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Bourassa, André-G. “Le temps des révoltes. Le théâtre au Québec, 1825-1849.” Bulletin d’histoire politique Vol. 13, no. 1 (Automne 2004): 149–177.
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Henry, Jeff. “Black Theatre in Montreal and Toronto in the Sixties and Seventies: The Struggle for Recognition.” Canadian Theatre Review Vol. 118 (Spring 2004): 29–33.
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Bayne, Clarence S. “The Origins of Black Theatre in Montreal.” Canadian Theatre Review Vol. 118 (Spring 2004): 34–40.
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Moss, Jane. “Immigrant Theater: Traumatic Departures and Unsettling Arrivals.” In Textualizing the Immigrant Experience in Contemporary Quebec, edited by Susan Ireland and Patrice J. Proulx, 65–81. Westport, CT: Praeger, 2004.
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Burgess, Joanne. “Le centre victorien : commerce et culture, 1850-1880.” In L’histoire de Vieux Montréal à travers son patrimoine, edited by Gilles Lauzon and Madeleine Forget, 151–198. Sainte-Foy, QC: Les publications du Québec, 2004.
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Bellavance, Guy, and Louise Gauthier. Creation and Implementation of a Space Dedicated to the Professional English-Language Theatre Community of Montreal : Final Report : Project Vitality: A Study for the Quebec Drama Federation. Montréal: Institut national de la recherche scientifique, Urbanisation, Culture et Société, 2003.
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Galli Mastrodonato, Paola Irene. Il teatro politico di David Fennario. Salerno/Milano, Italy: Oèdipus, 2002.
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Bayne, Clarence S. “Le Black Theatre Workshop de Montreal: Un Nouveau Bilan.” L’Annuaire théâtral: Revue québécoise d’études théâtrales Vol. 29 (Printemps 2001): 141–155.
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Rideout, George. An Anglophone Is Coming to Dinner. Toronto, ON: Playwrights Union of Canada, 2001.
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Graham, Catherine. “La théâtre anglophone au Québec.” In Le théâtre québécois, edited by Dominique Lafon, X:407–424. Ottawa: Fides, 2001.
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Gale, Lorena. Je Me Souviens : Memories of an Expatriate Anglophone Montréalaise Québecoise Exiled in Canada. Vancouver, BC: Talon Books, 2001.
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Hurley, Erin. “Styling a Nation : Theatre and Belonging in Quebec.” PhD dissertation, City University of New York, 2000.
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Reid, Gregory J. “David Fennario Turned Rhapsodist: The Re-Birth of the Author in Performance.” Essays in Theatre/Études Théâtrales Vol. 18, no. 1 (November 1999): 63–77.
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Whittaker, Herbert. Setting the Stage : Montreal Theatre, 1920-1949. Edited by Jonathan Rittenhouse. Montreal and Kingston: McGill-Queen’s University Press, 1999.
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Wagner, Anton. “Saving the Nation’s Aesthetic Soul: B.K. Sandwell at the Montreal Herald (1900-1914) and Saturday Night (1932-1951).” In Establishing Our Boundaries: English-Canadian Theatre Criticism, edited by Anton Wagner, 177–198. Toronto: University of Toronto Press, 1999.
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Lieblein, Leanore. “Establishing Contact Between Two Cultures: Marianne Ackerman at the Montreal Gazette, 1983-1987.” In Establishing Our Boundaries: English-Canadian Theatre Criticism, edited by Anton Wagner, 371–385. Toronto: University of Toronto Press, 1999.
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Harvie, Jennifer, and Richard Paul Knowles. “Herbert Whittaker, Reporting From the Front: Montreal Gazette (1937-1949) and the Globe and Mail (1949-1975).” In Establishing Our Boundaries: English-Canadian Theatre Criticism, edited by Anton Wagner, 215–233. Toronto: University of Toronto Press, 1999.
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Beaubien, Jeanine C. La Poudrière Reincarnated: 25 Years of International Theatre in Montreal. Translated by Lorraine J. M. Lavigne. Montreal: Méridien, 1999.
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Zatzman, Belarie. “Yiddish Theatre in Montreal: Review Essay.” Canadian Jewish Studies/Études juives canadiennes Vol. 6 (1998): 89–97.
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Booth, Philip. Anglophone Theatre in Quebec from 1870 to 2000: Status Report. Montreal: Quebec Drama Federation, 1998.
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Bains, Yashdip Singh. English Canadian Theatre, 1765-1826. New York: Peter Lang, 1998.
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Rittenhouse, Jonathan. “Festival Lennoxville.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 10 (Spring 1997): 89–135.
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Podbrey, Maurice. Half Man, Half Beast: Making a Life in Canadian Theatre. Montreal: Véhicule Press, 1997.
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Cuccioletta, Donald. “The Américanité of Quebec Urban Popular Culture As Seen Through Burlesque Theater in Montreal (1919-1939).” PhD dissertation, Université du Québec à Montréal, 1997.
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MacLeod, Alec. Fennario: His World on Stage. DVD, Documentary. National Film Board of Canada, 1996.
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Larrue, Jean-Marc. Le Théâtre Yiddish à Montréal/Yiddish Theatre in Montreal. Translated by Catherine Browne. Montréal: Éditions Jeu, 1996.
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Galli Mastrodonato, Paola Irene. “Joe Beef: Irish Immigrants in My Theatre.” Il Tolomeo: Articoli, recensioni e inediti delle Nuove Letterature Vol. 1, no. 2 (1996): 5–7.
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Galli Mastrodonato, Paola Irene. “David Fennario: il ‘blues’ di un anglofono del Québec.” Linea d’ombra No. 108 (ottobre 1995): 44–49.
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Page, Malcolm. “David Fennario’s Balconville: Document and Message.” In On-Stage and Off-Stage : English Canadian Drama in Discourse, edited by Albert-Reiner Glapp and Rolf Althof. St. John’s, NL: Breakwater, 1995.
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Galli Mastrodonato, Paola Irene. “Intervista a David Fennario.” Rivista di Studi Canadesi Vol. 8 (1995): 135–144.
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