Your search results
33 resources
Page 1 of 2
-
Boisclair, Rachel. “Les impacts du contexte canadien de la deuxième guerre mondiale sur l’Art Association of Montreal.” Master’s Thesis, Université du Québec à Montréal, 2019. https://archipel.uqam.ca/12706/1/M16106.pdf.
-
Quebec Anglophone Heritage Network. “Memphremagog Masterpiece: Long-Lost Grand Drape Finds a New Home.” Histoire Québec, 2018. https://www.erudit.org/en/journals/hq/2018-v24-n3-hq04259/89724ac.pdf.
-
Burr, Christina Ann. “Why the Flapper Still Matters: Feminist Pedagogy, the Modern Girl, and the Women Artists of the Beaver Hall Group.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 29, no. 2 (Fall 2017): 113–135. https://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/4531/4789.
-
Raynor, Karine. “La naissance d’une collection : la collection du Centre universitaire de santé McGill.” Histoire Québec, 2017. https://www.erudit.org/en/journals/hq/2017-v23-n2-hq03186/86300ac.pdf.
-
Blain, Marie-Pier. “L’orfèvrerie québécoise dans le contexte muséal : une relecture contemporaine de la Collection Henry Birks d’orfèvrerie canadienne.” Master’s Thesis, Université de Montréal, 2017. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/20158/Blain_Marie-Pier_2017_memoire.pdf?sequence=2&isAllowed=y.
-
McNabb, Heather. “Visions of Canada: Photographs and History in a Museum, 1921-1967.” PhD dissertation, Concordia University, 2015. https://spectrum.library.concordia.ca/980517/1/McNabb_PhD_F2015.pdf.
-
Fleming, Arwen Jean. “David Marvin’s Griffintown: An Archival Exploration of a Ghosted Neighbourhood.” Master’s thesis, Concordia University, 2015. https://spectrum.library.concordia.ca/980525/1/Fleming_MA_F2015.pdf.
-
Blanchette, Jean-François. “Collectionner le Québec de tradition française à la manière de Nettoe Covey Sharpe.” In Du coq à l’âme : l’art populaire au Québec, 39–61. Gatineau, QC: Musée canadien de l’histoire / Les Presses de l’Université d’Ottawa, 2014. https://www.historymuseum.ca/cmc/exhibitions/arts/sharpe/sharpe_e.html.
-
Bellavance, Guy, and Christian Poirier. “Champ culturel et espace montréalais (I) : la vie culturelle à Montréal avant 1960.” In Histoire de Montréal et de sa région. Tome II. De 1930 à nos jours, edited by Dany Fougères, 1285–1320. Les régions du Québec. Québec: Les Presses de l’Université Laval, 2012. http://www.chairefernanddumont.ucs.inrs.ca/wp-content/uploads/2013/09/PoirierC_BellavanceG_2012_Champ_culturel_et_espace_montrealais_I_La_vie_culturelle_a_Montreal_avant_1960.pdf.
-
Callaghan, Lori. “Witnesses of Their Time : The Visual Arts in Quebec’s English-Speaking Community.” Quebec Heritage News, Summer 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_summer_2011_layout_1_reduced.pdf.
-
Boucher, Denis. “Église Erskine and American : Un patrimoine polyphonique.” Continuité, t 2011. https://www.erudit.org/fr/revues/continuite/2011-n129-continuite1812835/64384ac.pdf.
-
Laplace, Josée. “Rêve muséal : Étude de la patrimonalisation de l’église Erskine and American United à Montréal.” Journal of the Society for the Study of Architecture in Canada/Journal de la Société pour l’étude de l’architecture au Canada Vol. 36, no. 2 (2011): 27–44. https://dalspace.library.dal.ca/bitstream/handle/10222/65286/vol36_no2_27_43.pdf?sequence=1&isAllowed=y.
-
Antoncic, Debra Anne. “‘Oddballs and Eccentrics’ ('Les Hirsutes et Les Excentriques’): Visual Arts and Artists in the Popular Press in Post-War Canada.” PhD dissertation, Queen’s University, 2011. https://qspace.library.queensu.ca/bitstream/1974/6540/3/Antoncic_Debra_A_201105_PhD.pdf.
-
Tremblay, Mathieu. “Quand une église devient musée : le cas du MUSO – Musée de société des Deux-Rives à Salaberry-de-Valleyfield.” Rabaska : revue d’ethnologie de l’Amérique française Vol. 8 (2010): 93–99. https://www.erudit.org/en/journals/rabaska/2010-v8-rabaska3976/045257ar.pdf.
