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Tippett, Maria. By a Lady: Celebrating Three Centuries of Art by Canadian Women. Toronto, ON: Viking, 1992.
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Smart, Tom. “Letters to Canada : Jack Chambers’ Correspondence with Charles Greenshields, 1955-1962.” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 19, no. 1–2 (1992): 133–141.
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Sherman, Leah. “Anne Savage : A Study of Her Development as an Artist/Teacher in the Canadian Art World, 1925-1950.” In Histories of Art and Design Education : Cole to Coldstream. Burnt Mill, Harlow, Essex, England: Longman in association with the National Society for Education in Art and Design, 1992.
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Salvatore, Filippo. La fresque de Mussolini. Montréal: Guernica, 1992.
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Prioul, Didier. “British Landscape Artists in Quebec: From Documentary Views to a Poetic Vision.” In Painting in Quebec, 1820-1850: New Views, New Perspectives, edited by Mario Béland, 50–59. Québec: Musée du Québec, 1992.
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Nadeau-Saumier, Monique. Nina M. Owens (1869-1959). Sherbrooke, QC: Musée des beaux-arts, 1992.
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Morgan, Norma. “Sidney Dawes and the McGill Museum of Canadian Art.” Fontanus Vol. 5 (1992): 73–122. http://fontanus.mcgill.ca/article/view/63.
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Meadowcroft, Barbara. Anne Savage, 1896-1971 : exposition rétrospective, 12-26 septembre 1992 / Anne Savage, 1896-1971 : Retrospective Exhibition. Montreal: Galerie Walter Klinkhoff, 1992.
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Meadowcroft, Barbara. “A Feminist Methodology for a Biography of the Beaver Hall Group.” Simone de Beauvoir Newsletter Vol. 12, no. 2 (1992): 8–17.
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Lesser, Gloria. “The R.B. Angus Art Collection: Paintings, Watercolours and Drawings.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 15, no. 1 (1992): 108–123. http://jcah-ahac.concordia.ca/en/archive/1992_15-1.
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Lessard, Michel. Montréal, métropole du Québec. Images oubliées de la vie quotidienne, 1852-1910. Montréal: Éditions de l’Homme, 1992.
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Graham, Conrad. Mount Royal : Early Plans and Views of Montreal/Ville Marie : vues et plans anciens de Montréal. Montreal: McCord Museum of Canadian History, 1992.
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Brière, Marie-Andrée. Herman Heimlich : oeuvres sur papier. Joliette, QC: Musée d’art de Joliette, 1992.
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Antoniou, Sylvia. “The Sculpture of Anne Kahane.” Master’s Thesis, Concordia University, 1992. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-6091.pdf.
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Antaki, Karen. “H. Mabel May (1877-1971), the Montreal Years: 1909-1938.” Master’s Thesis, Concordia University, 1992. http://spectrum.library.concordia.ca/6035/1/MM73690.pdf.
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Béland, Mario, ed. Painting in Quebec, 1820-1850: New Views, New Perspectives. Québec: Musée du Québec, 1992.
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Trudel, Jean. “Une élite et son musée.” Cap-aux-Diamants No. 25 (Printemps 1991): 22–25. https://www.erudit.org/en/journals/cd/1991-n25-cd1042089/7834ac.pdf.
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Valliant, Lois. “Robert Hugh Ayre, 1900-1980: Art, A Place in the Community : Reviews at The Gazette, Montreal, 1935-1937, and at The Standard, Montreal, 1938-1942.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-4139.pdf.
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Trépanier, Esther. “The Expression of a Difference : The Milieu of Quebec Art and the Group of Seven.” In The True North: Canadian Landscape Painting, 1896-1939, edited by Michael Tooby, 98–116. London, England: Lund Humphries in association with Barbican Art Gallery, 1991.
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Trépanier, Esther. “Peinture et modernité au Québec, 1919-1939.” PhD dissertation, Université de Paris I, Panthéon-Sorbonne, 1991.
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Trépanier, Esther. “La peinture et la question du régionalisme dans l’Entre-deux-guerres.” Québec Studies Vol. 12 (1991): 115–126.
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Shtychno, Alexandra. “Luigi Giovanni Vitale Capello a.k.a. Cappello (1843-1902), Itinerant Piedmontese Artist of Late Nineteenth-Century Quebec.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3622.pdf.
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Prioul, Didier. “Les paysagistes britanniques au Québec : de la vue documentaire à la vision poétique.” In La Peinture au Québec, 1820-1850: nouveaux regards, nouvelles perspectives, edited by Mario Béland, 50–59. Québec: Musée du Québec & Les Publications du Québec, 1991.
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Page, Anne Mandely. “Canada’s First Professional Women Painters, 1890-1914: Their Reception in Canadian Writing on the Visual Arts.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-2659.pdf.
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Meadowcroft, Barbara. Sarah Robertson, 1891-1948: Exposition Rétrospective / Sarah Robertson, 1891-1948: Retrospective Exhibition. Montreal: Galerie Walter Klinkhoff, 1991.
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Gignac, Gilbert. “Elizabeth Frances Hale: 1774-1826.” In La Peinture au Québec 1820-1850: Nouveaux Regards, Nouvelles Perspectives, edited by Mario Béland, 276–282. Québec: Musée du Québec, 1991.
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Borenstein, Joyce. The Colours of My Father: A Portrait of Sam Borenstein. National Film Board of Canada and Imageries P.B. Ltée, 1991. https://www.nfb.ca/film/colours_of_my_father_a_portrait_of_sam_borenstein/.
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Borcoman, Katharine J. “William Notman’s Portraits of Children.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-5914.pdf.
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Bara, Jana L. “The Image of Canada : Iconological Sources of Canadian Popular Symbolism: Nineteenth-Century Souvenir Photographs.” PhD dissertation, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-5149.pdf.
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Eidelberg, Martin, ed. Design 1935-1965: What Modern Was. Selections from the Liliane and David M. Stewart Collection. Montréal: Musée des arts décoratifs de Montréal, 1991.
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