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Reid, Gregory J. “Mapping Jouissance: Insights from a Case Study in the Schizophrenia of Canadian Drama.” Comparative Drama Vol. 35, no. 3–4 (2021): 291–318. https://scholarworks.wmich.edu/compdr/vol35/iss4/3.
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Donovan, Patrick. “English-Speaking Quebecers.” The Canadian Encyclopedia. Historica Canada, August 29, 2019. Accessed November 6, 2015. http://www.thecanadianencyclopedia.ca/en/article/english-speaking-quebecer/.
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Léger, Danielle. “Théâtre à Montréal, 1825-1930 : un récit visuel mettant en scène des documents patrimoniaux.” Archives Vol. 48, no. 1 (2019): 89–106. https://www.erudit.org/fr/revues/archives/2019-v48-n1-archives04662/1060816ar.pdf.
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Leofeli Romero Barlizo, Marie. “Diversity In Bloom In Montreal English Theatre.” TicArtToc, Spring 2018. https://www.erudit.org/en/journals/ticarttoc/2018-n10-ticarttoc03667/88173ac.pdf.
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Quebec Anglophone Heritage Network. “Memphremagog Masterpiece: Long-Lost Grand Drape Finds a New Home.” Histoire Québec, 2018. https://www.erudit.org/en/journals/hq/2018-v24-n3-hq04259/89724ac.pdf.
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Hurley, Erin. “Townships Theatres: Identities and Circuits, 1935-1982.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 46 (Spring 2016): 15–35. http://www.etrc.ca/journal/jets-archive/.
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Bradley, John. “David Fennario persiste et signe : entrevue avec David Fennario.” Translated by Yves Rochon. Nouveaux Cahiers du socialisme, Hiver 2016. https://www.erudit.org/en/journals/ncs/2016-n15-ncs02387/80871ac.pdf.
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Tumarkin, Pola. “An Historiographical Reading of the Founding of Canada’s National Theatre School.” PhD dissertation, York University, 2016. https://yorkspace.library.yorku.ca/xmlui/bitstream/handle/10315/32289/Tumarkin_Pola_R_2016_PhD.pdf?sequence=2.
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King, Jason. “Staging Famine Irish Memories of Migration and National Performance in Ireland and Québec.” CLCWeb: Comparative Literature and Culture Vol. 18, no. 4 (2016): 8 pages. https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=2907&context=clcweb.
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Gibb, Alexandra. “Beyond the Decline: Revaluing Montreal’s Movie Palaces.” PhD dissertation, McGill University, 2016. https://escholarship.mcgill.ca/concern/theses/12579w10t.
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English-language Arts Network. “A Market Access Strategy for Official Language Minority Community Artists in Quebec.” Last modified 2016. https://www.quebec-elan.org/wp-content/uploads/2016/08/Market-Access-Report-2016.pdf.
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Juma, Flora. “Classic Montreal: Revisiting Anglo Institutions: Centaur Theatre.” Quebec Heritage News, Fall 2015. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_autumn_2015.mf_reduced.pdf.
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Gallop, Mark W. “Strangely Promising Talent: The Westmount Thespians Through the Decades.” Quebec Heritage News, Summer 2015. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_summer_2015_layout_1_reduced.pdf.
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Tremblay, Alex. “L’enracinement du théâtre et de la musique à Québec au xixe siècle.” Histoire Québec, 2015. https://www.erudit.org/en/journals/hq/2015-v20-n3-hq01826/77865ac.pdf.
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Vineberg, Robert. “The British Garrison and Montreal Society, 1830-1850.” Canadian Military History Vol. 21, no. 1 (Autumn 2012): 3–16. https://scholars.wlu.ca/cgi/viewcontent.cgi?article=1643&context=cmh.
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Moss, Jane. “’Je me souviens’ : Staging Memory in Anglo-Québécois Theatre.” Journal of Canadian Studies/Revue d’études canadiennes Vol. 46, no. 3 (Fall 2012): 28–59. http://0-literature.proquest.com.fama.us.es/searchFulltext.do?id=R05007356&divLevel=0&area=abell&forward=critref_ft.
