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36 resources
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Kiley, Deborah, and Kerry Ann King. “Shannon Irish Show: A History in the Making.” Quebec Heritage News, Spring 2023.
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Nigam, Sunita, and Fabian Will. “Black in the Townships : Exhibit Research Grapples with Uncomfortable Truths and Fragmented Archives.” Quebec Heritage News, Winter 2022.
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Posner, Michael. Leonard Cohen, Untold Stories: That’s How the Light Gets In. Vol. 3. Toronto, ON: Simon & Schuster Canada, 2022.
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Geller, Dan, and Dayna Goldfine. Hallelujah: Leonard Cohen, A Journey, A Song. [Documentary & Biography]. Sony Pictures, 2022.
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Ravvin, Norman. “Placed Upon the Landscape, Casting Shadows: Jewish Canadian Monuments and Other Forms of Memory.” Canadian Jewish Studies / Études juives canadiennes Vol. 31 (Spring 2021): 104–114. https://cjs.journals.yorku.ca/index.php/cjs/article/view/40212/36393.
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Mouillot, François. “Industrial Isolation and Cultural Self-Exile: The Formation of an Independent Music Scene in Montreal.” In Geographically Isolated and Peripheral Music Scenes : Global Insights and Perspectives, edited by Christina Ballico, 133–156. Singapore: Palgrave Macmillan, 2021.
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Avrich, Barry. Oscar Peterson : Black + White. Documentary. Bell Media, 2021.
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Walker, George. Leonard Cohen : A Woodcut Biography. Richmond Hill, ON: Firefly Books, 2020.
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Mus, Francis. The Demons of Leonard Cohen. Ottawa, ON: University of Ottawa Press, 2020.
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Tétrault-Farber, Jérémy. “Une Ville - Plusieurs Reels: Montreal’s Multicultural Irish Soundscape.” PhD dissertation, Concordia University, 2019. https://spectrum.library.concordia.ca/985503/1/Tetrault-Farber_PhD_F2019.pdf.
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de Almeida, Tereza Virginia. “Leonard Cohen and the Neo-Baroque Perspective.” Canadian Literature : A Quarterly of Criticism and Review No. 238 (2019): 177–181.
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Pleshoyano, Alexandra. “Leonard Cohen et la spiritualité.” Leonard Cohen - Site francophone. Last modified October 8, 2018. http://www.leonardcohensite.com/alexandrapleshoyano.php.
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Tétrault-Farber, Jérémy. “Musique d’Irlande à l’image du Québec.” Bulletin APHCQ (Association des professeur.e.s d’histoire de cégeps du Québec), Hiver 2018. https://www.aphcq.ca/media/060_bulletin_de_l_aphcq_vol25no1hiver2019.pdf.compressed.pdf.
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Laberge, Yves. “Leonard Cohen (1934-2016), le Montréalais.” Cap-aux-Diamants (Printemps 2017): 54–55.
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Aloisio, Anita. “The Transmemoric Process: The Journey of Italian-Québécois Artists.” Master’s Thesis, Concordia University, 2016. http://spectrum.library.concordia.ca/981072/2/The%20Transmemoric%20Process-%20The%20Journey%20of%20Italian-Qu%C3%A9b%C3%A9cois%20Artists-Final.pdf.
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Patterson, Glenn. “Fiddle Music and the Constitution of Musical Affect on (and Away from) the Gaspé Coast: Interpreting Musical Affordance, Motion, and Emotion through Turino’s Peircian Framework.” MUSICultures Vol. 42, no. 2 (2015): 19–54. https://journals.lib.unb.ca/index.php/MC/article/view/24449.
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Hopkins, Emily. “Sistema in the News: Exploring Media Coverage of Sistema-Inspired Programs in Montreal and Kahnawà:Ke.” Master’s Thesis, McGill University, 2015. https://escholarship.mcgill.ca/concern/theses/cj82kb245.
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Robineau, Anne. “La scène musicale anglo-québécoise : institutionnalisation, mutations et représentations.” Recherches sociographiques Vol. 55, no. 3 (September 2014): 559–581. https://www.erudit.org/en/journals/rs/2014-v55-n3-rs01677/1028379ar.pdf.
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Sajnani, Nisha, Warren Linds, Alan Wong, and Lisa Ndejuru. “Turning Together: Playback Theatre, Oral History, Trauma, and Arts-Based Research in the Montreal Life Stories Project.” In Remembering Mass Violence: Oral History, New Media and Performance, edited by Steven High, Edward Little, and Thi Ry Duong, 91–110. Toronto, ON: University of Toronto Press, 2014.
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Leibovitz, Liel. A Broken Hallelujah: Rock and Roll, Redemption, and the Life of Leonard Cohen. New York, NY & London, England: W.W. Norton & Company, 2014.
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Kubernik, Henry. Leonard Cohen : Everybody Knows. London, England: Omnibus Press, 2014.
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Falardeau, Marie-Chantal. “L’impact du climat social et économique sur la musique francophone et anglophone au Québec.” Master’s Thesis, Université du Québec à Trois-Rivières, 2014. http://depot-e.uqtr.ca/id/eprint/7531/1/030827085.pdf.
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Burger, Jeff, ed. Leonard Cohen on Leonard Cohen: Interviews and Encounters. Chicago, IL: Chicago Review Press, 2014.
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Desjardins, Marie. Vic Vogel : histoires de jazz. Montréal: Éditions du CRAM, 2013.
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Cummins-Russell, Thomas A., and Norma M. Rantisi. “Networks and Place in Montreal’s Independent Music Industry.” Canadian Geographer/Le Géographe canadien Vol. 56, no. 1 (February 2012): 80–97.
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Glazer, Aubrey L. “Leonard Cohen and The Tosher Rebbe: On Exile as Redemptions in Canadian Jewish Mysticism.” Canadian Jewish Studies / Études juives canadiennes Vol. 20, no. 1 (2012): 149–189. http://pi.library.yorku.ca/ojs/index.php/cjs/article/view/34696.
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Boucher, Denis. “Église Erskine and American : Un patrimoine polyphonique.” Continuité, t 2011. https://www.erudit.org/fr/revues/continuite/2011-n129-continuite1812835/64384ac.pdf.
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Ackerman, Marianne. Minority Report: An Alternative History of English-Language Arts in Quebec. Edited by Guy Rodgers. Toronto, ON: Guernica, 2011.
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McLean, Don, and Dean Jobin-Bevans. “Survey of University-Based Music Programs in Canada.” Intersections : Canadian Journal of Music / Revue canadienne de musique Vol. 29, no. 1 (2009): 86–104. https://www.erudit.org/en/journals/is/2009-v29-n1-is3579/039112ar.pdf.
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Joyce, Catherine. Artists of the Gatineau Hills. Chelsea, QC: Waneva Books, 2007.
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