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Page 9 of 11
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Fry, Philip, and Bruce Parsons. Bruce Parsons: “United Technologies and Gardens” Installation and Painting. Montreal: Art Gallery of the Saidye Bronfman Centre, 1986.
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Fenton, Terry, and Karen Wilkin. Modern Painting in Canada. Edmonton, AB: Hurtig Publishers, 1986.
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Dompierre, Louise. John Lyman, 1886-1967. Kingston, ON: Agnes Etherington Art Centre, 1986.
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Cameron, Elspeth. “Montreal Modernists: The Emergence of Canadian Art and Literature in Montreal, 1926-1951.” In Canada Ieri e Oggi: 2, Sezione Anglofona, edited by Giovanni Bonanno, 291–299. Fasano, Italia: Schena, 1986.
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Bogardi, George, and Sandra Paikowsky. Betty Goodwin: Passages. Montreal: Concordia Art Gallery/Galerie d’art Concordia, 1986.
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Triggs, Stanley. William Notman: The Stamp of a Studio. Toronto: Art Gallery of Ontario, 1985.
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Société allemande / German Society / Deutsche Gesellschaft. Notre héritage allemand / German artists in Quebec / Deutschkanadische Kunst in Québec. Montréal: La Société, 1985.
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Sherman, Leah, and Angela Grigor. A Comparison of the Influences of Anne Savage and Arthur Lismer: Oral History Project. Montreal: Concordia University Libraries, Oral History Montreal Studies, 1985.
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Korman, Julie Beth. “Corporate Art Collecting in Canada.” Master’s Thesis, Concordia University, 1985.
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Fox, Ross Allan C. Presentation Pieces and Trophies from the Henry Birks Collection of Canadian Silver. Ottawa, ON: National Gallery of Canada, 1985.
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Farand, Francine. “La critique d’art dans les journaux montréalais de 1940 à 1948.” Master’s Thesis, Université de Montréal, 1985.
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Cloutier, Nicole. John Wilson Morrice, 1865-1924. Montréal: Musée des Beaux-arts de Montréal/Montreal Museum of Fine Arts, 1985.
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Chevrefils, Yves. “John Henry Walker (1831-1899), artisan-graveur montréalais. La montée et la chute du premier médium moderne d’illustration: la gravure sur bois de reproduction.” Master’s Thesis, Universtié du Québec à Montréal, 1985.
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Caccia, Fulvio. Sous le signe du phénix. Entretiens avec quinze créateurs italo-québécois. Montréal: Éditions Guernica, 1985.
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Jones, Laura. “Canadian Women Photographers 1841-1910.” Resources for Feminist Research/Documentation sur la recherche féministe Vol. 13, no. 4 (January 1984): 13–14.
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Moreno, Pilar. “L’engagement social de trois artistes montréalais durant les années trente et quarante : L. Muhlstock, F.B. Taylor et F. Brandtner.” Master’s Thesis, Université du Québec à Montréal, 1984.
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Kollar, Kathryn L. John Arthur Fraser, 1838-1898: Watercolours / John Arthur Fraser, 1838-1898: Aquarelles. Montreal: Concordia Art Gallery, 1984.
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Beaudet, Pascale. “La galerie Powerhouse : réflexion sur dix années d’existence.” Master’s Thesis, Université de Montréal, 1984.
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Smith, Frances K. Kathleen Moir Morris. Kingston, ON: Agnes Etherington Art Centre, 1983.
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Ness, Kim G. “Arthur Lismer: Art Museum Educator.” Master’s Research Paper, University of Toronto, 1983.
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Burnett, David, and Marilyn Schiff. Contemporary Canadian Art. Edmonton, AB: Hurtig Publishers, 1983.
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National Gallery of Canada, National Museums of Canada. “Canada in the Graphic Arts, 1556-1977.” Journal No. 40 (April 1982): 8p.
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Kollar, Kathryn L. Women Painters of the Beaver Hall Group. Montreal: Sir George Williams Art Galleries of Concordia University, 1982.
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Doyon, Pierre. “Les aquarellistes britanniques se l’Académie Royale Militaire de Woolwich et la représentation du paysage québécois de 1759 à 1871.” Master’s Thesis, Université de Montréal, 1982.
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Déry, Louise. “L’influence de la critique d’art de John Lyman dans le milieu artistique québécois de 1936 à 1942.” Master’s Thesis, Université Laval, 1982.
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Rosenfeld, Roslyn. “An Index of Miniaturists and Silhouettists Who Worked in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 5, no. 2 (1981): 111–121.
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Pepall, Rosalind. “Stained Glass Windows in Montreal at the Turn of the Century.” Bulletin of the Association for Preservation Technology Vol. 13, no. 3 (1981): 48–55.
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Farr, Dorothy. Lilias Torrance Newton, 1896-1980. Kingston, ON: Agnes Etherington Art Centre, 1981.
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Damroch, Lois. Bright Land: A Warm Look at Arthur Lismer. Toronto, ON: Merritt, 1981.
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Andrus, Donald F. P. Ghitta Caiserman-Roth: A Retrospective View, 1947-1980. [S.l.]: Sir George Williams Art Galleries of Concordia University, 1981.
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