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19 resources
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Harvey, Douglas S. “Strolling Players in Albany, Montreal, and Quebec City, 1797 and 1810: Performance, Class, and Empire.” Studies in Eighteenth Century Culture Vol. 38 (2009): 237–260.
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Canada. Office of the Commissioner of Official Languages. Federal Government Support for the Arts and Culture in Official Language Communities/Soutien des institutions fédérales aux arts et à la culture dans les communautés de langue officielle en situation minoritaire. Ottawa: Office of the Commissioner of Official Languages, 2008.
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Sprung, Guy. “Les Anglos enchaînés.” Jeu: Revue de théâtre Vol. 122, no. 1 (2007): 118–124.
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Larrue, Jean-Marc. “Cent huit ans de théâtre yiddish : l’exception montréalaise.” In New Readings of Yiddish Montreal/Traduire le Montréal yiddish/Taytshn un ibertaytshn Yiddish in Montreol, edited by Pierre Anctil, Norman Ravvin, and Sherry Simon, 45–56. Ottawa: Presses de l’Université d’Ottawa/University of Ottawa Press, 2007.
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Gold, Muriel. A Gift For Their Mother. The Saidye Bronfman Centre: A History. Montreal: Miri Publications, 2007.
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Robert, Lucie. “Chronique de la vie théâtrale.” In La Vie culturelle à Montréal vers 1900, edited by Micheline Cambron, 71–86. Montréal: Fides et Bibliothèque nationale du Québec, 2005.
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Hulslander, Kenneth. “L’espace comme signe identitaire : une étude des fonctions syntagmatiques de l’espace dans la dramaturgie anglo-québécoise depuis les années 1970.” PhD dissertation, Université du Québec à Montréal, 2005.
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Bourassa, André-G. “Le temps des révoltes. Le théâtre au Québec, 1825-1849.” Bulletin d’histoire politique Vol. 13, no. 1 (Automne 2004): 149–177.
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Henry, Jeff. “Black Theatre in Montreal and Toronto in the Sixties and Seventies: The Struggle for Recognition.” Canadian Theatre Review Vol. 118 (Spring 2004): 29–33.
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Bayne, Clarence S. “The Origins of Black Theatre in Montreal.” Canadian Theatre Review Vol. 118 (Spring 2004): 34–40.
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Moss, Jane. “Immigrant Theater: Traumatic Departures and Unsettling Arrivals.” In Textualizing the Immigrant Experience in Contemporary Quebec, edited by Susan Ireland and Patrice J. Proulx, 65–81. Westport, CT: Praeger, 2004.
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Burgess, Joanne. “Le centre victorien : commerce et culture, 1850-1880.” In L’histoire de Vieux Montréal à travers son patrimoine, edited by Gilles Lauzon and Madeleine Forget, 151–198. Sainte-Foy, QC: Les publications du Québec, 2004.
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Bellavance, Guy, and Louise Gauthier. Creation and Implementation of a Space Dedicated to the Professional English-Language Theatre Community of Montreal : Final Report : Project Vitality: A Study for the Quebec Drama Federation. Montréal: Institut national de la recherche scientifique, Urbanisation, Culture et Société, 2003.
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Galli Mastrodonato, Paola Irene. Il teatro politico di David Fennario. Salerno/Milano, Italy: Oèdipus, 2002.
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Bayne, Clarence S. “Le Black Theatre Workshop de Montreal: Un Nouveau Bilan.” L’Annuaire théâtral: Revue québécoise d’études théâtrales Vol. 29 (Printemps 2001): 141–155.
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Rideout, George. An Anglophone Is Coming to Dinner. Toronto, ON: Playwrights Union of Canada, 2001.
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Graham, Catherine. “La théâtre anglophone au Québec.” In Le théâtre québécois, edited by Dominique Lafon, X:407–424. Ottawa: Fides, 2001.
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Gale, Lorena. Je Me Souviens : Memories of an Expatriate Anglophone Montréalaise Québecoise Exiled in Canada. Vancouver, BC: Talon Books, 2001.
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Hurley, Erin. “Styling a Nation : Theatre and Belonging in Quebec.” PhD dissertation, City University of New York, 2000.