Montreal: Véhicule Press, 1999.
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McLeod, Ellen Mary Easton. In Good Hands: The Women of the Canadian Handicrafts Guild. Montreal and Kingston: Published for Carleton University by McGill-Queens University Press, 1999.
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Luckyj, Natalie. Helen McNicoll: A Canadian Impressionist. Toronto, ON: Art Gallery of Ontario, 1999.
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Laroche, Ginette. Vitraux/Stained-Glass Windows, Chalmers-Wesley United Church. Québec: Entente sur le développement culturel de Québec, 1999.
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Israël, Véronique. “La problématique de la fonction de l’art dans la production des années quarante de Ghitta Caiserman-Roth.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Skidmore, Colleen. “‘All That Is Interesting in the Canadas’ : William Notman’s Maple Box Portfolio of Stereographic Views, 1860.” Journal of Canadian Studies/Revue d’études canadiennes Vol. 32, no. 4 (Winter 1998): 69–90.
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Trépanier, Esther. Peinture et modernité au Québec, 1919-1939. Québec: Éditions Nota bene, 1998.
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Smith, Jori. Charlevoix County, 1930. Manotick, Ont: Penumbra Press, 1998.
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Rolfe, Christopher. “A Collaborative (Ad)Venture: Metropolitan Museum.” British Journal of Canadian Studies Vol. 13, no. 1 (1998): 1–16.
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Pearce, Lynne. “The Viewer as Producer: British and Canadian Feminists Reading Prudence Heward’s ‘Women.’” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 25, no. 1–2 (1998): 94–103.
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Meadowcroft, Barbara. “How Many Artists Are There In The Family? The Career of Montreal Painter Regina Seiden (1897-1991).” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 25, no. 1–2 (1998): 73–83.
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Lam, Meilan. Show Girls. National Film Board of Canada, 1998.
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Caccia, Fulvio. Interviews with the Phoenix: Interviews with Fifteen Italian-Quebecois Artists. Translated by Daniel Sloate. Toronto: Guernica, 1998.
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Bradley, Jessica, and Matthew Teitelbaum, eds. The Art of Betty Goodwin. Toronto, ON: Douglas & McIntyre, 1998.
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Nadeau-Saumier, Monique. “Frederick Simpson Coburn: The Human History of a Landscape.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 10 (Spring 1997): 77–876.
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Sherman, Leah, and Stanley Horner. Children’s Art Classes at the Art Gallery of Montreal, Run by Arthur Lismer. Montreal: Concordia University Libraries, Oral History Montreal Studies, 1997.
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Pepall, Rosalind M. Jori Smith : A Celebration / Jori Smith : une célébration. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University / Galerie d’art Leonard & Bina Ellen, Université Concordia, 1997.
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Lemerise, Suzanne, and Leah Sherman. “Contribution of Professional Artists to the Development of Art Education in Québec.” In Readings in Canadian Art Teacher Education, edited by Rita L. Irwin and Kit Grauer, 213–227. Boucherville, QC: Canadian Society for Education Through Art, 1997.
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Edward, Joan. Rediscovering McGill’s Heritage: A Collection of Pen Drawings. Montreal: McGill Development Office, 1997.
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Aislin. One Oar in the Water: The Nasty Nineties Continued in Cartoons. Edited by Joe Fiorito. Toronto, ON: Little, Brown Canada, 1997.
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Vignola, Luce. “Essai de définition : les sculpteurs, statuaires et ornemanistes italiens à Montréal de 1862 à 1880.” Master’s Thesis, Université du Québec à Montréal, 1996.
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Trépanier, Esther. “Les enjeux artistiques à Montréal : le discours critique dans la presse montréalaise de 1915 à 1930.” In Peindre à Montréal, 1915-1930 : Les peintres de la Montée Saint-Michel et leurs contemporains, edited by Laurier Lacroix, 86–107. Montréal et Québec: Galerie de l’UQÀM – Musée du Québec, 1996.
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Strong, David Calvin. “Sidney Carter and Alfred Stieglitz: The Canadian Pictorialist Exhibition (1907).” History of Photography Vol. 20, no. 2 (1996): 160–162.
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Hébert Stoneberger, Jacqueline. “The Beaver Hall Group: Montréal Painters between World War I and World War II.” Master’s Thesis, University of Miami, 1996.
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Gironnay, Sophie. Frederick B. Taylor, graveur réaliste radical : monographie et catalogue raisonné. Sainte-Foy, QC: Institut québécois de recherche sur la culture, 1996.
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Fortin, Louise M. “Le rôle d’Henry Ivan Neilson, artiste/graveur/enseignant dans l’évolution de la gravure au Québec.” Master’s Thesis, Concordia University, 1996.
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Coburn, Evelyn Lloyd. F.S. Coburn: Beyond the Landscape. Erin, ON: Boston Mills Press, 1996.
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