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Huston, Lorne. “Femmes artistes à Montréal au XIXe siècle : l’apport de la recherche généalogique.” Histoire Québec, Décembre 2024.
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Fonda, Nick, and Barry Husk. Voices Lost in Time: The Anglophone Legacy of a Small Quebec City. Drummondville, QC: Société d’histoire de Drummondville, 2024.
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Vachon, Christian. “Images of Montreal for the Motherland.” In James Duncan (1806-1881): Painter of Montreal, edited by Laurier Lacroix and Suzanne Sauvage, 62–80. Montreal: McCord Stewart Museum, 2023.
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Lacroix, Laurier. “Discovering Duncan. James Duncan: One of Quebec’s Most Famous Unknown Artists.” In James Duncan (1806-1881): Painter of Montreal, edited by Laurier Lacroix and Suzanne Sauvage, 13–45. Montreal: McCord Stewart Museum, 2023.
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Gehmacher, Arlene. “Speaking Volumes: James Duncan ‘Takes Note’ of Montreal.” In James Duncan (1806-1881) : Painter of Montreal, edited by Laurier Lacroix and Suzanne Sauvage, 48–59. Montreal: McCord Stewart Museum, 2023.
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Desjardins, Yves. L’avenue du Parc et son histoire : témoin privilégié de la diversité montréalaise. Québec: Septentrion, 2023.
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Lacroix, Laurier, and Suzanne Sauvage, eds. James Duncan (1806-1881): Painter of Montreal. Montreal: McCord Stewart Museum, 2023.
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Béland, Mario. “Daniel Charles Grose à Québec.” Cap-aux-Diamants, Automne 2021.
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Keays, Cathy. The Women’s Art Society of Montreal and Its Place in History, 1894-2019. Montreal: Cathy Keays, 2019.
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Béland, Mario. “William Brymner en Irlande.” Cap-aux-Diamants No. 132 (Hiver 2018): 47–48.
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Mackey, Frank. “A Painter’s Progress.” Connections: Journal of The Quebec Family History Society, June 2017.
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Vachon, Christian. “Notman, Creator of the First Halftone.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 152–157. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Schwartz, Joan M. “With Word and Image: Notman and the Photographically Illustrated Book.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 144–151. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Samson, Hélène. “The Art of Photography According to Notman.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 68–73. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Parsons, Sarah. “Notman’s Studio as a Space of Performance.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 76–83. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Nelson, Charmaine A. Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica. New York, NY: Routledge, 2016.
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McNabb, Heather. “The Arrival of the Notman Archives at the McCord Museum.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 230–236. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Hague, Nora. “Notman’s Numbers.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 224–229. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Samson, Hélène, and Suzanne Sauvage, eds. Notman: A Visionary Photographer. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Prakash, A. K. Impressionism in Canada: A Journey of Rediscovery. Stuttgart, Germany: Arnoldsche Art Publishers, 2015.
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Fonda, Nick. Hanging Fred And A Few Others: Painters of the Eastern Townships. Montreal: Baraka Books, 2014.
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Morrice and Lyman in the Company of Matisse. Richmond Hill, ON: Firefly Books, 2014.
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Boone, Emilie. “The Likeness of Fugitivity: William Notman’s Carte-de-Visite Portrait of John Anderson.” History of Photography Vol. 37, no. 2 (May 2013): 221–234.
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Naves, Elaine Kalman. “William Notman: ‘Photographer to the Queen.’” The Gazette. Montreal, February 18, 2012, sec. Extra Saturday.
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Reid Marcil, Eileen. Le Trois-mâts Tea Taster et le rêve d’Edmund Willoughby Sewell. Translated by Florence Buathier. Québec: Les Éditions GID, 2012.
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Stavert, William Ewart. Windows of History, Service and Sacrifice. Montreal: Price-Patterson, 2011.
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Nadeau-Saumier, Monique. “William Stewart Hunter Jr. (1823–1894) : The Return of an Artistic Legacy.” Stanstead Historical Journal Vol. 24 (2011): 219–232.
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Boutillier, Alicia, and Paul Maréchal, eds. William Brymner: Artist, Teacher, Colleague. Kingston, ON: Agnes Etherington Art Centre, 2010.
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Nelson, Charmaine A. “Sugar Cane, Slaves and Ships: Colonialism, Geography and Power in Nineteenth-Century Landscapes of Montreal and Jamaica.” In Living History: Encountering the Memory of the Heirs of Slavery, edited by Ana Lucia Araujo, 19–56. Newcastle upon Tyne, England: Cambridge Scholars Publishing, 2009.
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Nadeau-Saumier, Monique. Mary Catherine (Minnie) Gill, 1862 [Sic]-1946 : Townships and Charlevoix Landscapes/Mary Catherine (Minnie) Gill 1861-1946: Paysage Des Cantons et de Charlevoix. Sherbrooke, QC: Lennoxville-Ascot Historical and Museum Society, 2008.
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