Your search results
19 resources
-
Samson, Hélène. “Notman reçoit.” Continuité, Automne 2009. https://www.erudit.org/en/journals/continuite/2009-n122-continuite1056365/15618ac.pdf.
-
Powell, Grace. “Challenging the Status Quo: Prudence Heward’s Portrayals of Canadian Women from the 1920s to the 1940s.” Master’s Thesis, Concordia University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR63273.PDF.
-
Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.
-
Aylen, Marielle. “Modern Vision and National Memory: Jori Smith, the Montreal Avant-Garde, and Charlevoix Painters.” PhD dissertation, York University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/NR51669.PDF.
-
Tarasoff, Lesley A. “Nina May (Pickel) Owens, 1869–1959 : English Quebec’s Early ‘Independent’ Woman/Artist.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 32-33 (Spring-Fall 2008): 89–112. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_32-33_Spring-Fall_2008.pdf.
-
Robert, Kimberlie M. “Women’s Botanical Illustration in Canada: Its Gendered, Colonial and Garden Histories (1830-1930).” Master’s Thesis, Concordia University, 2008. http://spectrum.library.concordia.ca/976097/1/MR45323.pdf.
-
Pageot, Édith-Anne. “Une voix féminine dans l’espace public : La Galerie Dominion, 1941-1956.” Globe: revue internationale d’études québécoises Vol. 11, no. 2 (2008): 186–302. https://www.erudit.org/en/journals/globe/2008-v11-n2-globe1497200/1000528ar.pdf.
-
De Garie-Lamanque, Ève. “L’Esthetique de la trace anonyme. Étude comparative des cas de Betty Goodwin et de Christian Boltanski.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR45287.PDF.
-
Fortin, Nathalie. “La place des femmes dans la Société d’art contemporain : Montréal, 1939-1948.” Master’s Thesis, Université du Québec à Montréal, 2007. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-3348.pdf.
-
Sinclair, Catherine. “Season’s Greetings in Canada : Gender and Nationalism in Rous and Mann, Limited’s Canadian Artists Series Christmas Cards, 1923-1929.” Master’s Thesis, Carleton University, 2006. https://curve.carleton.ca/702fb01c-a854-48c1-9fdd-8924b1617bb6.
-
Rackham, Michèle. “Reframing Montreal Modernisms: A Biographical Study of Betty Sutherland and Her Work with First Statement, First Statement Press, Contact, Contact Press, and CIV/n.” Master’s Thesis, Carleton University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR18293.PDF.
-
Beavis, Lori. “An Educational Journey: Women’s Art Training in Canada and Abroad, 1880-1929.” Master’s Thesis, Concordia University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-9279.pdf.
-
Korda, Andrea. “Travel Photography after the Kodak: Two Amateur Albums from the Turn of the Century.” Master’s Thesis, Concordia University, 2005. https://spectrum.library.concordia.ca/8281/1/MR04467.pdf.
-
Burton, Samantha. “Re-Mapping Modernity: The Sites and Sights of Helen McNicoll (1879-1915).” Master’s Thesis, McGill University, 2005. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-83172.pdf.
-
Tierney, Cara. “Jori Smith: A Contextual Analysis.” Master’s Thesis, Carleton University, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/001/mq99003.pdf.
-
Pageot, Édith-Anne. “Images du subjet, du feminine et du masculine chez Smith, Roberts, Lyman et M. Gagnon.” PhD dissertation, Université de Montréal, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/001/nq92748.pdf.
-
Pageot, Édith-Anne. “Jori Smith, une figure de la modernité picturale québécoise : étude de case : le portrait d’enfant.” Globe: revue internationale d’études québécoises Vol. 3, no. 2 (2000): 171–186. http://www.erudit.org/revue/globe/2000/v3/n2/1000587ar.pdf.
-
Pageot, Édith-Anne. “Ambiguïtés de la réception critique de l’exposition « Canadian Women Artists », Riverside Museum, New York, 1947.” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 27, no. 1–2 (2000): 123–134. https://www.erudit.org/fr/revues/racar/2000-v27-n1-2-racar05318/1069728ar.pdf.
-
Bosnitch, Katherine. “A Little on the Wild Side: Eaton’s Prestige Fashion Advertising Published in the Montreal Gazette, 1952-1972.” Master’s Thesis, Concordia University, 2000. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-1065.pdf.