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Béland, Mario. “Notman, père et fils.” Cap-aux-Diamants No. 115 (Automne 2013): 46–47. https://www.erudit.org/culture/cd1035538/cd0850/70089ac.pdf.
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Boone, Emilie. “The Likeness of Fugitivity: William Notman’s Carte-de-Visite Portrait of John Anderson.” History of Photography Vol. 37, no. 2 (May 2013): 221–234.
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Rondeau, Kim. “Où en sommes-nous avec l’art féministe? : analyse de la programmation de la Centrale Galerie Powerhouse (1973-1978 et 2007-2010).” Master’s Thesis, Université du Québec à Montréal, 2013. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-5249.pdf.
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Paterson, Elaine C. “Crafting Empire: Intersections of Irish and Canadian Women’s History.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 34, no. 2 (2013): 242–267. http://jcah-ahac.concordia.ca/en/archive.
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Lahaie, Andréann. “William Notman et les imaginaires photographiques de la chasse au XIXe siècle à Montréal.” Master’s Thesis, Université du Québec à Montréal, 2013. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-5829.pdf.
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Johnston, Andrew M. “Arts and Letters at Kingsmere: The Jenkins and McCurry Families.” Up the Gatineau! Vol. 39 (2013): 1–20.
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Huston, Lorne. “The 1913 Spring Exhibition of the Art Association of Montreal: Anatomy of a Public Debate.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 34, no. 1 (2013): 12–55. http://jcah-ahac.concordia.ca/fr/archive/2013_34-1.
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Horwood, Dorothy M. From Monica With Love : Sketches of the Life of an English Quebecer in the Early 20th Century. Ottawa, ON: Baico Publishing, 2013.
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Naves, Elaine Kalman. “William Notman: ‘Photographer to the Queen.’” The Gazette. Montreal, February 18, 2012, sec. Extra Saturday.
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Simon, Sherry. Cities in Translation: Intersections of Language and Memory. Milton Park, Abingdon, Oxon, UK & New York, NY: Routledge, 2012.
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Reid Marcil, Eileen. Le Trois-mâts Tea Taster et le rêve d’Edmund Willoughby Sewell. Translated by Florence Buathier. Québec: Les Éditions GID, 2012.
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Nadeau-Saumier, Monique. “Sous-sol au mannequin de tailleur : un tableau témoin d’un quartier et d’une époque de Louis Muhlstock.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 33, no. 1 (2012): 119–141. http://jcah-ahac.concordia.ca/en/archive.
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Lerner, Loren. “William Notman’s Photographic Selections (1863).” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 33, no. 1 (2012): 16–45. http://jcah-ahac.concordia.ca/fr/archive/2012_33-1.
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Buis, Alena. “‘A Story of Struggle and Splendid Courage’: Anne Savage’s Broadcasts of The Development of Art in Canada.” In Rethinking Professionalism: Women and Art in Canada, 1850-1970, edited by Kristina Huneault and Janice Anderson, 106–131. Montreal and Kingston: McGill-Queen’s University Press, 2012.
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Bernier, Geneviève. “La bourgeoisie en portrait au Bas-Canada (1790-1830).” Master’s thesis, Université Laval, 2012. http://www.theses.ulaval.ca/2012/29172/.
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Bennett, lloyd. “Thomas Davies – An Eighteenth-Century War Artist in British North America : War Art as Cultural Signifier.” Lumen: The Canadian Society for Eighteenth Century Studies/La Société canadienne d’étude du dix-huitième siècle Vol. 31 (2012): 65–72. https://www.erudit.org/en/journals/lumen/2012-v31-lumen0356/1013067ar.pdf.
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Bellavance, Guy, and Christian Poirier. “Champ culturel et espace montréalais (I) : la vie culturelle à Montréal avant 1960.” In Histoire de Montréal et de sa région. Tome II. De 1930 à nos jours, edited by Dany Fougères, 1285–1320. Les régions du Québec. Québec: Les Presses de l’Université Laval, 2012. http://www.chairefernanddumont.ucs.inrs.ca/wp-content/uploads/2013/09/PoirierC_BellavanceG_2012_Champ_culturel_et_espace_montrealais_I_La_vie_culturelle_a_Montreal_avant_1960.pdf.
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Turcot, Laurent. “The Surrender of Montreal to General Amherst de Francis Hayman et l’identité impériale britannique.” Mens: Revue d’histoire intellectuelle et culturelle Vol. 12, no. 1 (Automne 2011): 91–135. https://www.erudit.org/fr/revues/mens/2011-v12-n1-mens0146/1010567ar.pdf.
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McGuire, Susan. “Discovered by Descendants : William Satchwell Leney, 1769-1831.” Quebec Heritage News, Summer 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_summer_2011_layout_1_reduced.pdf.
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Keyes, Fergus. “The Point’s Beaver Hall Atrist : Emily Coonan, 1885-1971.” Quebec Heritage News, Summer 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_summer_2011_layout_1_reduced.pdf.
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Callaghan, Lori. “Witnesses of Their Time : The Visual Arts in Quebec’s English-Speaking Community.” Quebec Heritage News, Summer 2011. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_summer_2011_layout_1_reduced.pdf.
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Stavert, William Ewart. Windows of History, Service and Sacrifice. Montreal: Price-Patterson, 2011.
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Roadsworth, and Bethany Gibson. Roadsworth. Fredericton, NB: Goose Lane Editions, 2011.
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Rackham, Michèle. “Between the Lines: Interartistic Modernism in Canada, 1930-1960.” PhD dissertation, McGill University, 2011. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-107764.pdf.
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Nadeau-Saumier, Monique. “William Stewart Hunter Jr. (1823–1894) : The Return of an Artistic Legacy.” Stanstead Historical Journal Vol. 24 (2011): 219–232.
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Malboeuf, David, and Rima Hammoudi. Jennifer Hornyak. Montreal: Jennifer Hornyak, 2011.
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Loubier, Patrice. Karen Elaine Spencer : porteur de rêves / Dream Listener. Translated by Peter Dubé and Colette Tougas. Alma, QC: Sagamie édition d’art, en collaboration avec le Centre Sagamie, 2011.
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Huston, Nancy. Edmund Alleyn ou Le détachement. Montréal: Leméac/Éditions Simon Blais, 2011.
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Hampton, Rosalind. “Family Photos: Digital Photography as Emancipatory Art Education in Montreal’s Black Community.” Master’s Thesis, Concordia University, 2011. http://spectrum.library.concordia.ca/7708/1/Hampton_MA_F2011.pdf.
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Des Rochers, Jacques. “The Beaver Hall Group: A Montreal Feel.” In Quebec and Canadian Art: The Montreal Museum of Fine Arts’ Collection, edited by Jacques Des Rochers, 1:184–193. Montreal: Montreal Museum of Fine Arts, 2011.
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