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8 resources
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Wiseman, Lauren. “The Work of Louis Muhlstock: A Compassionate Despiction of Depression-Era Subjects.” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 91–100. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Wing, Emily. “On Different Sides of the Studio: Chinese Male and Female Sitters in Montreal’s Photographic Portraiture, Pre Exclusion Era (1885-1923).” Chrysalis: A Critical Student Journal of Transformative Art History Vol. 1, no. 1 (Fall 2014): 77–90. http://www.blackcanadianstudies.com/cms/chrysalis_journal_fall_2014_final.pdf.
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Stanworth, Karen. Visibly Canadian: Imaging Collective Identities in the Canadas, 1820-1910. Montreal and Kingston: McGill-Queen’s University Press, 2014.
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Ramirez, Bruno. “Immigrants italiens dans l’espace social et culturel montréalais : une synthèse historique.” In Histoires d’immigrations au Québec, edited by Guy Berthiaume, Claude Corbo, and Sophie Montreuil, 43–59. Québec: Presses de l’Université du Québec, 2014.
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Fonda, Nick. Hanging Fred And A Few Others: Painters of the Eastern Townships. Montreal: Baraka Books, 2014.
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Des Rochers, Jacques. “Circonscrire l’œuvre : quelques notes au sujet des encadrements d’œuvres de membres du Groupe de Beaver Hall.” Journal of Canadian Art History / Annales d’histoire de l’art Canadien Vol. 35, no. 2 (2014): 207–211. http://jcah-ahac.concordia.ca/en/archive.
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Blanchette, Jean-François. “Collectionner le Québec de tradition française à la manière de Nettoe Covey Sharpe.” In Du coq à l’âme : l’art populaire au Québec, 39–61. Gatineau, QC: Musée canadien de l’histoire / Les Presses de l’Université d’Ottawa, 2014. https://www.historymuseum.ca/cmc/exhibitions/arts/sharpe/sharpe_e.html.
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Morrice and Lyman in the Company of Matisse. Richmond Hill, ON: Firefly Books, 2014.