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Lerner, Loren Ruth. “William Notman’s Portrait Photographs of the Wealthy English-Speaking Girls of Montreal: Representations of Informal Female Education in Relation to John Ruskin’s ‘Of Queens’ Gardens’ and Writings by and for Canadians from the 1850s to 1890s.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 21, no. 2 (Fall 2009): 65–97. http://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/816.
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Powell, Grace. “Challenging the Status Quo: Prudence Heward’s Portrayals of Canadian Women from the 1920s to the 1940s.” Master’s Thesis, Concordia University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR63273.PDF.
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Bouchard, Lydia. “Les paysages québécois de William Brymner : expérience de la nature comme lieu identitaire canadien au tournant du XXe siècle.” Master’s Thesis, Université du Québec à Montréal, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-2163.pdf.
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Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.
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Aylen, Marielle. “Modern Vision and National Memory: Jori Smith, the Montreal Avant-Garde, and Charlevoix Painters.” PhD dissertation, York University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/NR51669.PDF.
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Barclay, Barbara. “Secrets of the Sculptor : Rustic Country Origins and a Romantic Spirit Shaped Orson Wheeler’s Life.” Quebec Heritage News, December 2008. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/QHN%20Nov-Dec_2008_web%20edition.pdf.
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Tarasoff, Lesley A. “Nina May (Pickel) Owens, 1869–1959 : English Quebec’s Early ‘Independent’ Woman/Artist.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 32-33 (Spring-Fall 2008): 89–112. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_32-33_Spring-Fall_2008.pdf.
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Trudel, Jean. “L’Art Association of Montreal : Les années d’incertitude : 1863-1877 (Première partie).” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 29 (2008): 116–145. http://jcah-ahac.concordia.ca/fr/archive/2009_30.
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Robert, Kimberlie M. “Women’s Botanical Illustration in Canada: Its Gendered, Colonial and Garden Histories (1830-1930).” Master’s Thesis, Concordia University, 2008. http://spectrum.library.concordia.ca/976097/1/MR45323.pdf.
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Pageot, Édith-Anne. “Une voix féminine dans l’espace public : La Galerie Dominion, 1941-1956.” Globe: revue internationale d’études québécoises Vol. 11, no. 2 (2008): 186–302. https://www.erudit.org/en/journals/globe/2008-v11-n2-globe1497200/1000528ar.pdf.
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Nadeau-Saumier, Monique. “The Impact of Immigration on Art, History and Architecture.” Histoire Québec, 2008. https://www.erudit.org/en/journals/hq/2008-v14-n2-hq1059842/11378ac.pdf.
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Nadeau-Saumier, Monique. “Caractéristiques historiques et culturelles des Cantons-de-l’Est.” Histoire Québec, 2008. https://www.erudit.org/en/journals/hq/2008-v14-n2-hq1059842/11379ac.pdf.
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Lacroix, Laurier. “La collection comme temps de la Nation : Les premières acquisitions du Musée de la province de Québec en 1920.” Les Cahiers des dix No. 62 (2008): 123–151. https://www.erudit.org/en/journals/cdd/2008-n62-cdd3423/038123ar.pdf.
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Eagan, Mireille. “The Pictured and the Posed: Nineteenth Century Touristic Images of the Lachine Rapids.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976200.pdf.
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De Garie-Lamanque, Ève. “L’Esthetique de la trace anonyme. Étude comparative des cas de Betty Goodwin et de Christian Boltanski.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR45287.PDF.
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Chase, Stanley. “Chronicles of Teen Participants from the Leave Out Violence (LOVE) Photojournalism Project.” PhD dissertation, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-975737.pdf.
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Buis, Alena. “Ut Pictura Poesis: Edward Black Greenshields’ Collection of Hague School Paintings.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976098.pdf.
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Nadeau-Saumier, Monique. “Un espace et un lieu de culture : le Art Building de Sherbrooke, 1887-1927.” PhD dissertation, Université du Québec à Montréal, 2007. https://archipel.uqam.ca/9616/1/D1560-1.pdf.
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Matte, Gabrielle. “Tourisme et vulgarisation historique dans le milieu artistique montréalais entre les années 1910 et 1930 : étude des recueils ‘Old Montreal’ de Herbert Raine et...’Croquis montréalais’ de Charles Walter Simpson.” Master’s Thesis, Université du Québec à Montréal, 2007. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-850.pdf.
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Fortin, Nathalie. “La place des femmes dans la Société d’art contemporain : Montréal, 1939-1948.” Master’s Thesis, Université du Québec à Montréal, 2007. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-3348.pdf.
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Stock, Sandra. “Edwin Holgate: Last Painter to Join the Group of Seven.” Quebec Heritage News, April 2006. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/QHN%20March-April%202006.pdf.
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Graham, Joseph. “Forest McCarthy: Artist, Lumberjack, Guide and Friend.” Quebec Heritage News, April 2006. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/QHN%20March-April%202006.pdf.
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Sinclair, Catherine. “Season’s Greetings in Canada : Gender and Nationalism in Rous and Mann, Limited’s Canadian Artists Series Christmas Cards, 1923-1929.” Master’s Thesis, Carleton University, 2006. https://curve.carleton.ca/702fb01c-a854-48c1-9fdd-8924b1617bb6.
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Rackham, Michèle. “Reframing Montreal Modernisms: A Biographical Study of Betty Sutherland and Her Work with First Statement, First Statement Press, Contact, Contact Press, and CIV/n.” Master’s Thesis, Carleton University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR18293.PDF.
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Grants, Anita. “Selectivity, Interpretation and Application: The Influence of John Ruskin in Canada.” PhD dissertation, Concordia University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-9098.pdf.
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Beavis, Lori. “An Educational Journey: Women’s Art Training in Canada and Abroad, 1880-1929.” Master’s Thesis, Concordia University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-9279.pdf.
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Sicotte, Hélène. “Suzor-Coté chez W. Scott & Sons de Montréal : Du rôle de l’éxposition particulière dans la consécreation d’une carrière d’artiste.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 26 (2005): 108–126. http://jcah-ahac.concordia.ca/en/archive?page=4.
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Korda, Andrea. “Travel Photography after the Kodak: Two Amateur Albums from the Turn of the Century.” Master’s Thesis, Concordia University, 2005. https://spectrum.library.concordia.ca/8281/1/MR04467.pdf.
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Burton, Samantha. “Re-Mapping Modernity: The Sites and Sights of Helen McNicoll (1879-1915).” Master’s Thesis, McGill University, 2005. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-83172.pdf.
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Moore, Paul S. “Movie Palaces on Canadian Downtown Main Streets: Montreal, Toronto and Vancouver.” Urban History Review/Revue d’historire urbaine Vol. 32, no. 2 (Spring 2004): 3–20. https://www.erudit.org/en/journals/uhr/2004-v32-n2-uhr0585/1015713ar.pdf.
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