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Boone, Emilie. “The Likeness of Fugitivity: William Notman’s Carte-de-Visite Portrait of John Anderson.” History of Photography Vol. 37, no. 2 (May 2013): 221–234.
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Lahaie, Andréann. “William Notman et les imaginaires photographiques de la chasse au XIXe siècle à Montréal.” Master’s Thesis, Université du Québec à Montréal, 2013. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-5829.pdf.
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Naves, Elaine Kalman. “William Notman: ‘Photographer to the Queen.’” The Gazette. Montreal, February 18, 2012, sec. Extra Saturday.
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Reid Marcil, Eileen. Le Trois-mâts Tea Taster et le rêve d’Edmund Willoughby Sewell. Translated by Florence Buathier. Québec: Les Éditions GID, 2012.
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Lerner, Loren. “William Notman’s Photographic Selections (1863).” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 33, no. 1 (2012): 16–45. http://jcah-ahac.concordia.ca/fr/archive/2012_33-1.
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Bernier, Geneviève. “La bourgeoisie en portrait au Bas-Canada (1790-1830).” Master’s thesis, Université Laval, 2012. http://www.theses.ulaval.ca/2012/29172/.
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McGuire, Susan. “Discovered by Descendants : William Satchwell Leney, 1769-1831.” Quebec Heritage News, Summer 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_summer_2011_layout_1_reduced.pdf.
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Stavert, William Ewart. Windows of History, Service and Sacrifice. Montreal: Price-Patterson, 2011.
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Nadeau-Saumier, Monique. “William Stewart Hunter Jr. (1823–1894) : The Return of an Artistic Legacy.” Stanstead Historical Journal Vol. 24 (2011): 219–232.
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Burton, Samantha. “Canadian Girls in London: Negotiating Home and Away in the British World at the Turn of the Twentieth Century.” PhD dissertation, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=107634&silo_library=GEN01.
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Liétard, Clotilde. “La thématique hivernale dans les oeuvres de Maurice Cullen, de 1896 à 1914.” Master’s Thesis, Université de Montréal, 2010. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMU/TC-QMU-4417.pdf.
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Colby, Robert. “Art, Gentility and Family Memory: Willbur Reaser’s Paintings for Carrollcroft.” Journal of Eastern Townships Studies/Revue d’études de Cantons de l’Est No. 35 (2010): 49–90. http://www.etrc.ca/journal/jets-archive/.
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Boutillier, Alicia, and Paul Maréchal, eds. William Brymner: Artist, Teacher, Colleague. Kingston, ON: Agnes Etherington Art Centre, 2010.
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Lerner, Loren Ruth. “William Notman’s Portrait Photographs of the Wealthy English-Speaking Girls of Montreal: Representations of Informal Female Education in Relation to John Ruskin’s ‘Of Queens’ Gardens’ and Writings by and for Canadians from the 1850s to 1890s.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 21, no. 2 (Fall 2009): 65–97. http://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/816.
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Nelson, Charmaine A. “Sugar Cane, Slaves and Ships: Colonialism, Geography and Power in Nineteenth-Century Landscapes of Montreal and Jamaica.” In Living History: Encountering the Memory of the Heirs of Slavery, edited by Ana Lucia Araujo, 19–56. Newcastle upon Tyne, England: Cambridge Scholars Publishing, 2009.
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Bouchard, Lydia. “Les paysages québécois de William Brymner : expérience de la nature comme lieu identitaire canadien au tournant du XXe siècle.” Master’s Thesis, Université du Québec à Montréal, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-2163.pdf.
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Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.
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Tarasoff, Lesley A. “Nina May (Pickel) Owens, 1869–1959 : English Quebec’s Early ‘Independent’ Woman/Artist.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 32-33 (Spring-Fall 2008): 89–112. http://www.etrc.ca/wp-content/uploads/2016/12/JETS_32-33_Spring-Fall_2008.pdf.
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Trudel, Jean. “L’Art Association of Montreal : Les années d’incertitude : 1863-1877 (Première partie).” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 29 (2008): 116–145. http://jcah-ahac.concordia.ca/fr/archive/2009_30.
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Robert, Kimberlie M. “Women’s Botanical Illustration in Canada: Its Gendered, Colonial and Garden Histories (1830-1930).” Master’s Thesis, Concordia University, 2008. http://spectrum.library.concordia.ca/976097/1/MR45323.pdf.
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Nadeau-Saumier, Monique. “The Impact of Immigration on Art, History and Architecture.” Histoire Québec, 2008. https://www.erudit.org/en/journals/hq/2008-v14-n2-hq1059842/11378ac.pdf.
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Nadeau-Saumier, Monique. Mary Catherine (Minnie) Gill, 1862 [Sic]-1946 : Townships and Charlevoix Landscapes/Mary Catherine (Minnie) Gill 1861-1946: Paysage Des Cantons et de Charlevoix. Sherbrooke, QC: Lennoxville-Ascot Historical and Museum Society, 2008.
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Germain, Georges-Hébert. A City’s Museum: A History of the Montreal Museum of Fine Arts. Translated by Janet Chapman. Montreal: Montreal Museum of Fine Arts, 2007.
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Villeneuve, René. “A Scottish-Born Silversmith in Montreal: Robert Cruikshank.” In Kingdom of the Mind: How the Scots Helped Make Canada, edited by Peter E. Rider and Heather McNabb, 137–148. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Stirling, J. Craig. “Postsecondary Art Education in Quebec from the 1870s to the 1920s.” In From Drawing to Visual Culture: A History of Art Education in Canada, edited by Harold Pearse, 47–84. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Stack, Eileen. “‘Bonnie Lassies’ and a ‘Coat of Many Colours’: Highland-Inspired Clothing at the McCord Museum.” In A Kingdom of the Mind: How the Scots Helped Make Canada, edited by Peter E. Rider and Heather McNabb, 149–164. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Samulak, Anna Regina Christine. “Krieghoff in Context: Souvenir Paintings of the Habitant Community in Nineteenth-Century British North America.” Master’s Thesis, Queen’s University, 2006.
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Grants, Anita. “Selectivity, Interpretation and Application: The Influence of John Ruskin in Canada.” PhD dissertation, Concordia University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-9098.pdf.
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Farah, Myriam. “Impact de la genèse d’une collection muséale sur le processus d’acquisition futur : Étude comparative de l’histoire des collections de l’Art Association of Montreal et de la Royal Canadian Academy of Arts.” Master’s Thesis, Université du Québec à Montréal, 2006.
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Dalgleish, George R. “Aspects of Scottish-Canadian Material Culture: Heart Brooches and Scottish Pottery.” In A Kingdom of the Mind: How the Scots Helped Make Canada, edited by Peter E. Rider and Heather McNabb, 122–136. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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