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Villeneuve, Claudine. “Le portrait dans l’estampe diffusée au Bas-Canada entre 1825 et 1850 : essai d’analyse stylistique.” Master’s Thesis, Université Laval, 1989. https://corpus.ulaval.ca/jspui/handle/20.500.11794/33483.
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Ruch, John. “The Loyalists and the Arts in Montreal.” In The Loyalists of Quebec, 1774-1825: A Forgotten History, edited by United Empire Loyalists’ Association of Canada -- Heritage Branch-Montreal, 391–408. Montreal: Price-Patterson, 1989.
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Lacroix, Laurier. “Italian Art and Artists in Nineteenth-Century Québec: A Few Preliminary Observations.” In Arrangiarsi: The Italian Immigrant Experience in Canada, edited by Roberto Perin and Franc Sturino, 163–178. Montreal: Guernica, 1989.
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Kish, Albert. Notman’s World. Documentary. National Film Board of Canada, 1989. http://www.nfb.ca/film/notmans_world.
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Gustavison, Susan J. “Robert J. Wickenden (1861-1931) and the Late Nineteenth-Century Print Revival.” Master’s Thesis, Concordia University, 1989. http://spectrum.library.concordia.ca/4140/1/ML51387.pdf.
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Allodi, Mary MacAulay, and Rosemary L. Tovell. An Engraver’s Pilgrimage: James Smillie in Quebec, 1821-1830. Toronto, ON: Royal Ontario Museum, 1989.
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Bara, Jana L. “Through the Frosty Lens: William Notman and His Studio Props, 1861-1876.” History of Photography Vol. 12, no. 1 (March 1988): 23–30.
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Stirling, J. Craig. “The Development of Art Institutions in Quebec and Ontario (1876-1914) and the South Kensington Influence.” PhD dissertation, University of Edinburgh, 1988.
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McMann, Evelyn (de Rostaing). Montreal Museum of Fine Arts, Formerly Art Association of Montreal: Spring Exhibitions 1880-1970. Toronto, ON: University of Toronto Press, 1988.
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McKendry, Blake. A Dictionary of Folk Artists in Canada: From the 17th Century to the Present with Inclusions of Popular Portrait, Topographical, Genre, Religious and Decorative Artists of the 17th, 18th and 19th Centuries. Elginburg, ON: Blake McKendry Ltd., 1988.
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Caulfield, Jon. “Three Preconfederation Painters of the Canadian City. Part II: James Duncan.” Urban History Review/Revue d’histoire urbaine Vol. 16, no. 2 (October 1987): 190–195. https://www.erudit.org/en/journals/uhr/1987-v16-n2-uhr0769/1017789ar.pdf.
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Lessard, Michel. “Un première au Canada : le portfolio photographique de Samuel McLaughlin.” Cap-aux-Diamants Vol. 3, no. 2 (t 1987): 9–12. https://www.erudit.org/en/journals/cd/1987-v3-n2-cd1039400/6686ac.pdf.
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Lessard, Michel. “Portrait de George William Ellisson d’après des dossiers secrets.” Cap-aux-Diamants Vol. 3, no. 2 (t 1987): 13–16. https://www.erudit.org/en/journals/cd/1987-v3-n2-cd1039400/6687ac.pdf.
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Caulfield, Jon. “Three Preconfederation Painters of the Canadian City. Part I: James Cockburn.” Urban History Review/Revue d’histoire urbaine Vol. 16, no. 1 (June 1987): 69–77. https://www.erudit.org/en/journals/uhr/1987-v16-n1-uhr0777/1017947ar.pdf.
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de Pencier, Honor. Posted to Canada : The Watercolours of George Russell Dartnell, 1835-1844. Toronto, ON: Dundurn Press, 1987.
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De Haitre-Ford, Micheline. “L’héritage antique dans le patrimoine culturel du Québec.” PhD dissertation, Université de Tours, 1987.
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Nadeau-Saumier, Monique. “Late Victorian and Edwardian Jewellery in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 9, no. 1 (1986): 69–80.
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Bara, Jana L. “Furs in Fashion as Illustrated in the Photo-Portraiture of William Notman in the 1860’s.” Master’s Thesis, Concordia University, 1986. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3340.pdf.
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Korman, Julie Beth. “Corporate Art Collecting in Canada.” Master’s Thesis, Concordia University, 1985.
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Kennell, Elizabeth Hamilton. “Frederick Simpson Coburn’s Illustrations for the Poetry of Dr. W.H. Drummond.” Master’s Thesis, Concordia University, 1985. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-5703.pdf.
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Chevrefils, Yves. “John Henry Walker (1831-1899), artisan-graveur montréalais. La montée et la chute du premier médium moderne d’illustration: la gravure sur bois de reproduction.” Master’s Thesis, Universtié du Québec à Montréal, 1985.
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Chèvrefils, Yves. “John Henry Walker (1831-1899), Artisan-Graveur.” The Journal of Canadian Art/Annales d’histoire de l’art canadien Vol. 8, no. 2 (1985): 178–225. http://jcah-ahac.concordia.ca/fr/archive/1985_8-2.
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Jones, Laura. “Canadian Women Photographers 1841-1910.” Resources for Feminist Research/Documentation sur la recherche féministe Vol. 13, no. 4 (January 1984): 13–14.
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Kollar, Kathryn L. John Arthur Fraser, 1838-1898: Watercolours / John Arthur Fraser, 1838-1898: Aquarelles. Montreal: Concordia Art Gallery, 1984.
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Levenson, Rustin Steele. “Materials and Techniques of Painters in Quebec City, 1760-1850.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 7, no. 1 (1983): 1–54. http://jcah-ahac.concordia.ca/fr/archive/1983_7-1.
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National Gallery of Canada, National Museums of Canada. “Canada in the Graphic Arts, 1556-1977.” Journal No. 40 (April 1982): 8p.
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Doyon, Pierre. “Les aquarellistes britanniques se l’Académie Royale Militaire de Woolwich et la représentation du paysage québécois de 1759 à 1871.” Master’s Thesis, Université de Montréal, 1982.
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Rosenfeld, Roslyn. “Miniatures and Silhouettes in Montreal, 1760-1860.” Master’s Thesis, Concordia University, 1981. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3683.pdf.
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Rosenfeld, Roslyn. “An Index of Miniaturists and Silhouettists Who Worked in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 5, no. 2 (1981): 111–121.
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Pepall, Rosalind. “Stained Glass Windows in Montreal at the Turn of the Century.” Bulletin of the Association for Preservation Technology Vol. 13, no. 3 (1981): 48–55.
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