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Trépanier, Esther. “Peintres juifs au rendez-vous de la modernité.” Continuité, Automne 1989. https://www.erudit.org/en/journals/continuite/1989-n45-continuite1053216/610ac.pdf.
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Perreault-Dorval, Gaby. “Le centre Saidye-Bronfman.” Continuité, Automne 1989. https://www.erudit.org/en/journals/continuite/1989-n45-continuite1053216/608ac.pdf.
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Trépanier, Esther. “Entre socialisme et modernisme : les peintres progressistes québécois (1930-1945).” In Le droit de se taire: Histoire des communistes au Québec, de la Première Guerre mondiale à la Révolution tranquille, edited by Robert Comeau and Bernard Dionne, 134–161. Outremont, QC: VLB Éditeur, 1989.
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Sicotte, Hélène. “WaIter Abell, Robert Ayre, Graham Mclnnes: aperçu de la perspective sociale dans la critique d’art canadienne entre 1935 et 1945.” Master’s Thesis, Université du Québec à Montréal, 1989.
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Roussan, Jacques de. Cosgrove. Pointe-Claire, QC: Roussan, 1989.
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Nadeau-Saumier, Monique. “Louis Muhlstock: The Urban Landscape 1930-1950.” Master’s Thesis, Concordia University, 1989. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3618.pdf.
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Meadowcroft, Barbara. Mabel Lockerby, 1882-1976. Montreal: Galerie Walter Klinkhoff, 1989.
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Gustavison, Susan J. “Robert J. Wickenden (1861-1931) and the Late Nineteenth-Century Print Revival.” Master’s Thesis, Concordia University, 1989. http://spectrum.library.concordia.ca/4140/1/ML51387.pdf.
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Gualtieri, Julia M. “The Woman as Artist and as Subject in Canadian Painting (1890-1930): Florence Carlyle, Laura Muntz Lyall, Helen McNicoll.” Master’s Thesis, Queen’s University, 1989.
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Stirling, J. Craig. “The Development of Art Institutions in Quebec and Ontario (1876-1914) and the South Kensington Influence.” PhD dissertation, University of Edinburgh, 1988.
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Pontbriand, Chantal. La ruse historique : l’art à Montréal/The Historical Ruse : Art in Montreal : Céline Baril, Geneviève Cadieux, Melvin Charney, Angela Grauerholz, Gilles Michalcean, Roland Poulin, Robert Racine, Irene F. Whittome. Toronto, ON: Power Plant, 1988.
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McMann, Evelyn (de Rostaing). Montreal Museum of Fine Arts, Formerly Art Association of Montreal: Spring Exhibitions 1880-1970. Toronto, ON: University of Toronto Press, 1988.
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McKendry, Blake. A Dictionary of Folk Artists in Canada: From the 17th Century to the Present with Inclusions of Popular Portrait, Topographical, Genre, Religious and Decorative Artists of the 17th, 18th and 19th Centuries. Elginburg, ON: Blake McKendry Ltd., 1988.
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Groves, Naomi Jackson. One Summer in Quebec: A. Y. Jackson in 1925, a Family View. Kapuskasing, ON: Penumbra Press, 1988.
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Adams, Robert. The Life and Work of Alexander Bercovitch, Artist. Montreal: Éditions Marlowe, 1988.
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Teitelbaum, Matthew. Paterson Ewen, the Montreal Years. Saskatoon, SK: Mendel Art Gallery, 1987.
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Nadeau-Saumier, Monique. La joie de l’art : Kay Kinsman : Musée des beaux-arts de Sherbrooke, 14 novembre au 19 décembre 1987 / The Joy of Art : Kay Kinsman : Musée des beaux-arts de Sherbrooke, November 14-December 19, 1987. Sherbrooke, QC: Musée des beaux-arts de Sherbrooke, 1987.
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De Haitre-Ford, Micheline. “L’héritage antique dans le patrimoine culturel du Québec.” PhD dissertation, Université de Tours, 1987.
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Crosby, Joni S. “A History of the Evolution of the Teaching of Textiles and Weaving in Quebec Since 1905.” Master’s Thesis, Concordia University, 1987. http://spectrum.library.concordia.ca/4552/1/ML41656.pdf.
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Trépanier, Esther. “Les peintres juifs à Montréal dans l’Entre-deux-guerres.” Études canadiennes/Canadian Studies No. 21, no. Tome 1 (1986): 133–139.
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Paikowsky, Sandra, and Monique Nadeau-Saumier. Louis Muhlstock: New Themes and Variations, 1980-1985. Montreal: Concordia Art Gallery/Galerie d’art Concordia, 1986.
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Nadeau-Saumier, Monique. “Late Victorian and Edwardian Jewellery in Montreal.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 9, no. 1 (1986): 69–80.
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Cameron, Elspeth. “Montreal Modernists: The Emergence of Canadian Art and Literature in Montreal, 1926-1951.” In Canada Ieri e Oggi: 2, Sezione Anglofona, edited by Giovanni Bonanno, 291–299. Fasano, Italia: Schena, 1986.
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Malus, Avrum, Diane Allard, and Marie Van Sundert. “Frank Oliver Call, Eastern Townships Poetry, and the Modernist Movement.” Canadian Literature No. 107 (Winter 1985): 60–69. https://canlit.ca/wp-content/uploads/2015/09/CL107-Full-Issue.pdf.
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Société allemande / German Society / Deutsche Gesellschaft. Notre héritage allemand / German artists in Quebec / Deutschkanadische Kunst in Québec. Montréal: La Société, 1985.
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Nemiroff, Diana. “A History of Artist-Run Spaces in Canada, With Particular Reference to Véhicule, A Space and the Western Front.” Master’s Thesis, Concordia University, 1985. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-4551.pdf.
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Morgan, Norma. “F. Cleveland Morgan and the Decorative Arts Collection in the Montreal Museum of Fine Arts.” Master’s Thesis, Concordia University, 1985. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3233.pdf.
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Korman, Julie Beth. “Corporate Art Collecting in Canada.” Master’s Thesis, Concordia University, 1985.
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Farand, Francine. “La critique d’art dans les journaux montréalais de 1940 à 1948.” Master’s Thesis, Université de Montréal, 1985.
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Caccia, Fulvio. Sous le signe du phénix. Entretiens avec quinze créateurs italo-québécois. Montréal: Éditions Guernica, 1985.
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