Your search results
94 resources
Page 1 of 4
-
Darch, Heather. “Lost Corners: Where in the World Is Puddledock?” Quebec Heritage News, Summer 2024.
-
Darch, Heather. “The Whistling Chautauqua Girl.” Quebec Heritage News, Winter 2024.
-
Mansbridge, Joanna. “In Search of a Different History : The Remains of Burlesque in Montreal.” Canadian Theatre Review Vol. 158 (Spring 2014): 7–12.
-
Plummer, Christopher. In Spite of Myself : A Memoir. New York, NY: Knopf, 2012.
-
Ackerman, Marianne. Minority Report: An Alternative History of English-Language Arts in Quebec. Edited by Guy Rodgers. Toronto, ON: Guernica, 2011.
-
Gold, Muriel. The Dramatic Legacy of Dorothy Davis and Violet Walters: The Montreal Children’s Theatre, 1933-2009. New York, NY: iUniverse Inc., 2010.
-
Elliott, Robin. “István Anhalt and New Music at McGill.” In Compositional Crossroads: Music, McGill, Montreal, edited by Eleanor V. Stubley, 33–55. Montreal and Kingston: McGill-Queen’s University Press, 2008.
-
Sprung, Guy. “Les Anglos enchaînés.” Jeu: Revue de théâtre Vol. 122, no. 1 (2007): 118–124.
-
Larrue, Jean-Marc. “Cent huit ans de théâtre yiddish : l’exception montréalaise.” In New Readings of Yiddish Montreal/Traduire le Montréal yiddish/Taytshn un ibertaytshn Yiddish in Montreol, edited by Pierre Anctil, Norman Ravvin, and Sherry Simon, 45–56. Ottawa: Presses de l’Université d’Ottawa/University of Ottawa Press, 2007.
-
Sarkar, Mela, and Lise Winer. “Multilingual Codeswitching in Quebec Rap: Poetry, Pragmatics and Performativity.” International Journal of Multilingualism Vol. 3, no. 3 (2006): 173–192.
-
Sansregret, Marthe. Oliver Jones. The Musician, the Man: A Biography. Montreal: XYZ, 2006.
-
Hornbacher, Marya. “Return of a Virtuoso.” Smithsonian Magazine Vol. 35, no. 10 (January 2005): 56–62.
-
Hulslander, Kenneth. “L’espace comme signe identitaire : une étude des fonctions syntagmatiques de l’espace dans la dramaturgie anglo-québécoise depuis les années 1970.” PhD dissertation, Université du Québec à Montréal, 2005.
-
Bourassa, André-G. “Le temps des révoltes. Le théâtre au Québec, 1825-1849.” Bulletin d’histoire politique Vol. 13, no. 1 (Automne 2004): 149–177.
-
Henry, Jeff. “Black Theatre in Montreal and Toronto in the Sixties and Seventies: The Struggle for Recognition.” Canadian Theatre Review Vol. 118 (Spring 2004): 29–33.
-
Bayne, Clarence S. “The Origins of Black Theatre in Montreal.” Canadian Theatre Review Vol. 118 (Spring 2004): 34–40.
-
Marrelli, Nancy. Stepping Out: The Golden Age of Night Clubs in Montreal, 1925-1955. Montreal: Véhicule Press, 2004.
-
Marin, Reva. Oscar: The Life and Music of Oscar Peterson. Toronto: Douglas & McIntyre, 2003.
-
Bellavance, Guy, and Louise Gauthier. Creation and Implementation of a Space Dedicated to the Professional English-Language Theatre Community of Montreal : Final Report : Project Vitality: A Study for the Quebec Drama Federation. Montréal: Institut national de la recherche scientifique, Urbanisation, Culture et Société, 2003.
-
Peterson, Oscar. Jazz Odyssey: The Life of Oscar Peterson. London, England: Continuum, 2002.
-
Reynolds, Mark. “Toot Sweet: When Jazz Ruled Montreal.” The Beaver Vol. 81, no. 3 (July 2001): 26–32.
-
Bayne, Clarence S. “Le Black Theatre Workshop de Montreal: Un Nouveau Bilan.” L’Annuaire théâtral: Revue québécoise d’études théâtrales Vol. 29 (Printemps 2001): 141–155.
-
Graham, Catherine. “La théâtre anglophone au Québec.” In Le théâtre québécois, edited by Dominique Lafon, X:407–424. Ottawa: Fides, 2001.
-
Lees, Gene. Oscar Peterson: The Will to Swing. Toronto: Key Porter Books, 2000.
-
De Lorimier, Élaine. “Eleanor Moore Ashton (1917 -) : la femme et son œuvre montréalaise.” Master’s thesis, Université du Québec à Montréal, 2000.
-
Whittaker, Herbert. Setting the Stage : Montreal Theatre, 1920-1949. Edited by Jonathan Rittenhouse. Montreal and Kingston: McGill-Queen’s University Press, 1999.
-
Wagner, Anton. “Saving the Nation’s Aesthetic Soul: B.K. Sandwell at the Montreal Herald (1900-1914) and Saturday Night (1932-1951).” In Establishing Our Boundaries: English-Canadian Theatre Criticism, edited by Anton Wagner, 177–198. Toronto: University of Toronto Press, 1999.
-
Lieblein, Leanore. “Establishing Contact Between Two Cultures: Marianne Ackerman at the Montreal Gazette, 1983-1987.” In Establishing Our Boundaries: English-Canadian Theatre Criticism, edited by Anton Wagner, 371–385. Toronto: University of Toronto Press, 1999.
-
Harvie, Jennifer, and Richard Paul Knowles. “Herbert Whittaker, Reporting From the Front: Montreal Gazette (1937-1949) and the Globe and Mail (1949-1975).” In Establishing Our Boundaries: English-Canadian Theatre Criticism, edited by Anton Wagner, 215–233. Toronto: University of Toronto Press, 1999.
-
Hardt, Yvonne. “Writing Bodies: Modern Dance, Gender, and Jewish Identity in New York and Montreal, 1930 to 1960.” Essay, Concordia University, 1999.
Page 1 of 4