-
Sorbelli, Silvia. “Renaissance Art in Montreal: The City’s Early Collectors and Their Gifts to the Art Association of Montreal and the Montreal Museum of Fine Arts.” Master’s Thesis, Concordia University, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR70958.PDF.
-
Lacroix, Laurier. “La collection comme temps de la Nation : Les premières acquisitions du Musée de la province de Québec en 1920.” Les Cahiers des dix No. 62 (2008): 123–151. https://www.erudit.org/en/journals/cdd/2008-n62-cdd3423/038123ar.pdf.
-
Harvey, Kathryn. “Location, Location, Location: David Ross McCord and the Making of Canadian History.” Journal of the Canadian Historical Association/Revue de la Société historique du Canada New Series, Vol. 19, no. 1 (2008): 57–82. https://www.erudit.org/en/journals/jcha/2008-v19-n1-jcha3094/037426ar.pdf.
-
Harvey, Kathryn Nancy. “David Ross McCord (1844-1930): Imagining a Self, Imagining a Nation.” PhD dissertation, McGill University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-100618.pdf.
-
Mulchey, Kimberley Mills. “Maude Abbott: A Biography.” In The Proceedings of the 13th Annual History of Medicine Days, Faculty of Medicine, University of Calgary, March 19th and 20th, 2004 in the Health Sciences Centre, Calgary, AB, edited by W. A. Whitelaw, 233–240. Calgary, AB: Faculty of Medicine, University of Calgary, 2004. http://www.ucalgary.ca/uofc/Others/HOM/Proceedings-2004.pdf#page=245.
-
Cousins, Darlene Caroline. “Otto Dix’s Portrait of the Lawyer Hugo Simons: German Art for a Canadian Museum.” Master’s Thesis, Concordia University, 2002. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-1854.pdf.
-
Gagnon, Hervé, and Christine D. Nadeau. “La contribution de Maude Abbott au développement de la muséologie médicale (1898-1940).” Fontanus Vol. 10 (1998): 71–79. http://fontanus.mcgill.ca/article/view/159/180.
-
Langford, Martha. “Suspended Conversations: Private Photographic Albums in the Public Collection of the McCord Museum of Canadian History.” PhD dissertation, McGill University, 1997. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-42072.pdf.
-
Wright, Donald A. “Remembering War in Imperial Canada: David Ross McCord and The McCord National Museum.” Fontanus Vol. 9 (1996): 97–104. http://fontanus.mcgill.ca/article/view/139.
-
Strong, David Calvin. “Photography Into Art: Sidney Carter’s Contribution to Pictorialism.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 17, no. 2 (1996): 6–27. http://jcah-ahac.concordia.ca/fr/archive/1996_17-2.
-
Gauvin, Nicolas A. “Représenter l’Holocauste : Le traitement et la représentation de l’Holocauste dans les musées-mémoriaux d’Amérique du Nord. Étude comparative : Le United States Holocaust Memorial Museum et le Centre commémoratif de l’Holocauste Montréal.” Master’s Thesis, Concordia University, 1996. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp01/MQ44880.pdf.
-
Nadeau-Saumier, Monique. “Carrollcroft : Un don inestimable de la famille Colby à la collectivité.” Continuité, March 1993. https://www.erudit.org/en/journals/continuite/1993-n56-continuite1052632/17500ac.pdf.
-
Caron, Beaudoin. “Genèse d’une collection : Les verres anciens de la donation H.A. Norton au Musée des Beaux-Arts de Montréal.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 2 (Spring / Printemps 1992): 51–58. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_02-7-Caron.pdf.
-
Trudel, Jean. “Une élite et son musée.” Cap-aux-Diamants No. 25 (Printemps 1991): 22–25. https://www.erudit.org/en/journals/cd/1991-n25-cd1042089/7834ac.pdf.
-
Drouin, François. “Le Musée David-M.-Stewart.” Cap-aux-Diamants No. 25 (Printemps 1991): 85–86. https://www.erudit.org/en/journals/cd/1991-n25-cd1042089/7853ac.pdf.
-
Miller, Pamela. “‘When There Is No Vision, the People Perish’: The McCord Family Papers, 1766-1945.” Fontanus Vol. 3 (1990): 17–34. http://fontanus.mcgill.ca/article/view/30.
Page 1 of 2