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Martin, Carol. “Montreal’s Music Man: Lewis V. Elvin and the Junior Symphony Orchestra.” Quebec Heritage News, Fall 2012. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_autumn_2012_compressed.pdf.
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Brouillette, Louis. “La musique vocale à la cathédrale anglicane de Québec de 1832 à 1959: Origine et impact des décisions du conseil de fabrique et du conseil paroissial.” Les Cahiers de la Société québécoise de recherche en musique Vol. 14, no. 2 (Automne 2012): 25–37. https://www.erudit.org/en/journals/sqrm/2013-v14-n2-sqrm01268/1023738ar.pdf.
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Nasrallah, Dimitri. “Stepping Out: The Birth of Montreal’s Music Industry.” Quebec Heritage News, Winter 2012. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_winter_2012_second_version_layout_1.pdf.
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Mimnagh, Keely. “The Music Criticism of Jacob Siskind : A Case Study of Corpus Linguistic Analysis.” Master’s Thesis, Carleton University, 2012. https://repository.library.carleton.ca/concern/etds/pg15bf42c?locale=en.
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Glazer, Aubrey L. “Leonard Cohen and The Tosher Rebbe: On Exile as Redemptions in Canadian Jewish Mysticism.” Canadian Jewish Studies / Études juives canadiennes Vol. 20, no. 1 (2012): 149–189. http://pi.library.yorku.ca/ojs/index.php/cjs/article/view/34696.
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Bellavance, Guy, and Christian Poirier. “Champ culturel et espace montréalais (I) : la vie culturelle à Montréal avant 1960.” In Histoire de Montréal et de sa région. Tome II. De 1930 à nos jours, edited by Dany Fougères, 1285–1320. Les régions du Québec. Québec: Les Presses de l’Université Laval, 2012. http://www.chairefernanddumont.ucs.inrs.ca/wp-content/uploads/2013/09/PoirierC_BellavanceG_2012_Champ_culturel_et_espace_montrealais_I_La_vie_culturelle_a_Montreal_avant_1960.pdf.
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Farfan, Matthew. “Bibliothèque et salle d’opéra Haskell: Un bijou transfrontalier.” Continuité, t 2011. https://www.erudit.org/fr/revues/continuite/2011-n129-continuite1812835/64382ac.pdf.
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Boucher, Denis. “Église Erskine and American : Un patrimoine polyphonique.” Continuité, t 2011. https://www.erudit.org/fr/revues/continuite/2011-n129-continuite1812835/64384ac.pdf.
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Lam, Emily. “‘People Didn’t Call It Klezmer’: Klezmer Music in Jewish Montreal 1924-1970.” Student Journal of Canadian Jewish Studies Vol. 3, no. 1 (Spring 2009): 40–70. http://portico.concordia.ca/canadianjewishjournal/assets/downloads/articlesspring2009.pdf.
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MacLeod, Rod. “Harry Norris : Ode to Montreal West’s Wandering Minstrel.” Quebec Heritage News, April 2009. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_mar-apr_2009_web-version_0.pdf.
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Morris, Kim Chow. “‘Small Has No Inside, Big Has No Outside’: Montreal’s Chinese Diaspora Breaks Out/In Music.” MUSICultures: Canadian Society for Traditional Music/Société canadienne pour les traditions musicales Vol. 36 (2009): 49–82. http://journals.hil.unb.ca/index.php/MC/article/view/20246.
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McLean, Don, and Dean Jobin-Bevans. “Survey of University-Based Music Programs in Canada.” Intersections : Canadian Journal of Music / Revue canadienne de musique Vol. 29, no. 1 (2009): 86–104. https://www.erudit.org/en/journals/is/2009-v29-n1-is3579/039112ar.pdf.
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Cummins-Russel, Thomas. “Networks in Montreal’s Independent Music Industry.” Master’s Thesis, Concordia University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976639.pdf.
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Battle, Shevaughn. “‘The Beginning After the End’: Independent Music, Canadian Cultural Policy and the Montreal Indie Music Scene.” Master’s thesis, Concordia University, 2009. https://spectrum.library.concordia.ca/976402/1/MR63287.pdf.
