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Dansereau, François. “The Portrayal of Gender in Health Care: An Examination of Hospital Photographic Archives.” Archivaria: The Journal of the Association of Canadian Archivists Vol. 90 (Fall 2020): 6–43. https://archivaria.ca/index.php/archivaria/article/view/13753/15149.
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Allard, Jean-Luc. “Un album photos de Montréalais.” Cap-aux-Diamants No. 130 (t 2017): 38–42. https://www.erudit.org/en/journals/cd/2017-n130-cd03250/86747ac/.
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Charpentier, Noëlle. “Les Archives photographiques Notman au Musée McCord.” Conserveries Mémorielles : Revue Transdisciplinaire de Jeunes Chercheurs Vol. 19 (2016). http://journals.openedition.org/cm/2376.
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Wing, Emily. “On Different Sides of the Studio: Chinese Male and Female Sitters in Montreal’s Photographic Portraiture, Pre Exclusion Era (1885-1923).” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 77–90. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Bordeleau-Cass, Jaya. “Through the Lens of William Notman’s Camera: The Exoticization of ‘Indianness’ in Montreal Fancy Dress Balls and Skating Carnivals.” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 3–15. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Béland, Mario. “Notman, père et fils.” Cap-aux-Diamants No. 115 (Automne 2013): 46–47. https://www.erudit.org/culture/cd1035538/cd0850/70089ac.pdf.
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Boone, Emilie. “The Likeness of Fugitivity: William Notman’s Carte-de-Visite Portrait of John Anderson.” History of Photography Vol. 37, no. 2 (May 2013): 221–234.
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Lerner, Loren. “William Notman’s Photographic Selections (1863).” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 33, no. 1 (2012): 16–45. http://jcah-ahac.concordia.ca/fr/archive/2012_33-1.
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Lerner, Loren Ruth. “William Notman’s Portrait Photographs of the Wealthy English-Speaking Girls of Montreal: Representations of Informal Female Education in Relation to John Ruskin’s ‘Of Queens’ Gardens’ and Writings by and for Canadians from the 1850s to 1890s.” Historical Studies in Education/Revue d’histoire de l’éducation Vol. 21, no. 2 (Fall 2009): 65–97. http://historicalstudiesineducation.ca/index.php/edu_hse-rhe/article/view/816.
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Béland, Mario. “Edith Hemming: Au service des Livernois.” Cap-aux-Diamants No. 96 (2009): 51. https://www.erudit.org/en/journals/cd/2009-n96-cd1044555/6844ac.pdf.
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Skidmore, Colleen. “Concordia Salus: Triumphal Arches at Montreal, 1860.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 19, no. 1 (1998): 86–112. http://jcah-ahac.concordia.ca/fr/archive/1998_19-1.
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Wilson, Robert G. “William Notman’s Stereo Perspective: The Victoria Bridge.” History of Photography Vol. 20, no. 2 (1996): 108–112.
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Triggs, Stanley G. “The Notman Photographic Archives.” History of Photography Vol. 20, no. 2 (1996): 180–185.
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Skidmore, Colleen. “Women Workers in Notman’s Studio : Young Ladies of the Printing Room.” History of Photography Vol. 20, no. 2 (1996): 122–128.
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McIntosh, Terresa. “W. A. Leggo and G. E. Desbarats : Canadian Pioneers in Photomechanical Reproduction.” History of Photography Vol. 20, no. 2 (1996): 146–149.
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Syrek, Barbara M. “Les archives photographiques Notman du Musée McCord.” Fontanus Vol. 7 (1994): 127–147. http://fontanus.mcgill.ca/article/view/100.
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Lessard, Michel. “Montréal en images : Exotisme et triomphalisme (1855-1914).” Cap-aux-Diamants No. 27 (Automne 1991): 38–42. https://www.erudit.org/en/journals/cd/1991-n27-cd1039682/7929ac.pdf.
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Marcil, Madeleine. “Images de femmes: Les Québécoises photographes.” Cap-aux-Diamants No. 21 (Printemps 1990): 39–41. https://www.erudit.org/en/journals/cd/1990-n21-cd1040271/7595ac.pdf.
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Bara, Jana. “Cradled in Fur: Winter Fashions in Montreal in the 1860s.” Dress: Journal of the Costume Society of America Vol. 16 (1990): 39–47.
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Guay, Louise. “Alexander Henderson, Photographer.” History of Photography Vol. 13, no. 1 (March 1989): 79–94.
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Bara, Jana L. “Through the Frosty Lens: William Notman and His Studio Props, 1861-1876.” History of Photography Vol. 12, no. 1 (March 1988): 23–30.
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Caulfield, Jon. “Three Preconfederation Painters of the Canadian City. Part II: James Duncan.” Urban History Review/Revue d’histoire urbaine Vol. 16, no. 2 (October 1987): 190–195. https://www.erudit.org/en/journals/uhr/1987-v16-n2-uhr0769/1017789ar.pdf.
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Guay, Louise. “Alexander Henderson: Canadian Landscape Photographer.” Archivist Vol. 14, no. 5 (October 1987): 6–7.
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Lessard, Michel. “Un première au Canada : le portfolio photographique de Samuel McLaughlin.” Cap-aux-Diamants Vol. 3, no. 2 (t 1987): 9–12. https://www.erudit.org/en/journals/cd/1987-v3-n2-cd1039400/6686ac.pdf.
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Lessard, Michel. “Portrait de George William Ellisson d’après des dossiers secrets.” Cap-aux-Diamants Vol. 3, no. 2 (t 1987): 13–16. https://www.erudit.org/en/journals/cd/1987-v3-n2-cd1039400/6687ac.pdf.
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Nadeau-Saumier, Monique. “Late Victorian and Edwardian Jewellery in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 9, no. 1 (1986): 69–80.
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Jones, Laura. “Canadian Women Photographers 1841-1910.” Resources for Feminist Research/Documentation sur la recherche féministe Vol. 13, no. 4 (January 1984): 13–14.
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Morgan, Norma. “Fashion Plates: Sources for Canadian Fashion.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 5, no. 2 (1981): 106–110.
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Fontein, Rosina. “Annie G. McDougall, Québec.” Canadian Woman Studies / Les cahiers de la femme Vol. 2, no. 3 (1980): 11.
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Cloutier, Nicole. “Les disciples de Daguerre à Québec.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 5, no. 1 (1980): 33–38. http://jcah-ahac.concordia.ca/en/archive/5.
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