Your search results
20 resources
-
Portolese, Marisa, and Vincent Bonin. Goose Village. Montreal: Marisa Portolese, 2023. https://goosevillage.ca/.
-
Huston, Lorne, and Ann Pearson. “Montreal Camera Club: 125 Years.” The Westmount Historian, February 2018. https://westmounthistorical.org/whawp/wp-content/uploads/2018/02/2018_02Text.pdf.
-
Théry, Flore. “Les commandes de photographies documentaires dans le studio Notman (1858-1909) : Naissance d’une mythologie canadienne de l’âge moderne.” Master’s Thesis, Université de Montréal, 2017. https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/20182/Thery_Flore_2017_memoire.pdf?sequence=2&isAllowed=y.
-
McNabb, Heather. “Visions of Canada: Photographs and History in a Museum, 1921-1967.” PhD dissertation, Concordia University, 2015. https://spectrum.library.concordia.ca/980517/1/McNabb_PhD_F2015.pdf.
-
Fleming, Arwen Jean. “David Marvin’s Griffintown: An Archival Exploration of a Ghosted Neighbourhood.” Master’s thesis, Concordia University, 2015. https://spectrum.library.concordia.ca/980525/1/Fleming_MA_F2015.pdf.
-
Wing, Emily. “On Different Sides of the Studio: Chinese Male and Female Sitters in Montreal’s Photographic Portraiture, Pre Exclusion Era (1885-1923).” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 77–90. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
-
Charlebois, Catherine, and Paul-André Linteau. Quartiers Disparus: Red Light, Faubourg à m’lasse, Goose Village. Montréal: Les Éditions Cardinal, 2014. https://ville.montreal.qc.ca/memoiresdesmontrealais/quartiers-disparus.
-
Nazarian, Vana S. “Familiar Faces and Nostalgic Places: Family Photographs as Instruments of Memory and Identity in the Montreal Armenian Community.” Master’s Thesis, Concordia University, 2012. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-974743.pdf.
-
Cowie, Duncan. “The Marjorie Howard Futcher Photo Collection.” The Osler Library Newsletter No. 113 (Spring 2010): 1–4. http://www.mcgill.ca/library/files/library/OLN113.pdf.
-
Samson, Hélène. “Notman reçoit.” Continuité, Automne 2009. https://www.erudit.org/en/journals/continuite/2009-n122-continuite1056365/15618ac.pdf.
-
Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.
-
Chase, Stanley. “Chronicles of Teen Participants from the Leave Out Violence (LOVE) Photojournalism Project.” PhD dissertation, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-975737.pdf.
-
Byrnes, Terence. Closer to Home: The Author and the Author Portrait. Montreal: Véhicule Press, 2008. http://www.vehiculepress.com/montreal/gallery.html.
-
Dubois, Jean-Marie M., and Léo Provencher. “Les couvertures de photographies aériennes des Cantons de l’Est : inventaire et utilité pour les études multidates, et cas du campus de l’Université Bishop’s.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 22 (Spring 2003): 25–51. http://www.etrc.ca/journal/jets-archive/.
-
Langford, Martha. “Suspended Conversations: Private Photographic Albums in the Public Collection of the McCord Museum of Canadian History.” PhD dissertation, McGill University, 1997. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-42072.pdf.
-
Strong, David Calvin. “Photography Into Art: Sidney Carter’s Contribution to Pictorialism.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 17, no. 2 (1996): 6–27. http://jcah-ahac.concordia.ca/fr/archive/1996_17-2.
-
Strong, David Calvin. “Sidney Carter (1880-1956) and the Politics of Pictorialism.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-78.pdf.
-
Schofield, Appolonia Elizabeth. “The Soul Pictures of Margaret Mary Nealis R.S.C.J., 1876 to 1957.” Master’s Thesis, Concordia University, 1993. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-6105.pdf.
-
Désy, Louise. “Une tradition vivante: Le studio W. B. Edwards.” Cap-aux-Diamants Vol. 3, no. 2 (t 1987): 25–28. https://www.erudit.org/en/journals/cd/1987-v3-n2-cd1039400/6690ac.pdf.
-
Caron, Blossom. History of the Montreal Camera Club, 1893-1981. Westmount, QC: Montreal Camera Club, 1981. http://www.montrealcameraclub.com/mcc-history.html.