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198 resources
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Todd, Phillip. “Breaking Bones in Political Cartooning: Aislin and the Free Trade Fight of 1998.” Master’s Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=79981&silo_library=GEN01.
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Rigelhof, T. F. Philip Surrey, 1910-1990: Retrospective Exhibition, September 18-October 2, 2004. Montreal: Walter Klinkhoff Gallery, 2004.
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Pageot, Édith-Anne. “Images du subjet, du feminine et du masculine chez Smith, Roberts, Lyman et M. Gagnon.” PhD dissertation, Université de Montréal, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/001/nq92748.pdf.
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Moreault, Michel, François-Marc Gagnon, and Édith-Anne Pageot. Max Stern: Montreal Dealer and Patron. Montreal: Montreal Museum of Fine Arts, 2004.
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Hill, Charles. “Beaver Hall Group.” In The Oxford Companion to Canadian History, edited by Gerald Hallowell, 66–67. Don Mills, ON: Oxford University Press, 2004.
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Collins, John. Quebec Sketchbook 1940-2004: Over 60 Years of Skteching Our City and Our Province. Ste-Anne-de-Bellevue, QC: Shoreline Press, 2004.
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Johnson, Jan, ed. Du privé au public : gravures du Québec provenant des membres de la Société des Collectionneurs d’estampes de Montréal / From Private to Public : Prints by Quebec Artists from the Collections of the Montreal Print Collectors’ Society. Montreal: SCEM / MPCS, 2004.
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Prioul, Didier. “Krieghoff à Québec : l’invention d’un nouvel espace.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 24 (2003): 72–97.
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Fowler, Robyn. “‘A New Canadian National Spirit’: Allegorical Miss Canada and the Occult Canadian State.” In Culture + the State, edited by James Gifford and Gabrielle E. M. Zezulka-Mailloux, 40–52. Edmonton, AB: CRC Humanities Studio, 2003. http://epe.lac-bac.gc.ca/100/200/300/crc_humanities_studio/culture_and_the_state/fowler.pdf.
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Skidmore, Colleen. “Photography in the Convent : Grey Nuns, Quebec, 1861.” Histoire sociale/Social History Vol. 35, no. 70 (November 2002).
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Sicotte, Hélène. “Le rôle de la vente publique dans l’essor du commerce d’art à Montréal au XIXe siècle : le cas de W. Scott & Sons ou comment le marchand d’art supplanta l’encanteur.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 23, no. 1–2 (2002): 6–33.
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Sherman, Leah. 25 Artists, 25 Years: Celebrating the Faculty of Fine Arts / 25 Artistes, 25 Ans: Homage à La Faculté Des Beaux Arts. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University, 2001.
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Ferrari, Pepita. “Prudence Heward: Painting At Home.” In Framing Our Past: Canadian Women’s History in the Twentieth Century, edited by Sharon Anne Cook, Lorna R. McLean, and Kate O’Rouke, 129–133. Montreal and Kingston: McGill-Queen’s University Press, 2001.
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Robinson, Jennifer, and Yves Jasmin. Shooting the Story: Outstanding Photojournalism from Montreal’s La Presse and The Gazette. Montreal: The Gazette, 2000.
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Pageot, Édith-Anne. “Jori Smith, une figure de la modernité picturale québécoise : étude de case : le portrait d’enfant.” Globe: revue internationale d’études québécoises Vol. 3, no. 2 (2000): 171–186. http://www.erudit.org/revue/globe/2000/v3/n2/1000587ar.pdf.
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Gagnon, François-Marc. “Le Lac Memphrémagog et les peintres.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 14 (printemps 1999): 9–17.
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Trépanier, Esther. “Les carnets de dessins de Marian Dale Scott.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 20, no. 1–2 (1999): 92–129. http://jcah-ahac.concordia.ca/fr/archive/1999_20.
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Reid, Dennis. Krieghoff: Images of Canada. Vancouver and Toronto: Douglas & McIntyre; and Art Gallery of Ontario, 1999.
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Luckyj, Natalie. Helen McNicoll: A Canadian Impressionist. Toronto, ON: Art Gallery of Ontario, 1999.
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Emeny, Shirley Kathleen. “Plurality and Agency: Portraits of Women by Prudence Heward.” Master’s Thesis, University of Alberta, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp01/MQ40006.pdf.
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Skidmore, Colleen. “‘All That Is Interesting in the Canadas’ : William Notman’s Maple Box Portfolio of Stereographic Views, 1860.” Journal of Canadian Studies/Revue d’études canadiennes Vol. 32, no. 4 (Winter 1998): 69–90.
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Smith, Jori. Charlevoix County, 1930. Manotick, Ont: Penumbra Press, 1998.
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Rolfe, Christopher. “A Collaborative (Ad)Venture: Metropolitan Museum.” British Journal of Canadian Studies Vol. 13, no. 1 (1998): 1–16.
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Pearce, Lynne. “The Viewer as Producer: British and Canadian Feminists Reading Prudence Heward’s ‘Women.’” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 25, no. 1–2 (1998): 94–103.
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Caccia, Fulvio. Interviews with the Phoenix: Interviews with Fifteen Italian-Quebecois Artists. Translated by Daniel Sloate. Toronto: Guernica, 1998.
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Nadeau-Saumier, Monique. “Frederick Simpson Coburn: The Human History of a Landscape.” Journal of Eastern Townships Studies/Revue d’études des Cantons de l’Est No. 10 (Spring 1997): 77–876.
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Trépanier, Esther. “Les femmes, l’art et la presse francophone montréalaise de 1915 à 1930.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 18, no. 1 (1997): 68–83. http://jcah-ahac.concordia.ca/fr/archive/1997_18-1.
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Sherman, Leah, and Stanley Horner. Children’s Art Classes at the Art Gallery of Montreal, Run by Arthur Lismer. Montreal: Concordia University Libraries, Oral History Montreal Studies, 1997.
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Roza, Alexandria. “Towards a Modern Canadian Art, 1910-1936: The Group of Seven, A.J.M. Smith and F.R. Scott.” Master’s Thesis, McGill University, 1997. https://www.collectionscanada.gc.ca/obj/s4/f2/dsk2/ftp01/MQ43942.pdf.
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Pepall, Rosalind M. Jori Smith : A Celebration / Jori Smith : une célébration. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University / Galerie d’art Leonard & Bina Ellen, Université Concordia, 1997.
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