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Pearce, Lynne. “The Viewer as Producer: British and Canadian Feminists Reading Prudence Heward’s ‘Women.’” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 25, no. 1–2 (1998): 94–103.
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Meadowcroft, Barbara. “How Many Artists Are There In The Family? The Career of Montreal Painter Regina Seiden (1897-1991).” RACAR (Revue d’art canadienne/Canadian Art Review) Vol. 25, no. 1–2 (1998): 73–83.
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Bradley, Jessica, and Matthew Teitelbaum, eds. The Art of Betty Goodwin. Toronto, ON: Douglas & McIntyre, 1998.
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Trépanier, Esther. “Les femmes, l’art et la presse francophone montréalaise de 1915 à 1930.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 18, no. 1 (1997): 68–83. http://jcah-ahac.concordia.ca/fr/archive/1997_18-1.
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Pepall, Rosalind M. Jori Smith : A Celebration / Jori Smith : une célébration. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University / Galerie d’art Leonard & Bina Ellen, Université Concordia, 1997.
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Lemerise, Suzanne, and Leah Sherman. “Contribution of Professional Artists to the Development of Art Education in Québec.” In Readings in Canadian Art Teacher Education, edited by Rita L. Irwin and Kit Grauer, 213–227. Boucherville, QC: Canadian Society for Education Through Art, 1997.
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Edward, Joan. Rediscovering McGill’s Heritage: A Collection of Pen Drawings. Montreal: McGill Development Office, 1997.
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Skidmore, Colleen. “Women Workers in Notman’s Studio : Young Ladies of the Printing Room.” History of Photography Vol. 20, no. 2 (1996): 122–128.
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Roome, Patricia. “Henrietta Muir Edwards: The Journey of A Canadian Feminist.” PhD dissertation, University of Calgary, 1996. https://www.collectionscanada.gc.ca/obj/s4/f2/dsk3/ftp04/nq24346.pdf.
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Hodges, Margaret. “Sigrun Bulow-Hube: Scandinavian Modernism in Canada.” Master’s Thesis, Concordia University, 1996. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-152.pdf.
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Hébert Stoneberger, Jacqueline. “The Beaver Hall Group: Montréal Painters between World War I and World War II.” Master’s Thesis, University of Miami, 1996.
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Grafftey, Heward. Portraits From a Life. Montreal: Véhicule Press, 1996.
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Aylen, Marielle. “Interfaces of the Portrait: Liminality and Dialogism in Canadian Women’s Portraiture between the Wars.” Master’s Thesis, Carleton University, 1996. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp04/MQ26894.pdf.
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L’Allier, Pierre. “L’art au féminin au Québec : Femmes artistes du siècle adolescent.” Continuité, Hiver 1995. https://www.erudit.org/en/journals/continuite/1995-n63-continuite1052593/17292ac.pdf.
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Meadowcroft, Barbara. Lilias Torrance Newton, 1896-1980: Retrospective Exhibition, September 9-23 1995 / Lilias Torrance Newton, 1896-1980: Exposition Rétrospective, 6-23 Septembre 1995. Montreal: Galerie Walter Klinkhoff, 1995.
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McLeod, Ellen Mary Easton. “Enterprising Women and the Early History of the Canadian Handicrafts Guild, 1905-1936.” Master’s Thesis, Carleton University, 1995. https://curve.carleton.ca/4eb5c1d8-c457-44bf-9aff-378fc39a8836.
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Haskins, Heather Victoria. “Bending the Rules: The Montreal Branch of the Women’s Art Association of Canada, 1894-1900.” Master’s Thesis, Concordia University, 1995. http://spectrum.library.concordia.ca/6199/.
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Trépanier, Esther. “Marian Dale Scott (1906-1993). Une approche picturale de la ville.” In Ces femmes qui ont bâti Montréal : La petite et la grande histoire des femmes qui ont marqué la vie de Montréal depuis 350 ans, edited by Maryse Darsigny and Francine Descarries, 205–206. Montréal: Éditions du Remue-Ménage, 1994.
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St-Jean, France. “Ghitta Caiserman Roth (née en 1923) : Peintre sociale de l’après-guerre.” In Ces femmes qui ont bâti Montréal: La petite et la grande histoire des femmes qui ont marqué la vie de Montréal depuis 350 ans, edited by Maryse Darsigny, 275–276. Montréal: Édition du Remue-Ménage, 1994.
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Holowach-Amiot, Elaine. The Women’s Art Society of Montreal: A Century of Commitment to the Arts. Montreal: McCord Museum of Canadian History, 1994.
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Ferrari, Pepita, and Erna Buffie. By Woman’s Hand. Animations Piché Ferrari in co-production with Studio B, National Film Board of Canada, 1994.
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Avon, Susan. “The Beaver Hall Group and Its Place in the Montreal Art Milieu and the Nationalist Network.” Master’s Thesis, Concordia University, 1994. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-74.pdf.
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Trépanier, Esther. “In Memoriam. Hommage à Marian Dale Scott, 1906-1993/A Tribute to Marian Dale Scott, 1906-1993.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 15, no. 2 (1993): 68–96. http://jcah-ahac.concordia.ca/fr/archive/1993_15-2.
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Schofield, Appolonia Elizabeth. “The Soul Pictures of Margaret Mary Nealis R.S.C.J., 1876 to 1957.” Master’s Thesis, Concordia University, 1993. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-6105.pdf.
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Meadowcroft, Barbara. Rediscovering Jori Smith: Selected Works, 1932-1993: 17 April-8 May 1993, Galerie Dominion. Montreal: The Galerie, 1993.
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Millar, Joyce. “The Beaver Hall Group: Painting in Montreal, 1920-1940.” Woman’s Art Journal Vol. 13, no. 1 (Spring/Summer 1992): 3–9.
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Avon, Susan. “The Beaver Hall Group Redefined.” Imposture Vol. 6 (Winter 1992): 56–61.
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Tippett, Maria. By a Lady: Celebrating Three Centuries of Art by Canadian Women. Toronto, ON: Viking, 1992.
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Sherman, Leah. “Anne Savage : A Study of Her Development as an Artist/Teacher in the Canadian Art World, 1925-1950.” In Histories of Art and Design Education : Cole to Coldstream. Burnt Mill, Harlow, Essex, England: Longman in association with the National Society for Education in Art and Design, 1992.
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Prioul, Didier. “British Landscape Artists in Quebec: From Documentary Views to a Poetic Vision.” In Painting in Quebec, 1820-1850: New Views, New Perspectives, edited by Mario Béland, 50–59. Québec: Musée du Québec, 1992.
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