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Vachon, Christian. “Images of Montreal for the Motherland.” In James Duncan (1806-1881): Painter of Montreal, edited by Laurier Lacroix and Suzanne Sauvage, 62–80. Montreal: McCord Stewart Museum, 2023.
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Lacroix, Laurier. “Discovering Duncan. James Duncan: One of Quebec’s Most Famous Unknown Artists.” In James Duncan (1806-1881): Painter of Montreal, edited by Laurier Lacroix and Suzanne Sauvage, 13–45. Montreal: McCord Stewart Museum, 2023.
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Gehmacher, Arlene. “Speaking Volumes: James Duncan ‘Takes Note’ of Montreal.” In James Duncan (1806-1881) : Painter of Montreal, edited by Laurier Lacroix and Suzanne Sauvage, 48–59. Montreal: McCord Stewart Museum, 2023.
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Lacroix, Laurier, and Suzanne Sauvage, eds. James Duncan (1806-1881): Painter of Montreal. Montreal: McCord Stewart Museum, 2023.
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Trépanier, Esther. Scott, Brandtner, Eveleigh, Webber : Revisiting Montreal Abstraction of the 1940s. Montreal and Kingston: McGill-Queen’s University Press, Les presses de l’Université de Montréal and the Musée d’art de Joliette, 2022.
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Béland, Mario. “Daniel Charles Grose à Québec.” Cap-aux-Diamants, Automne 2021.
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LeBlanc, Victoria. Clay Roots : The Potters’ Club and Its Legacy at the Visual Arts Centre. Westmount, QC: Visual Arts Centre, 2021.
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Pepall, Rosalind. Talking to a Portrait : Tales of an Art Curator. Montreal: Véhicule Press, 2020.
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Des Rochers, Jacques. “Previously Unseen Kathleen Moir Morris : Montreal, Rare and Iconic.” The Magazine of the Montreal Museum of Fine Arts, August 2019.
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Gallop, Mark W. “Thomas and Ellen Castle : Bringing Ancestors out of the Shadows, with Four Plot Twists Along the Way. Part 1.” Connections: Journal of The Quebec Family History Society Vol. 41, no. 2 (February 2019): 13–16.
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Béland, Mario. “William Brymner en Irlande.” Cap-aux-Diamants No. 132 (Hiver 2018): 47–48.
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Huneault, Kristina. “The Lived Experience and Cultural Narrative of Helen McNicoll’s Impressionist Canvases.” In I’m Not Myself At All : Women, Art and Subjectivity in Canada, 103–145. Montreal and Kingston: McGill-Queen’s University Press, 2018.
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Graham, Ron, ed. Obsession: Sir William Van Horne’s Japanese Ceramics. Montreal and Kingston: Published for the Gardiner Museum (Toronto) by McGill-Queen’s University Press, 2018.
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McKellar, Shelley. “The Osler Library Prints Collection.” Bulletin of the History of Medicine Vol. 91, no. 2 (Summer 2017): 435–437.
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Mackey, Frank. “A Painter’s Progress.” Connections: Journal of The Quebec Family History Society, June 2017.
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Walters, Evelyn. The Beaver Hall Group and Its Legacy. Toronto, ON: Dundurn Press, 2017.
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Lapointe, Gilles. Edmund Alleyn : biographie. Montréal: Les Presses de l’Université de Montréal, 2017.
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Busseau, Laurent. “Guido Nincheri : le savoir-faire de la Renaissance italienne à Montréal.” Histoire Québec Vol. 22, no. 4 (2017): 14–16.
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Vachon, Christian. “Notman, Creator of the First Halftone.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 152–157. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Schwartz, Joan M. “With Word and Image: Notman and the Photographically Illustrated Book.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 144–151. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Samson, Hélène. “The Art of Photography According to Notman.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 68–73. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Plouffe, Karine, and Wendy Reid. “La Galerie d’art Foreman de l’Université Bishop’s : comment jongler avec des perspectives différentes.” Revue internationale de cas en gestion Vol. 14, no. 2 (2016).
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Parsons, Sarah. “Notman’s Studio as a Space of Performance.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 76–83. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Nelson, Charmaine A. Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica. New York, NY: Routledge, 2016.
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Nadeau, Jean-François. Les Montréalais : Portraits d’une histoire. Montréal: Les Éditions de l’Homme, 2016.
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McNabb, Heather. “The Arrival of the Notman Archives at the McCord Museum.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 230–236. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Hague, Nora. “Notman’s Numbers.” In Notman: A Visionary Photographer, edited by Hélène Samson and Suzanne Sauvage, 224–229. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Samson, Hélène, and Suzanne Sauvage, eds. Notman: A Visionary Photographer. Paris, France & Montreal: Éditions Hazan & McCord Museum, 2016.
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Trépanier, Esther. “The Beaver Hall Group: A Montreal Modernity.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 160–261. Montreal: Montreal Museum of Fine Arts, 2015.
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Trépanier, Esther. “1920 : création du Groupe de Beaver Hall : des femmes font jazzer la couleur.” In De la Belle époque à la Crise: Chroniques de la vie culturelle à Montréal, edited by Denis Saint-Jacques and Marie-José des Rivières, 245–259. Montréal: Nota Bene, 2015.
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