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Margolis, Rebecca. “Holocaust and Post-Holocaust Yiddish Theatre in Montreal: A Canadian Response to Catastrophe.” In Leket: Yidishe Shtudyes Haynt/Leket: Jiddistik Heute/Leket: Yiddish Studies Today, edited by Marion Aptroot, 525–540. Düsseldorf, Germany: Düsseldorf University Press, 2012. https://docserv.uni-duesseldorf.de/servlets/DerivateServlet/Derivate-23711/cuknya6h/Leket_ganz_A.pdf.
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Bellavance, Guy, and Christian Poirier. “Champ culturel et espace montréalais (I) : la vie culturelle à Montréal avant 1960.” In Histoire de Montréal et de sa région. Tome II. De 1930 à nos jours, edited by Dany Fougères, 1285–1320. Les régions du Québec. Québec: Les Presses de l’Université Laval, 2012. http://www.chairefernanddumont.ucs.inrs.ca/wp-content/uploads/2013/09/PoirierC_BellavanceG_2012_Champ_culturel_et_espace_montrealais_I_La_vie_culturelle_a_Montreal_avant_1960.pdf.
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Ackerman, Marianne. “Reclaiming Centre Stage: The Theatre Community of English Quebec.” Quebec Heritage News, Fall 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_fall_2011_reset_layout_1_reduced.pdf.
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Vickery, Anthony. “Two Patterns of Touring in Canada: 1896 to 1914.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 31, no. 1 (2010): 1–19. http://journals.hil.unb.ca/index.php/tric/article/view/18281/19698.
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Needles, Jane. “Stage Legends : Highlights From a Long History of English Theatre in Montreal.” Quebec Heritage News, December 2008. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/QHN%20Nov-Dec_2008_web%20edition.pdf.
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Poulin, Louise. Faire les bons Choix. État des immobilisations pour la création, la production et la diffusion du théâtre professionnel d’expression anglaise : territoire de l’île de Montréal : rapport final. Montréal: ArtExpert.ca, 2007. https://numerique.banq.qc.ca/patrimoine/details/52327/1901477?docref=z17KP-Vkc3MFCCwUhpnQUQ.
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Comtois, Patricia. “Jeunes femmes et loisirs commerciaux durant les années folles (1919-1929) : étude des discours ecclésiastiques et journalistiques.” Master’s Thesis, Université du Québec à Montréal, 2007. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-817.pdf.
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ArtExpert. ca, sous la direction de Louise Poulin. Faire les bons choix : état des immobilisations pour la création, ;a production et la diffusion du théâtre professionnel d’expression anglaise : territoire de l’île de Montréal : rapport final. Montréal and Québec: Ville de Montréal; et Culture, communications et conditions féminine, 2007. http://collections.banq.qc.ca/ark:/52327/bs1901478.
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Bourassa, André-G. “Les visiteurs au pouvoir : Le théâtre au Québec, 1850-1879 (2ème partie).” Bulletin d’histoire politique Vol. 13, no. 3 (Printemps 2005): 123–145. https://www.erudit.org/en/journals/bhp/2005-v13-n3-bhp04189/1055068ar.pdf.
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Bourassa, André-G. “Les visiteurs au pouvoir : Le théâtre au Québec, 1850-1879 (1re partie).” Bulletin d’histoire politique Vol. 13, no. 2 (Hiver 2005): 191–216. https://www.erudit.org/en/journals/bhp/2005-v13-n2-bhp04188/1055047ar.pdf.
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Histoire culturelle - Sherbrooke, ville de culture. Sherbrooke, QC: Ville de Sherbrooke, 2003. https://www.ville.sherbrooke.qc.ca/fileadmin/fichiers/ville.sherbrooke.qc.ca/fr/citoyens/slscvc/culture.pdf.
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Reid, Gregory J. “Face to Face: A Conversation with Vittorio Rossi.” Theatre Research in Canada/Recherches théâtrales au Canada Vol. 21, no. 2 (Fall 2000): 177–194. https://journals.lib.unb.ca/index.php/TRIC/article/view/12636.
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Bangham, Nicola. “An Experiment in Integration: Working with Youth-At-Risk in Performative Style Drama Therapy at the Centre for the Arts in Human Development (Concordia University).” Master’s Thesis, Concordia University, 2000. https://spectrum.library.concordia.ca/1213/1/MQ54351.pdf.
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Charpentier, Marc. “Broadway North: Musical Theatre in Montreal in the 1920s.” PhD dissertation, McGill University, 1999. http://www.collectionscanada.gc.ca/obj/thesescanada/vol1/QMM/TC-QMM-35990.pdf.
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