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Dussault, Nathalie. “Parachute : discours de médiation : études de cas : Pierre Boogaerts, Geneviève Cadieux, Melvin Charney, Betty Goodwin, Robert Racine et Irene Whittome.” Master’s Thesis, Université du Québec à Montréal, 2005.
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Campbell, James D. Fonds et Figures: L’oeuvre de Ross Heward: Avec Une Esquisse de La Vie et de l’oeuvre de Sa Tante, Prudence Heward/Figures and Grounds: The Work of Ross Heward: With a Brief Sketch of the Life and Work of His Aunt Prudence Heward. Montreal: Visual Arts Centre, McClure Gallery, 2005.
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Burton, Samantha. “Re-Mapping Modernity: The Sites and Sights of Helen McNicoll (1879-1915).” Master’s Thesis, McGill University, 2005. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-83172.pdf.
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Lamarche, Hélène. “Elizabeth Frances Hale, seigneuresse et artiste.” Mémoires de la Société généalogique canadienne-française, t 2004.
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Huneault, Kristina. “Impressions of Difference: The Painted Canvases of Helen McNicoll.” Art History Vol. 27, no. 2 (April 2004): 212–249.
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Meyer, Noel. “Prudence Heward (1896-1947).” MagazinArt No. 66 (Hiver -2005 2004): 88–127.
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Tierney, Cara. “Jori Smith: A Contextual Analysis.” Master’s Thesis, Carleton University, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/001/mq99003.pdf.
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Pageot, Édith-Anne. “Images du subjet, du feminine et du masculine chez Smith, Roberts, Lyman et M. Gagnon.” PhD dissertation, Université de Montréal, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/001/nq92748.pdf.
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Hill, Charles. “Beaver Hall Group.” In The Oxford Companion to Canadian History, edited by Gerald Hallowell, 66–67. Don Mills, ON: Oxford University Press, 2004.
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Burant, Jim, ed. Drawing on the Land : The New World Travel Diaries and Watercolours of Millicent Mary Chaplin, 1838-1842. Ottawa, ON: Penumbra Press, 2004.
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Laflamme, Claude. Betty Goodwin : Heart and Soul / Betty Goodwin: Le Coeur à l’âme. DVD, Documentary. Groupe ECP, 2003.
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Sherman, Leah. Anne Savage. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University, 2002.
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Beitel, Garry. Vive le Québec-anglé : la culture anglo-québécoise. Synercom Téléproductions Inc., 2002.
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Ferrari, Pepita. “Prudence Heward: Painting At Home.” In Framing Our Past: Canadian Women’s History in the Twentieth Century, edited by Sharon Anne Cook, Lorna R. McLean, and Kate O’Rouke, 129–133. Montreal and Kingston: McGill-Queen’s University Press, 2001.
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Trépanier, Esther. Marian Dale Scott: Pioneer of Modern Art. Québec: Musée du Québec, 2000.
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Pageot, Édith-Anne. “Jori Smith, une figure de la modernité picturale québécoise : étude de case : le portrait d’enfant.” Globe: revue internationale d’études québécoises Vol. 3, no. 2 (2000): 171–186. http://www.erudit.org/revue/globe/2000/v3/n2/1000587ar.pdf.
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Pageot, Édith-Anne. “Ambiguïtés de la réception critique de l’exposition « Canadian Women Artists », Riverside Museum, New York, 1947.” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 27, no. 1–2 (2000): 123–134. https://www.erudit.org/fr/revues/racar/2000-v27-n1-2-racar05318/1069728ar.pdf.
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Bosnitch, Katherine. “A Little on the Wild Side: Eaton’s Prestige Fashion Advertising Published in the Montreal Gazette, 1952-1972.” Master’s Thesis, Concordia University, 2000. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-1065.pdf.
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Bissett, Tara. “The Children’s Chapel, Unitarian Church of Montreal: Two Case Studies of the Role of the Mural in the Transformation of the Room into a Sacred Space.” Master’s Thesis, Concordia University, 2000.
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