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Godbout, Patricia. “Pseudonymes, traductionymes et pseudo-traductions.” Voix et Images Vol. 30, no. 1 (88) (Automne 2004): 93–103. https://www.erudit.org/en/journals/vi/2004-v30-n1-vi831/009891ar.pdf.
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Coté, Sébastien. “Le monde de Barney ou Comment ne pas traduire pour la francophonie.” Spirale, Juillet-Août 2004. https://www.erudit.org/en/journals/spirale/2004-n197-spirale1057835/19388ac.pdf.
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Martin, Peggy. “Discovering Lily Lewis : A Canadian Journalist and New Woman.” ESC: English Studies in Canada Vol. 30, no. 2 (June 2004): 129–150. https://ojs.lib.uwo.ca/index.php/esc/article/view/10042/8140.
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Moore, Paul S. “Movie Palaces on Canadian Downtown Main Streets: Montreal, Toronto and Vancouver.” Urban History Review/Revue d’historire urbaine Vol. 32, no. 2 (Spring 2004): 3–20. https://www.erudit.org/en/journals/uhr/2004-v32-n2-uhr0585/1015713ar.pdf.
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Huneault, Kristina. “Impressions of Difference: The Painted Canvases of Helen McNicoll.” Art History Vol. 27, no. 2 (April 2004): 212–249.
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Henry, Jeff. “Black Theatre in Montreal and Toronto in the Sixties and Seventies: The Struggle for Recognition.” Canadian Theatre Review Vol. 118 (Spring 2004): 29–33.
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Bayne, Clarence S. “The Origins of Black Theatre in Montreal.” Canadian Theatre Review Vol. 118 (Spring 2004): 34–40.
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DeVerteuil, Geoffrey. “The Changing Landscapes of Southwest Montreal: A Visual Account.” Canadian Geographer/Le Géographe canadien Vol. 48, no. 1 (March 2004): 76–82.
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Renzi, Alessandra. “Identity and Transculture in Vice Versa.” Collegium Antropologicum Vol. 28, no. Supplement 1 (January 2004): 109–113.
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Meyer, Noel. “Prudence Heward (1896-1947).” MagazinArt No. 66 (Hiver -2005 2004): 88–127.
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Wagner, Serge, and Jan Johnson. Du Privé Au Public : Gravures Du Québec Provenant Des Membres de La Société Des Collectionneurs d’Estampes de Montréal / From Private to Public : Prints by Quebec Artists from the Collections of the Montreal Print Collectors’ Society. Montreal: Montreal Print Collectors’ Society, 2004.
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Trivisonno, John. The Official St. Leonard Dictionary. 2nd rev. Montreal: Chapter 11 Productions, 2004.
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Todd, Phillip. “Breaking Bones in Political Cartooning: Aislin and the Free Trade Fight of 1998.” Master’s Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=79981&silo_library=GEN01.
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Tierney, Cara. “Jori Smith: A Contextual Analysis.” Master’s Thesis, Carleton University, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/001/mq99003.pdf.
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Tembeck, Iro Valaskakis. “Politics and Dance in Montreal, 1940s to 1980s : The Imaginary Maginot Line Between Anglophone and Francophone Dancers.” In Canadian Dance : Visions and Stories, edited by Selma Landen Odom and Mary Jane Warner, 278–280. Toronto, ON: Dance Collection Danse Press/es, 2004.
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Tauben, Sara Ferdman. “Aspirations and Adaptations: Immigrant Synagogues of Montreal, 1880s-1945.” Master’s Thesis, Concordia University, 2004. http://spectrum.library.concordia.ca/7992/1/MQ91123.pdf.
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Starnino, Carmine. A Lover’s Quarrel : Essays and Reviews. Erin, ON: Porcupine’s Quill, 2004.
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Simon, Sherry. “Malcolm Reid et la traversée de la ville.” Anthropologie et Sociétés Vol. 28, no. 3 (2004): 91–103. https://www.erudit.org/en/journals/as/2004-v28-n3-as961/011284ar.pdf.
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Rigelhof, T. F. Philip Surrey, 1910-1990: Retrospective Exhibition, September 18-October 2, 2004. Montreal: Walter Klinkhoff Gallery, 2004.
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Raddatz, Rosalind. Inspiring Figure: The Louis Rubenstein Story. National Film Board of Canada, 2004.
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Posner, Michael. The Last Honest Man: Mordecai Richler: An Oral Biography. Toronto, ON: M&S, 2004.
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Pelletier, Louis. “George Ganetakos et la United Amusement Corporation, Limited, 1910-1930 : formation d’une chaîne de cinémas montréalaise.” Master’s Thesis, Concordia University, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-7981.pdf.
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Mulchey, Kimberley Mills. “Maude Abbott: A Biography.” In The Proceedings of the 13th Annual History of Medicine Days, Faculty of Medicine, University of Calgary, March 19th and 20th, 2004 in the Health Sciences Centre, Calgary, AB, edited by W. A. Whitelaw, 233–240. Calgary, AB: Faculty of Medicine, University of Calgary, 2004. http://www.ucalgary.ca/uofc/Others/HOM/Proceedings-2004.pdf#page=245.
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Moyes, Lianne. “Unexpected Adjacencies: Robert Majzels’s City of Forgetting.” In Adjacencies : Minority Writing in Canada, edited by Domenic Beneventi, Licia Canton, and Lianne Moyes, 168–189. Toronto, ON: Guernica, 2004.
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Marrelli, Nancy. Stepping Out: The Golden Age of Night Clubs in Montreal, 1925-1955. Montreal: Véhicule Press, 2004.
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Marrelli, Nancy. Concordia University as Seen Through Its Buildings / L’Université Concordia à Travers l’historique de Ses Bâtiments. Montreal: Concordia University Archives, 2004.
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Marcotte, Ian. “Du ‘rempart contre le communisme’ au ‘roi-grue’, en passant par ‘l’ère païenne’ : la presse montréalaise face à l’Allemage nazie d’avant-guerre 1933-1939.” Master’s Thesis, Université Laval, 2004.
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Lynch, Gerald. “An Intangible Cure for Death by Homesickness: Mavis Gallant’s Canadian Short-Story Cycle ‘Linnet Muir.’” In Transient Questions: New Essays on Mavis Gallant, edited by Kristjana Gunnars, 2–27. Amsterdam, Netherlands & New York, NY: Rodopi, 2004.
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Lerner, Loren. “Sam Borenstein, Artist and Art Dealer: The Polemics of Post-Holocaust Jewish Cultural Identity.” Canadian Jewish Studies/Études juives canadiennes. Vol. 12 (2004): 31–44. http://cjs.journals.yorku.ca/index.php/cjs/article/view/22625/21096.
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Leclerc, Catherine. “Des langues en partage? : Cohabitation du français et de l’anglais en littérature contemporaine.” PhD dissertation, Concordia University, 2004. https://spectrum.library.concordia.ca/7874/1/NQ90390.pdf.
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