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Marcil, Madeleine. “Images de femmes: Les Québécoises photographes.” Cap-aux-Diamants No. 21 (Printemps 1990): 39–41. https://www.erudit.org/en/journals/cd/1990-n21-cd1040271/7595ac.pdf.
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Trudel, Jean. “The Montreal Society of Artists : Une galerie d’art contemporain à Montréal en 1847.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 13, no. 1 (1990): 61–87. http://jcah-ahac.concordia.ca/fr/archive/1990_13-1.
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Martin, Denis. Printmaking in Québec, 1900-1950. Québec: Musée du Québec, 1990.
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Marcil, Madeleine. “Femmes et photographie au Québec (1839-1940).” Master’s Thesis, Université du Québec à Montréal, 1990.
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Lemerise, Suzanne, and Leah Sherman. “Cultural Factors in Art Education History: A Study of English and French Quebec, 1940-1980.” In Framing the Past: Essays on Art Education, edited by Don Soucy and Mary Ann Stankiewics, 183–200. Reston, VA: National Art Education Association, 1990.
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Fraser, Heather C. “Paterson Ewen: The Turn from Non-Figurative to Figurative Painting.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 13, no. 1 (1990): 25–52. http://jcah-ahac.concordia.ca/fr/archive/1990_13-1.
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Bertrand, Magdeleine. “Les femmes artistes du Québec de 1875 à 1925.” Master’s Thesis, Université de Montréal, 1990.
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Bara, Jana. “Cradled in Fur: Winter Fashions in Montreal in the 1860s.” Dress: Journal of the Costume Society of America Vol. 16 (1990): 39–47.
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Trépanier, Esther. “Peintres juifs au rendez-vous de la modernité.” Continuité, Automne 1989. https://www.erudit.org/en/journals/continuite/1989-n45-continuite1053216/610ac.pdf.
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Perreault-Dorval, Gaby. “Le centre Saidye-Bronfman.” Continuité, Automne 1989. https://www.erudit.org/en/journals/continuite/1989-n45-continuite1053216/608ac.pdf.
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Trépanier, Esther. “Entre socialisme et modernisme : les peintres progressistes québécois (1930-1945).” In Le droit de se taire: Histoire des communistes au Québec, de la Première Guerre mondiale à la Révolution tranquille, edited by Robert Comeau and Bernard Dionne, 134–161. Outremont, QC: VLB Éditeur, 1989.
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Thom, Ian M. The Prints of Edwin Holgate. Kleinburg, ON: McMichael Canadian Art Collection, 1989.
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Sicotte, Hélène. “WaIter Abell, Robert Ayre, Graham Mclnnes: aperçu de la perspective sociale dans la critique d’art canadienne entre 1935 et 1945.” Master’s Thesis, Université du Québec à Montréal, 1989.
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Roussan, Jacques de. Cosgrove : dessins. Pointe Claire, QC: Roussan, 1989.
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Roussan, Jacques de. Cosgrove. Pointe-Claire, QC: Roussan, 1989.
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Nadeau-Saumier, Monique. “Louis Muhlstock: The Urban Landscape 1930-1950.” Master’s Thesis, Concordia University, 1989. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3618.pdf.
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Meadowcroft, Barbara. Mabel Lockerby, 1882-1976. Montreal: Galerie Walter Klinkhoff, 1989.
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Mayerovitch, Harry. 1929-1989, Retrospective H. Mayerovitch: 28 Nov. 1989 - 4 Jan. 1990, Centre Saidye Bronfman...Montreal. Montreal: Centre Saidye Broinfman, 1989.
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Lacroix, Laurier. “Italian Art and Artists in Nineteenth-Century Québec: A Few Preliminary Observations.” In Arrangiarsi: The Italian Immigrant Experience in Canada, edited by Roberto Perin and Franc Sturino, 163–178. Montreal: Guernica, 1989.
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Kish, Albert. Notman’s World. Documentary. National Film Board of Canada, 1989. http://www.nfb.ca/film/notmans_world.
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Gustavison, Susan J. “Robert J. Wickenden (1861-1931) and the Late Nineteenth-Century Print Revival.” Master’s Thesis, Concordia University, 1989. http://spectrum.library.concordia.ca/4140/1/ML51387.pdf.
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Gualtieri, Julia M. “The Woman as Artist and as Subject in Canadian Painting (1890-1930): Florence Carlyle, Laura Muntz Lyall, Helen McNicoll.” Master’s Thesis, Queen’s University, 1989.
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Couëlle, Jennifer, and Monique Nadeau-Saumier. Un Dessinateur, Louis Muhlstock, the Draughtsman. Montreal: Centre Saidye Bronfman/Saidye Bronfman Centre, 1989.
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Campbell, James D. Montreal on Paper (Part One)/Montréal sur papier (premier volet). Montreal: La galerie d’art Centre Saidye Bronfman Art Gallery, 1989.
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Brooke, Janet M. Discerning Tastes: Montreal Collectors, 1880-1920. Montreal: Montreal Museum of Fine Arts, 1989.
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Bogardi, George. Liliana Berezowsky. Montreal: Centre Saidye Bronfman, 1989.
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Allodi, Mary MacAulay, and Rosemary L. Tovell. An Engraver’s Pilgrimage: James Smillie in Quebec, 1821-1830. Toronto, ON: Royal Ontario Museum, 1989.
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Bara, Jana L. “Through the Frosty Lens: William Notman and His Studio Props, 1861-1876.” History of Photography Vol. 12, no. 1 (March 1988): 23–30.
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Stirling, J. Craig. “The Development of Art Institutions in Quebec and Ontario (1876-1914) and the South Kensington Influence.” PhD dissertation, University of Edinburgh, 1988.
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Pontbriand, Chantal. La ruse historique : l’art à Montréal/The Historical Ruse : Art in Montreal : Céline Baril, Geneviève Cadieux, Melvin Charney, Angela Grauerholz, Gilles Michalcean, Roland Poulin, Robert Racine, Irene F. Whittome. Toronto, ON: Power Plant, 1988.
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