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29 resources
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Lam, Emily. “‘People Didn’t Call It Klezmer’: Klezmer Music in Jewish Montreal 1924-1970.” Student Journal of Canadian Jewish Studies Vol. 3, no. 1 (Spring 2009): 40–70. http://portico.concordia.ca/canadianjewishjournal/assets/downloads/articlesspring2009.pdf.
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MacLeod, Rod. “Harry Norris : Ode to Montreal West’s Wandering Minstrel.” Quebec Heritage News, April 2009. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/qhn_mar-apr_2009_web-version_0.pdf.
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Lefebvre, Marie-Thérèse, and Jean-Pierre Pinson. Chronologie Musicale du Québec, 1535-2004: musique de concert et musique religieuse. Québec: Septentrion, 2009.
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Cummins-Russel, Thomas. “Networks in Montreal’s Independent Music Industry.” Master’s Thesis, Concordia University, 2009. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-976639.pdf.
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Nadeau-Saumier, Monique. Un espace et un lieu de culture : le Art Building de Sherbrooke 1887-1927. Sherbrooke, QC: GGC Éditions, 2008.
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Maki, Christine. “The Conservation of a Gender Fantasy: Women and Top 40 Radio in Montreal.” Master’s Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=22016&silo_library=GEN01.
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Elliott, Robin. “István Anhalt and New Music at McGill.” In Compositional Crossroads: Music, McGill, Montreal, edited by Eleanor V. Stubley, 33–55. Montreal and Kingston: McGill-Queen’s University Press, 2008.
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Corrigan, Keith, and Jimmy Kelly. L’Irlande Au Québec, Musique et Chansons Traditionnelles de Keith Corrigan et Jimmy Kelly / Ireland in Québec, Traditional Music and Songs from Keith Corrigan and Jimmy Kelly. CD with Pdf file, 65p. Québec: Centre de valorisation du patrimoine vivant Ès-Trad, 2008.
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Stubley, Eleanor V., ed. Compositional Crossroads: Music, McGill, Montreal. Montreal and Kingston: McGill-Queen’s University Press, 2008.
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Nadeau-Saumier, Monique. “Un espace et un lieu de culture : le Art Building de Sherbrooke, 1887-1927.” PhD dissertation, Université du Québec à Montréal, 2007. https://archipel.uqam.ca/9616/1/D1560-1.pdf.
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Ingraham, Mary I. “Something to Sing About : A Preliminary List of Canadian Staged Dramatic Music Since 1867.” Intersections : Canadian Journal of Music / Revue canadienne de musique Vol. 28, no. 1 (2007): 14–77. https://www.erudit.org/en/journals/is/2007-v28-n1-is2474/019291ar.pdf.
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Keillor, Elaine. Music in Canada : Capturing Landscape and Diversity. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Rodgers, Guy. “The Jazz Scene in Montreal during the Second World War : Johnny Holmes Gave Starts to Oscar Peterson, Maynard Ferguson.” Quebec Heritage News, October 2005. http://qahn.org/files/quebecanglophoneheritagenetwork/documents/qhn/QHN%20September-October%202005.pdf.
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Brott, Alexander, and Betty Nygaard King. My Lives in Music. Oakville, ON: Mosaic Press, 2005.
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Marrelli, Nancy. Stepping Out: The Golden Age of Night Clubs in Montreal, 1925-1955. Montreal: Véhicule Press, 2004.
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Lebold, Christophe. “Ecritures, masques et voix : pour une poétique des chansons de Leonard Cohen et Bob Dylan.” PhD dissertation, Université Marc Bloch, 2004.
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Boucher, David. Dylan and Cohen : Poets of Rock and Roll. New York, NY: Continuum Publishing Group, 2004.
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Stahl, Geoff. “Crisis? What Crisis?: Anglophone Musicmakers in Montreal.” PhD dissertation, McGill University, 2003. http://www.collectionscanada.gc.ca/obj/s4/f2/dsk3/QMM/TC-QMM-19483.pdf.
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Mathieu, Catherine. “La musique anglo-québecoise depuis les années 80.” Student essay, Université de Montréal, 2003. http://tagg.org/xpdfs/CathMathieuAngloQbc.pdf.
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Histoire culturelle - Sherbrooke, ville de culture. Sherbrooke, QC: Ville de Sherbrooke, 2003. https://www.ville.sherbrooke.qc.ca/fileadmin/fichiers/ville.sherbrooke.qc.ca/fr/citoyens/slscvc/culture.pdf.
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Constantinides, John. “The Sound System: Contributions to Jamaican Music and the Montreal Dancehall Scene.” Master’s Thesis, Université de Montréal, 2002. https://debate.uvm.edu/dreadlibrary/constantinides2004.htm.
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Young, David. “Céline Dion, National Unity, and the English-Language Press in Canada.” Media, Culture & Society Vol. 23, no. 5 (September 2001): 547–563.
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Stahl, Geoff. “Tracing Out an Anglo-Bohemia: Musicmaking and Myth in Montréal.” Public Vol. 22/23 (2001): 99–121. https://public.journals.yorku.ca/index.php/public/article/view/30328.
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Lefebvre, Marie-Thérèse. “La semaine annuelle de musique de Montréal sous les auspices du Delphic Study Club, 1923–1937.” Canadian University Music Review / Revue de musique des universités canadiennes Vol. 21, no. 2 (2001): 60–76. https://www.erudit.org/en/journals/cumr/2001-v21-n2-cumr0473/1014485ar.pdf.
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Lazar, Barry. Underestimated Importance: Anglo-Quebec Culture. Montreal: Synercom Téléproductions et Institut national de la recherche Scientifique, Urbanisation, Culture et Société, 2001.
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Laplante, Benoît, and Guy Bellevance. “L’évolution de la formation des artistes québécois au xxe siècle.” Recherches sociographiques Vol. 42, no. 3 (2001): 543–584. https://www.erudit.org/en/journals/rs/2001-v42-n3-rs1612/057475ar.pdf.
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Nonnekes, Paul. Three Moments of Love in Leonard Cohen and Bruce Cockburn: Desire, Love and Politics, from the Masculine Perspective. Montreal: Black Rose Press, 2000.
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Demchinsky, Bryan, and Elaine Kalman Naves. Storied Streets: Montreal in the Literary Imagination. Toronto & Montreal: Macfarlane Walter & Ross, 2000.
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Scobie, Stephen, ed. Intricate Preparations : Writing Leonard Cohen. Toronto, ON: ECW Press, 2000.