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Maki, Christine. “The Conservation of a Gender Fantasy: Women and Top 40 Radio in Montreal.” Master’s Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=22016&silo_library=GEN01.
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Fauteux, Brian. “Campus Frequencies: The ‘Alternativeness’ of Campus Radio Broadcasting.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR45295.PDF.
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Matte, Isabelle. “Récit d’une Beauceronne en Irlande ou la découverte de ‘l’irlandicité’ des Québécois.” Cap-aux-Diamants No. 88 (Hiver 2007): 36–39. https://www.erudit.org/en/journals/cd/2007-n88-cd1044833/6967ac.pdf.
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Nadeau-Saumier, Monique. “Un espace et un lieu de culture : le Art Building de Sherbrooke, 1887-1927.” PhD dissertation, Université du Québec à Montréal, 2007. https://archipel.uqam.ca/9616/1/D1560-1.pdf.
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Ingraham, Mary I. “Something to Sing About : A Preliminary List of Canadian Staged Dramatic Music Since 1867.” Intersections : Canadian Journal of Music / Revue canadienne de musique Vol. 28, no. 1 (2007): 14–77. https://www.erudit.org/en/journals/is/2007-v28-n1-is2474/019291ar.pdf.
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Pelletier, Robert. “The Hybrid Organ at St. Paul’s Anglican in Abbotsford, Quebec.” ROS Quarterly Vol. 25, no. 2 (Summer 2006). http://www.reedsoc.org/articlearchive/Abbotsford.pdf.
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Wolfson, Elliot R. “New Jerusalem Glowing: Songs and Poems of Leonard Cohen in a Kabbalistic Key.” Kabbalah: Journal for the Study of Jewish Mystical Texts Vol. 15 (2006): 103–153. http://themathesontrust.org/papers/judaism/wolfson-new_jerusalem_glowing.pdf.
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Rodgers, Guy. “The Jazz Scene in Montreal during the Second World War : Johnny Holmes Gave Starts to Oscar Peterson, Maynard Ferguson.” Quebec Heritage News, October 2005. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/QHN%20September-October%202005.pdf.
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Lelièvre, Denys. “Les Noirs et le jazz au Québec.” Cap aux Diamants No. 79 (Automne 2004): 36–41. https://www.erudit.org/en/journals/cd/2004-n79-cd1045095/7191ac.pdf.
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Stahl, Geoff. “Crisis? What Crisis?: Anglophone Musicmakers in Montreal.” PhD dissertation, McGill University, 2003. http://www.collectionscanada.gc.ca/obj/s4/f2/dsk3/QMM/TC-QMM-19483.pdf.
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Mathieu, Catherine. “La musique anglo-québecoise depuis les années 80.” Student essay, Université de Montréal, 2003. http://tagg.org/xpdfs/CathMathieuAngloQbc.pdf.
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Histoire culturelle - Sherbrooke, ville de culture. Sherbrooke, QC: Ville de Sherbrooke, 2003. https://www.ville.sherbrooke.qc.ca/fileadmin/fichiers/ville.sherbrooke.qc.ca/fr/citoyens/slscvc/culture.pdf.
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Constantinides, John. “The Sound System: Contributions to Jamaican Music and the Montreal Dancehall Scene.” Master’s Thesis, Université de Montréal, 2002. https://debate.uvm.edu/dreadlibrary/constantinides2004.htm.
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Stahl, Geoff. “Tracing Out an Anglo-Bohemia: Musicmaking and Myth in Montréal.” Public Vol. 22/23 (2001): 99–121. https://public.journals.yorku.ca/index.php/public/article/view/30328.
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Lefebvre, Marie-Thérèse. “La semaine annuelle de musique de Montréal sous les auspices du Delphic Study Club, 1923–1937.” Canadian University Music Review / Revue de musique des universités canadiennes Vol. 21, no. 2 (2001): 60–76. https://www.erudit.org/en/journals/cumr/2001-v21-n2-cumr0473/1014485ar.pdf.
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Laplante, Benoît, and Guy Bellevance. “L’évolution de la formation des artistes québécois au xxe siècle.” Recherches sociographiques Vol. 42, no. 3 (2001): 543–584. https://www.erudit.org/en/journals/rs/2001-v42-n3-rs1612/057475ar.pdf.
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