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Phyllis Lambert — Une manière d’habiter
| Type of resource | |
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| Author/collaborator |
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| Title |
Phyllis Lambert — Une manière d’habiter
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| Abstract |
The author notes that photography is inextricable from Phyllis Lambert’s career. Architectural surveys, studies of urban space, activism, advertising, project documentation, archives, media relations, and exhibition catalogues are based on this tool, which is as essential to modern life as concrete. Nevertheless, the author contends that it is only in the twilight of her life that Lambert has put herself forward as a photographer, and Lambert does so with sincere modesty. The author argues that good architects recognize the value of both materials experts and talented workers, and they avoid claiming to have invented the three-quarter-inch screw. Think about how the photographs that Brian Merrett took of Shaughnessy House were seminal in the establishment of the Canadian Centre for Architecture (CCA), or how Louise Abbott’s documentation of the covert destruction of the Van Horne Mansion was the catalyst for Save Montreal.
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| Publication |
Ciel variable: art, photo, médias, culture
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| Date |
Été 2023
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| Volume |
No. 123
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| Pages |
60-69
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| URL |
chrome-extension://hbgjioklmpbdmemlmbkfckopochbgjpl/https://www.erudit.org/fr/revues/cv/2023-n123-cv08033/102072ac.pdf
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| Language |
fr
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| Citation |
Hardy-Vallée, Michel. “Phyllis Lambert — Une manière d’habiter.” Ciel variable: art, photo, médias, culture, t 2023. chrome-extension://hbgjioklmpbdmemlmbkfckopochbgjpl/https://www.erudit.org/fr/revues/cv/2023-n123-cv08033/102072ac.pdf.
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