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Dombowsky, Philip. “Emmanuel Briffa Revisited.” Master’s Thesis, Concordia University, 1995.
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Bayne, Clarence S. “Black Community Submission...Montreal-Quebec Into the 1990s.” Canadian Theatre Review Vol. 83 (1995): 24–27.
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Therrien, Lucie. The Biculturalism of Quebec Music, 1759-1850 : French-English. 2nd ed. Portsmouth NH: French American Music Enterprises, 1994.
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Hulslander, Kenneth. “L’émergence d’une identité québécoise dans la dramaturgie anglo-montréalaise.” Master’s Thesis, Université du Québec à Montréal, 1994.
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Larrue, Jean-Marc. “Sur les scènes montréalaise.” Cap-aux-Diamants No. 35 (Automne 1993): 32–37.
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Lanken, Dane. Montreal Movie Palaces: Great Theatres in the Golden Age 1884-1938. Waterloo, ON: Archives of Canadian Art, 1993.
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Joy, Annamma, and Clarence Bayne. “From Community Workshop to Professional Theatre: Audience Development and the Consumption of Art.” Advances in Non-Profit Marketing No. 4 (1993): 79–113.
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Ackerman, Marianne. L’affaire Tartuffe, or The Garrison Officers Rehearse Molière. Performance Series. Montreal: NuAge Editions, 1993.
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Ball, John, and Richard Plant, eds. Bibliography of Theatre History in Canada: The Beginnings Through 1984/Bibliographie d’histoire Du Théatre Au Canada: Des Début-Fins 1984. Toronto: ECW Press, 1993.
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Fichman, Ina. Moving Mountains: The Montreal Yiddish Theatre in the U.S.S.R. Ergo Media, 1992.
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Joy, Annamma, and Clarence Bayne. Business and the Arts: The Black Theatre Workshop in Canada. Montreal: Faculty of Commerce and Administration, Concordia University, 1991.
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Galli Mastrodonato, Paola Irene. “Lo ‘spleen’ metropolitano di David Fennario: un militante anglofono nel Québec degli anni ’70.” Rivista di Studi Canadesi Vol. 4 (1991): 43–52.
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Coimpagnie de théâtre Centaur. Mémoire déposé par la Compagnie de théâtre Centaur à la Commission permanente de la culture sur la Politique de la culture et des arts. Montréal: La Compagnie, 1991.
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Bayne, Clarence S. Problems Facing the Black Community of Montreal, Submitted to Le Comité de La Commission de La Culture, Hotel [Sic] Du Parliament [Sic]. Montreal: [s.n.], 1991.
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Shortt, Mary. “Curtain Time in Canada.” The Beaver Vol. 70, no. 4 (September 1990): 6–15.
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Cliche, Lucie, and Jean-Marc Lamarche. “Le théâtre de langue anglaise au Québec de 1764 à 1799 : sa production et sa programmation. Étude comparative avec l’Angleterre et les États-Unis.” Master’s Thesis, Université Laval, 1990.
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Bourassa-Trépanier, Juliette, and Lucien Poirier. Répertoire des données musicales de la presse québécoise, tome 1 : 1764-1799. Québec: Presses de l’Université Laval, 1990.
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Barrière, Mireille. “La société canadienne-française et le théâtre lyrique à Montréal entre 1840 et 1913.” PhD dissertation, Université Laval, 1990.
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Baldry, Mark S. “A Marketing Study for the Black Theatre Workshop of Montreal.” Research paper, Concordia University, 1990.
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Podbrey, Maurice. “Communiquer.” Liberté Vol. 31, no. 3 (183) (Juin 1989): 34–40.
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Ackerman, Marianne. “Backstage with the British Garrison.” Matrix Vol. 28 (Spring 1989): 27–28.
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Rewa, Natalie. “Garrison and Amateur Theatricals in Quebec City and Kingston During the British Regime.” PhD dissertation, University of Toronto, 1988.
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Simon, Sherry. “The Language of Difference: Minority Writers in Quebec.” Canadian Literature Supplement No. 1 (May 1987): 119–137.
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Ferry, Joan. “Experiences of a Pioneer in Canadian Experimental Theatre.” Theatre History in Canada/Histoire du théâtre au Canada Vol. 8, no. 1 (Spring 1987): 43–50.
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Larrue, Jean-Marc. “L’activité théâtrale à Montréal de 1880 à 1914.” PhD dissertation, Université de Montréal, 1987.
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Frick, N. Alice. Image in the Mind: CBC Radio Drama 1944 to 1954. Toronto, ON: Canadian Stage and Arts Publications, 1987.
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Benson, Eugene, and L. W. Conolly. English Canadian Theatre. Toronto, ON: Oxford University Press, 1987.
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Whittaker, Herbert. “Whittaker’s Montreal: A Theatrical Autobiography, 1910-1949.” Canadian Drama/L’art dramatique canadien Vol. 12, no. 2 (Fall 1986): 233–331.
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Bains, Yashdip Singh. “Popular-Priced Stock Companies and Their Repertory in Montreal and Toronto in the 1890s.” Canadian Drama/L’art dramatique canadien Vol. 12, no. 2 (Fall 1986): 332–339.
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Wallace, Robert. “A Tale of Two Cities: Maurice Podbrey of Montreal’s Centaur Theatre and John Van Burek of Toronto’s Théâtre Du P’tit Bonheur Discuss Minority-Language Theatre.” Canadian Theatre Review No. 46 (Spring 1986): 6–20.
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