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Fox, Ross Allan C. “The Remarkable Legacy of Robert Cruickshank.” Rotunda Magazine, Winter /2003 2002.
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Sicotte, Hélène. “Le rôle de la vente publique dans l’essor du commerce d’art à Montréal au XIXe siècle : le cas de W. Scott & Sons ou comment le marchand d’art supplanta l’encanteur.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 23, no. 1–2 (2002): 6–33.
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Sherman, Leah. Anne Savage. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University, 2002.
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Pierce, Alexandria. “Imperialist Intent - Colonial Response: The Art Collection and Cultural Milieu of Lord Strathcona in Nineteenth-Century Montreal.” PhD dissertation, McGill University, 2002. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-84197.pdf.
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Guay, Odette. “L’iconographie des chutes d’eau de la région de Québec, 1759-1890.” Master’s Thesis, Université Laval, 2002.
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Grigor, Angela Nairne. Arthur Lismer: Visionary Art Educator. Montreal-Kingston: McGill-Queen’s University Press, 2002.
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Cousins, Darlene Caroline. “Otto Dix’s Portrait of the Lawyer Hugo Simons: German Art for a Canadian Museum.” Master’s Thesis, Concordia University, 2002. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-1854.pdf.
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Beitel, Garry. Vive le Québec-anglé : la culture anglo-québécoise. Synercom Téléproductions Inc., 2002.
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Drouin, Daniel. “Benjamin Fisher : Le militaire aquarelliste.” Continuité, t 2001. https://www.erudit.org/en/journals/continuite/2004-n101-continuite1056439/15676ac.pdf.
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Stober, JoAnne. “That’s Not What I Heard: Synchronized Sound Cinema in Montreal, 1926-1931.” Master’s Thesis, Concordia University, 2001. https://spectrum.library.concordia.ca/id/eprint/1544/1/MQ64013.pdf.
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Sherman, Leah. 25 Artists, 25 Years: Celebrating the Faculty of Fine Arts / 25 Artistes, 25 Ans: Homage à La Faculté Des Beaux Arts. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University, 2001.
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Heft, Harold. The Shape of This Dying: Remembering Alexander Bercovitch. Oakville, ON: Mosaic Press, 2001.
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Ferrari, Pepita. “Prudence Heward: Painting At Home.” In Framing Our Past: Canadian Women’s History in the Twentieth Century, edited by Sharon Anne Cook, Lorna R. McLean, and Kate O’Rouke, 129–133. Montreal and Kingston: McGill-Queen’s University Press, 2001.
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Bondil, Nathalie, and Hélène Lamarche. The Museum of Fine Arts, Montreal. Translated by Margaret Clarke. Paris and Montreal: Fondation BNP Paribas and Montreal Museum of Fine Arts, 2001.
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Trépanier, Esther. Marian Dale Scott: Pioneer of Modern Art. Québec: Musée du Québec, 2000.
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Robinson, Jennifer, and Yves Jasmin. Shooting the Story: Outstanding Photojournalism from Montreal’s La Presse and The Gazette. Montreal: The Gazette, 2000.
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Pageot, Édith-Anne. “Jori Smith, une figure de la modernité picturale québécoise : étude de case : le portrait d’enfant.” Globe: revue internationale d’études québécoises Vol. 3, no. 2 (2000): 171–186. http://www.erudit.org/revue/globe/2000/v3/n2/1000587ar.pdf.
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Collins, John. Montreal Memories of the Century from the Sketchbooks of John Collins. Ste-Anne-de-Bellevue, QC: Shoreline Press, 2000.
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Bosnitch, Katherine. “A Little on the Wild Side: Eaton’s Prestige Fashion Advertising Published in the Montreal Gazette, 1952-1972.” Master’s Thesis, Concordia University, 2000. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-1065.pdf.
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Bissett, Tara. “The Children’s Chapel, Unitarian Church of Montreal: Two Case Studies of the Role of the Mural in the Transformation of the Room into a Sacred Space.” Master’s Thesis, Concordia University, 2000.
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