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Meadowcroft, Barbara. “A Feminist Methodology for a Biography of the Beaver Hall Group.” Simone de Beauvoir Newsletter Vol. 12, no. 2 (1992): 8–17.
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Lesser, Gloria. “The R.B. Angus Art Collection: Paintings, Watercolours and Drawings.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 15, no. 1 (1992): 108–123. http://jcah-ahac.concordia.ca/en/archive/1992_15-1.
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Trudel, Jean. “Une élite et son musée.” Cap-aux-Diamants No. 25 (Printemps 1991): 22–25. https://www.erudit.org/en/journals/cd/1991-n25-cd1042089/7834ac.pdf.
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Trépanier, Esther. “La peinture et la question du régionalisme dans l’Entre-deux-guerres.” Québec Studies Vol. 12 (1991): 115–126.
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Marcil, Madeleine. “Images de femmes: Les Québécoises photographes.” Cap-aux-Diamants No. 21 (Printemps 1990): 39–41. https://www.erudit.org/en/journals/cd/1990-n21-cd1040271/7595ac.pdf.
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Trudel, Jean. “The Montreal Society of Artists : Une galerie d’art contemporain à Montréal en 1847.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 13, no. 1 (1990): 61–87. http://jcah-ahac.concordia.ca/fr/archive/1990_13-1.
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Fraser, Heather C. “Paterson Ewen: The Turn from Non-Figurative to Figurative Painting.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 13, no. 1 (1990): 25–52. http://jcah-ahac.concordia.ca/fr/archive/1990_13-1.
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Bara, Jana. “Cradled in Fur: Winter Fashions in Montreal in the 1860s.” Dress: Journal of the Costume Society of America Vol. 16 (1990): 39–47.
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Bara, Jana L. “Through the Frosty Lens: William Notman and His Studio Props, 1861-1876.” History of Photography Vol. 12, no. 1 (March 1988): 23–30.
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Caulfield, Jon. “Three Preconfederation Painters of the Canadian City. Part II: James Duncan.” Urban History Review/Revue d’histoire urbaine Vol. 16, no. 2 (October 1987): 190–195. https://www.erudit.org/en/journals/uhr/1987-v16-n2-uhr0769/1017789ar.pdf.
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Lessard, Michel. “Un première au Canada : le portfolio photographique de Samuel McLaughlin.” Cap-aux-Diamants Vol. 3, no. 2 (t 1987): 9–12. https://www.erudit.org/en/journals/cd/1987-v3-n2-cd1039400/6686ac.pdf.
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Lessard, Michel. “Portrait de George William Ellisson d’après des dossiers secrets.” Cap-aux-Diamants Vol. 3, no. 2 (t 1987): 13–16. https://www.erudit.org/en/journals/cd/1987-v3-n2-cd1039400/6687ac.pdf.
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Caulfield, Jon. “Three Preconfederation Painters of the Canadian City. Part I: James Cockburn.” Urban History Review/Revue d’histoire urbaine Vol. 16, no. 1 (June 1987): 69–77. https://www.erudit.org/en/journals/uhr/1987-v16-n1-uhr0777/1017947ar.pdf.
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Waugh, Tom. “Les Autres: English Quebec Cinema During the PQ Years.” Cinema Canada No. 129 (April 1986): 6–10.
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Trépanier, Esther. “Les peintres juifs à Montréal dans l’Entre-deux-guerres.” Études canadiennes/Canadian Studies No. 21, no. Tome 1 (1986): 133–139.
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Nadeau-Saumier, Monique. “Late Victorian and Edwardian Jewellery in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 9, no. 1 (1986): 69–80.
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Laroche, Ginette. “Les ’Memorial Windows’ : une mémoire de verre.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 9, no. 2 (1986): 97–141. http://jcah-ahac.concordia.ca/en/archive/5.
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Pringle, Allan. “Robert S. Duncanson in Montreal, 1863-1865.” Americal Art Journal Vol. 17, no. 4 (Autumn 1985): 28–50.
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Malus, Avrum, Diane Allard, and Marie Van Sundert. “Frank Oliver Call, Eastern Townships Poetry, and the Modernist Movement.” Canadian Literature No. 107 (Winter 1985): 60–69. https://canlit.ca/wp-content/uploads/2015/09/CL107-Full-Issue.pdf.
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Chèvrefils, Yves. “John Henry Walker (1831-1899), Artisan-Graveur.” The Journal of Canadian Art/Annales d’histoire de l’art canadien Vol. 8, no. 2 (1985): 178–225. http://jcah-ahac.concordia.ca/fr/archive/1985_8-2.
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Jones, Laura. “Canadian Women Photographers 1841-1910.” Resources for Feminist Research/Documentation sur la recherche féministe Vol. 13, no. 4 (January 1984): 13–14.
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Levenson, Rustin Steele. “Materials and Techniques of Painters in Quebec City, 1760-1850.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 7, no. 1 (1983): 1–54. http://jcah-ahac.concordia.ca/fr/archive/1983_7-1.
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National Gallery of Canada, National Museums of Canada. “Canada in the Graphic Arts, 1556-1977.” Journal No. 40 (April 1982): 8p.
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Rosenfeld, Roslyn. “An Index of Miniaturists and Silhouettists Who Worked in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 5, no. 2 (1981): 111–121.
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Pepall, Rosalind. “Stained Glass Windows in Montreal at the Turn of the Century.” Bulletin of the Association for Preservation Technology Vol. 13, no. 3 (1981): 48–55.
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Derome, Robert. “Portrait de James McGill peint par Louis Dulongpré.” Vie des arts Vol. 26, no. 105 (1982 1981): 44–46. http://www.erudit.org/culture/va1081917/va1174852/54487ac.pdf.
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Lacroix, Laurier. “Montréal et les origines de la Canadian Academy of Arts.” Vie des arts Vol. 24, no. 98 (Printemps 1980): 20–24.
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Nemiroff, Diana. “Sorel Cohen: An Interview.” Parachute No. 21 (Winter 1980): 28–31.
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Gauthier, Ninon. “Le Dr Stern et la galerie Dominion.” Le Collectionneur Vol. 2, no. 2 (1980): 20–24.
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Clowery, Freeman. “Bank of Montreal Centenary Medal, 1817-1917.” Transactions of the Canadian Numismatic Research Society Vol. 16, no. 3 (1980): 80–81.
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