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Béland, Mario. “William Brymner en Irlande.” Cap-aux-Diamants No. 132 (Hiver 2018): 47–48.
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Plouffe, Karine, and Wendy Reid. “La Galerie d’art Foreman de l’Université Bishop’s : comment jongler avec des perspectives différentes.” Revue internationale de cas en gestion Vol. 14, no. 2 (2016).
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Boone, Emilie. “The Likeness of Fugitivity: William Notman’s Carte-de-Visite Portrait of John Anderson.” History of Photography Vol. 37, no. 2 (May 2013): 221–234.
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Johnston, Andrew M. “Arts and Letters at Kingsmere: The Jenkins and McCurry Families.” Up the Gatineau! Vol. 39 (2013): 1–20.
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Nadeau-Saumier, Monique. “William Stewart Hunter Jr. (1823–1894) : The Return of an Artistic Legacy.” Stanstead Historical Journal Vol. 24 (2011): 219–232.
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Lerner, Loren. “Photographs of the Child in Canadian Pictorial from 1906 to 1916: A Reflection of the Ideas and Values of English Canadians about Themselves and ‘Other’ Canadians.” The Journal of the History of Childhood and Youth Vol. 3, no. 2 (Spring 2010): 233–263.
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Lerner, Loren. “William Notman’s Portrait Photographs of Girls Reading From the 1860s to the 1880s: A Pictorial Analysis Based on Contemporary Writings.” Papers of the Bibliographical Society of Canada/Cahiers de la Société bibliographique du Canada Vol. 47, no. 1 (Spring 2009): 45–73.
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Trudel, Jean. “L’Art Association of Montreal : les années d’incertitude, 1863-1877 (Deuxième partie).” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 30 (2009): 92–115.
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Lerner, Loren. “From Victorian Girl Reader to Modern Woman Artist: Reading and Seeing in the Paintings of the Canadian Girl by William Brymner, Emily Coonan, and Prudence Heward.” Canadian Children’s Literature/Littérature canadienne pour la jeunesse Vol. 33, no. 2 (Autumn 2007): 19–50.
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Carelevaris, Anna Maria. “Italian Artists in Quebec, Some Methodological Considerations.” Studi Emigrazione Vol. 44, no. 166 (June 2007): 295–312.
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Pepall, Rosalind. “Edwin Holgate’s Art of Vigour and Restraint.” Queen’s Quarterly Vol. 114, no. 1 (2007): 110–122.
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Carlevaris, Anna Maria. “Italian Artists in Quebec, Some Methodological Considerations.” Studi Emigrazione No. 166 (2007): 295–312.
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Campbell, James. “Young Girls and Old Boys: The Art of Prudence Heward and Edwin Holgate.” Border Crossings Vol. 25, no. 2 (June 2006): 68–75.
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O’Brien, Donald C. “William Satchwell Leney, Artist, Engraver and Entrepreneur.” Imprint Vol. 31, no. 1 (Spring 2006): 2–13.
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Huneault, Kristina. “Impressions of Difference: The Painted Canvases of Helen McNicoll.” Art History Vol. 27, no. 2 (April 2004): 212–249.
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Meyer, Noel. “Prudence Heward (1896-1947).” MagazinArt No. 66 (Hiver -2005 2004): 88–127.
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Prioul, Didier. “Krieghoff à Québec : l’invention d’un nouvel espace.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 24 (2003): 72–97.
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Skidmore, Colleen. “Photography in the Convent : Grey Nuns, Quebec, 1861.” Histoire sociale/Social History Vol. 35, no. 70 (November 2002).
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Nadeau-Saumier, Monique. “Les peintres et le paysage des Cantons de l’Est.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 20 (Printemps 2002): 75–88.
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Sicotte, Hélène. “Le rôle de la vente publique dans l’essor du commerce d’art à Montréal au XIXe siècle : le cas de W. Scott & Sons ou comment le marchand d’art supplanta l’encanteur.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 23, no. 1–2 (2002): 6–33.
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Gagnon, François-Marc. “Le Lac Memphrémagog et les peintres.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 14 (printemps 1999): 9–17.
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Skidmore, Colleen. “‘All That Is Interesting in the Canadas’ : William Notman’s Maple Box Portfolio of Stereographic Views, 1860.” Journal of Canadian Studies/Revue d’études canadiennes Vol. 32, no. 4 (Winter 1998): 69–90.
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Rolfe, Christopher. “A Collaborative (Ad)Venture: Metropolitan Museum.” British Journal of Canadian Studies Vol. 13, no. 1 (1998): 1–16.
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Pearce, Lynne. “The Viewer as Producer: British and Canadian Feminists Reading Prudence Heward’s ‘Women.’” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 25, no. 1–2 (1998): 94–103.
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Nadeau-Saumier, Monique. “Frederick Simpson Coburn: The Human History of a Landscape.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 10 (Spring 1997): 77–876.
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Strong, David Calvin. “Sidney Carter and Alfred Stieglitz: The Canadian Pictorialist Exhibition (1907).” History of Photography Vol. 20, no. 2 (1996): 160–162.
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Belleau, Bernard. “George H. Presby, Photographe à Sherbrooke: 1862-1903.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 7 (automne 1995): 49–67.
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Clermont, Ghislain. “La réception critique internationale de James Wilson Morrice en 1905.” Revue de l’Université de Moncton Vol. 26, no. 2 (1993): 83–108.
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Sirois, Antoine. “L’essor de l’enseignement des arts visuels dans la région Sherbrooke.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 1 (automne 1992): 43–53.
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Millar, Joyce. “The Beaver Hall Group: Painting in Montreal, 1920-1940.” Woman’s Art Journal Vol. 13, no. 1 (Spring/Summer 1992): 3–9.
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