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Charlebois, Catherine, and Paul-André Linteau. Quartiers Disparus: Red Light, Faubourg à m’lasse, Goose Village. Montréal: Les Éditions Cardinal, 2014. https://ville.montreal.qc.ca/memoiresdesmontrealais/quartiers-disparus.
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Béland, Mario. “Notman, père et fils.” Cap-aux-Diamants No. 115 (Automne 2013): 46–47. https://www.erudit.org/culture/cd1035538/cd0850/70089ac.pdf.
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Boone, Emilie. “The Likeness of Fugitivity: William Notman’s Carte-de-Visite Portrait of John Anderson.” History of Photography Vol. 37, no. 2 (May 2013): 221–234.
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Lahaie, Andréann. “William Notman et les imaginaires photographiques de la chasse au XIXe siècle à Montréal.” Master’s Thesis, Université du Québec à Montréal, 2013. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-5829.pdf.
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Naves, Elaine Kalman. “William Notman: ‘Photographer to the Queen.’” The Gazette. Montreal, February 18, 2012, sec. Extra Saturday.
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Nazarian, Vana S. “Familiar Faces and Nostalgic Places: Family Photographs as Instruments of Memory and Identity in the Montreal Armenian Community.” Master’s Thesis, Concordia University, 2012. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-974743.pdf.
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Lerner, Loren. “William Notman’s Photographic Selections (1863).” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 33, no. 1 (2012): 16–45. http://jcah-ahac.concordia.ca/fr/archive/2012_33-1.
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Hampton, Rosalind. “Family Photos: Digital Photography as Emancipatory Art Education in Montreal’s Black Community.” Master’s Thesis, Concordia University, 2011. http://spectrum.library.concordia.ca/7708/1/Hampton_MA_F2011.pdf.
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Lerner, Loren. “Photographs of the Child in Canadian Pictorial from 1906 to 1916: A Reflection of the Ideas and Values of English Canadians about Themselves and ‘Other’ Canadians.” The Journal of the History of Childhood and Youth Vol. 3, no. 2 (Spring 2010): 233–263.
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Cowie, Duncan. “The Marjorie Howard Futcher Photo Collection.” The Osler Library Newsletter No. 113 (Spring 2010): 1–4. http://www.mcgill.ca/library/files/library/OLN113.pdf.
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Samson, Hélène. “Notman reçoit.” Continuité, Automne 2009. https://www.erudit.org/en/journals/continuite/2009-n122-continuite1056365/15618ac.pdf.
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Lerner, Loren Ruth. “William Notman’s Portrait Photographs of the Wealthy English-Speaking Girls of Montreal: Representations of Informal Female Education in Relation to John Ruskin’s ‘Of Queens’ Gardens’ and Writings by and for Canadians from the 1850s to 1890s.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 21, no. 2 (Fall 2009): 65–97. http://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/816.
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Lerner, Loren. “William Notman’s Portrait Photographs of Girls Reading From the 1860s to the 1880s: A Pictorial Analysis Based on Contemporary Writings.” Papers of the Bibliographical Society of Canada/Cahiers de la Société bibliographique du Canada Vol. 47, no. 1 (Spring 2009): 45–73.
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Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.
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Eagan, Mireille. “The Pictured and the Posed: Nineteenth Century Touristic Images of the Lachine Rapids.” Master’s Thesis, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976200.pdf.
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Chase, Stanley. “Chronicles of Teen Participants from the Leave Out Violence (LOVE) Photojournalism Project.” PhD dissertation, Concordia University, 2008. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-975737.pdf.
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Byrnes, Terence. Closer to Home: The Author and the Author Portrait. Montreal: Véhicule Press, 2008. http://www.vehiculepress.com/montreal/gallery.html.
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Stack, Eileen. “‘Bonnie Lassies’ and a ‘Coat of Many Colours’: Highland-Inspired Clothing at the McCord Museum.” In A Kingdom of the Mind: How the Scots Helped Make Canada, edited by Peter E. Rider and Heather McNabb, 149–164. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Allard, Jean-Luc, and Jacques Poitras. Les photographes québécois, 1839-1950 : la première liste officielle. Longueuil, Qué.: Éditions historiques et généalogiques Pépin, 2006.
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Yee, Paul. Chinatown: An Illustrated History of the Chinese Communities of Victoria, Vancouver, Calgary, Winnipeg, Toronto, Ottawa, Montreal and Halifax. Toronto: James Lorimer, 2005.
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Rousseau, Marlène. “Alexander Henderson (1831-1913) : photographe paysagiste montréalais du XIXe siècle.” Master’s Thesis, Université du Québec à Montréal, 2005.
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Korda, Andrea. “Travel Photography after the Kodak: Two Amateur Albums from the Turn of the Century.” Master’s Thesis, Concordia University, 2005. https://spectrum.library.concordia.ca/8281/1/MR04467.pdf.
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Stack, Eileen. “‘Very Picturesque and Very Canadian’: The Blanket Coat and Anglo-Canadian Identity in the Second Half of the Nineteenth Century.” In Fashion: A Canadian Perspective, edited by Alexandra Palmer, 17–40. Toronto, ON: University of Toronto Press, 2004.
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Lapointe, Pierre-Louis. L’Île de Hull : une promenade dans le temps. Québec: Les Éditions GID, 2004.
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Battle, Murray. Notman’s Canada : Photographer to the Queen. DVD, Documentary. McNabb & Connolly, 2004.
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Baillie, Ray and Diana. Imprints III: Discovering the Historic Face of English Quebec. Montreal: Price-Patterson, 2004.
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Dubois, Jean-Marie M., and Léo Provencher. “Les couvertures de photographies aériennes des Cantons de l’Est : inventaire et utilité pour les études multidates, et cas du campus de l’Université Bishop’s.” Journal of Eastern Townships Studies / Revue d’études des Cantons-de-l’Est No. 22 (Spring 2003): 25–51. http://www.etrc.ca/journal/jets-archive/.
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Maciejewski, Andrzej. After Notman : Montreal Views, A Century Apart/D’après Notman : Regards Sur Montréal, Un Siècle plus Tard. Willowdale, ON: Firefly Books Ltd., 2003.
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Skidmore, Colleen. “Photography in the Convent : Grey Nuns, Quebec, 1861.” Histoire sociale/Social History Vol. 35, no. 70 (November 2002).
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Sherman, Leah. 25 Artists, 25 Years: Celebrating the Faculty of Fine Arts / 25 Artistes, 25 Ans: Homage à La Faculté Des Beaux Arts. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University, 2001.
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