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121 resources
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Parkinson, Kamille T. H. “Philip John Bainbrigge and the Group of 1838: Imperial Landscapes and the Colonial Art Scene in Canada.” PhD dissertation, Queen’s University, 2005.
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Parent, Alain. Entre empire et nation : les représentations de la ville de Québec et de ses environs, 1760-1833. Sainte-Foy, QC: Presses de l’Université Laval, 2005.
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Lerner, Loren. Sam Borenstein. Montreal: Montreal Museum of Fine Arts, 2005.
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Korda, Andrea. “Travel Photography after the Kodak: Two Amateur Albums from the Turn of the Century.” Master’s Thesis, Concordia University, 2005. https://spectrum.library.concordia.ca/8281/1/MR04467.pdf.
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Dussault, Nathalie. “Parachute : discours de médiation : études de cas : Pierre Boogaerts, Geneviève Cadieux, Melvin Charney, Betty Goodwin, Robert Racine et Irene Whittome.” Master’s Thesis, Université du Québec à Montréal, 2005.
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Des Rochers, Jacques, and Loren R. Lerner. Sam Borenstein. Montréal: Musée des Beaux-Arts de Montréal, 2005.
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Campbell, James D. Fonds et Figures: L’oeuvre de Ross Heward: Avec Une Esquisse de La Vie et de l’oeuvre de Sa Tante, Prudence Heward/Figures and Grounds: The Work of Ross Heward: With a Brief Sketch of the Life and Work of His Aunt Prudence Heward. Montreal: Visual Arts Centre, McClure Gallery, 2005.
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Burton, Samantha. “Re-Mapping Modernity: The Sites and Sights of Helen McNicoll (1879-1915).” Master’s Thesis, McGill University, 2005. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-83172.pdf.
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Lamarche, Hélène. “Elizabeth Frances Hale, seigneuresse et artiste.” Mémoires de la Société généalogique canadienne-française, t 2004.
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Moore, Paul S. “Movie Palaces on Canadian Downtown Main Streets: Montreal, Toronto and Vancouver.” Urban History Review/Revue d’historire urbaine Vol. 32, no. 2 (Spring 2004): 3–20. https://www.erudit.org/en/journals/uhr/2004-v32-n2-uhr0585/1015713ar.pdf.
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Huneault, Kristina. “Impressions of Difference: The Painted Canvases of Helen McNicoll.” Art History Vol. 27, no. 2 (April 2004): 212–249.
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Meyer, Noel. “Prudence Heward (1896-1947).” MagazinArt No. 66 (Hiver -2005 2004): 88–127.
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Wagner, Serge, and Jan Johnson. Du Privé Au Public : Gravures Du Québec Provenant Des Membres de La Société Des Collectionneurs d’Estampes de Montréal / From Private to Public : Prints by Quebec Artists from the Collections of the Montreal Print Collectors’ Society. Montreal: Montreal Print Collectors’ Society, 2004.
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Trépanier, Esther, and Sandra Paikowsky. Jack Beder : Lumières de la ville/City Lights. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University, 2004.
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Todd, Phillip. “Breaking Bones in Political Cartooning: Aislin and the Free Trade Fight of 1998.” Master’s Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=79981&silo_library=GEN01.
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Tierney, Cara. “Jori Smith: A Contextual Analysis.” Master’s Thesis, Carleton University, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/001/mq99003.pdf.
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Stack, Eileen. “‘Very Picturesque and Very Canadian’: The Blanket Coat and Anglo-Canadian Identity in the Second Half of the Nineteenth Century.” In Fashion: A Canadian Perspective, edited by Alexandra Palmer, 17–40. Toronto, ON: University of Toronto Press, 2004.
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Rigelhof, T. F. Philip Surrey, 1910-1990: Retrospective Exhibition, September 18-October 2, 2004. Montreal: Walter Klinkhoff Gallery, 2004.
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Pelletier, Louis. “George Ganetakos et la United Amusement Corporation, Limited, 1910-1930 : formation d’une chaîne de cinémas montréalaise.” Master’s Thesis, Concordia University, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-7981.pdf.
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Pageot, Édith-Anne. “Images du subjet, du feminine et du masculine chez Smith, Roberts, Lyman et M. Gagnon.” PhD dissertation, Université de Montréal, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/001/nq92748.pdf.
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Moreault, Michel, François-Marc Gagnon, and Édith-Anne Pageot. Max Stern: Montreal Dealer and Patron. Montreal: Montreal Museum of Fine Arts, 2004.
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Lerner, Loren. “Sam Borenstein, Artist and Art Dealer: The Polemics of Post-Holocaust Jewish Cultural Identity.” Canadian Jewish Studies/Études juives canadiennes. Vol. 12 (2004): 31–44. http://cjs.journals.yorku.ca/index.php/cjs/article/view/22625/21096.
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Hill, Charles. “Beaver Hall Group.” In The Oxford Companion to Canadian History, edited by Gerald Hallowell, 66–67. Don Mills, ON: Oxford University Press, 2004.
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Collins, John. Quebec Sketchbook 1940-2004: Over 60 Years of Skteching Our City and Our Province. Ste-Anne-de-Bellevue, QC: Shoreline Press, 2004.
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Carlevaris, Anna Maria. “Cultivating Heroes: From Dante and Caboto to Mussolini, The Public Art of Montreal’s Italians in the 1920s - 1930s.” PhD dissertation, Concordia University, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-8202.pdf.
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Johnson, Jan, ed. Du privé au public : gravures du Québec provenant des membres de la Société des Collectionneurs d’estampes de Montréal / From Private to Public : Prints by Quebec Artists from the Collections of the Montreal Print Collectors’ Society. Montreal: SCEM / MPCS, 2004.
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Burant, Jim, ed. Drawing on the Land : The New World Travel Diaries and Watercolours of Millicent Mary Chaplin, 1838-1842. Ottawa, ON: Penumbra Press, 2004.
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Sicotte, Hélène. “L’Implantation de la galerie d’art à Montréal : le cas de W. Scott & Sons, 1859-1914. Comment la révision du concept d’œuvres d’art autorisa la spécialisation du commerce d’art.” PhD dissertation, Université du Québec à Montréal, 2003.
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Prioul, Didier. “Krieghoff à Québec : l’invention d’un nouvel espace.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 24 (2003): 72–97.
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Parent, Alain. “Entre empire et nation : Gravures de la ville de Québec et des environs, 1760-1833.” PhD dissertation, Université Laval, 2003. http://theses.ulaval.ca/archimede/fichiers/20940/20940.html.
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