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19 resources
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Tétrault-Farber, Jérémy. “Une Ville - Plusieurs Reels: Montreal’s Multicultural Irish Soundscape.” PhD dissertation, Concordia University, 2019. https://spectrum.library.concordia.ca/985503/1/Tetrault-Farber_PhD_F2019.pdf.
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de Almeida, Tereza Virginia. “Leonard Cohen and the Neo-Baroque Perspective.” Canadian Literature : A Quarterly of Criticism and Review No. 238 (2019): 177–181.
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Pleshoyano, Alexandra. “Leonard Cohen et la spiritualité.” Leonard Cohen - Site francophone. Last modified October 8, 2018. http://www.leonardcohensite.com/alexandrapleshoyano.php.
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Tétrault-Farber, Jérémy. “Musique d’Irlande à l’image du Québec.” Bulletin APHCQ (Association des professeur.e.s d’histoire de cégeps du Québec), Hiver 2018. https://www.aphcq.ca/media/060_bulletin_de_l_aphcq_vol25no1hiver2019.pdf.compressed.pdf.
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Laberge, Yves. “Leonard Cohen (1934-2016), le Montréalais.” Cap-aux-Diamants (Printemps 2017): 54–55.
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Aloisio, Anita. “The Transmemoric Process: The Journey of Italian-Québécois Artists.” Master’s Thesis, Concordia University, 2016. http://spectrum.library.concordia.ca/981072/2/The%20Transmemoric%20Process-%20The%20Journey%20of%20Italian-Qu%C3%A9b%C3%A9cois%20Artists-Final.pdf.
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Patterson, Glenn. “Fiddle Music and the Constitution of Musical Affect on (and Away from) the Gaspé Coast: Interpreting Musical Affordance, Motion, and Emotion through Turino’s Peircian Framework.” MUSICultures Vol. 42, no. 2 (2015): 19–54. https://journals.lib.unb.ca/index.php/MC/article/view/24449.
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Hopkins, Emily. “Sistema in the News: Exploring Media Coverage of Sistema-Inspired Programs in Montreal and Kahnawà:Ke.” Master’s Thesis, McGill University, 2015. https://escholarship.mcgill.ca/concern/theses/cj82kb245.
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Robineau, Anne. “La scène musicale anglo-québécoise : institutionnalisation, mutations et représentations.” Recherches sociographiques Vol. 55, no. 3 (September 2014): 559–581. https://www.erudit.org/en/journals/rs/2014-v55-n3-rs01677/1028379ar.pdf.
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Sajnani, Nisha, Warren Linds, Alan Wong, and Lisa Ndejuru. “Turning Together: Playback Theatre, Oral History, Trauma, and Arts-Based Research in the Montreal Life Stories Project.” In Remembering Mass Violence: Oral History, New Media and Performance, edited by Steven High, Edward Little, and Thi Ry Duong, 91–110. Toronto, ON: University of Toronto Press, 2014.
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Leibovitz, Liel. A Broken Hallelujah: Rock and Roll, Redemption, and the Life of Leonard Cohen. New York, NY & London, England: W.W. Norton & Company, 2014.
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Kubernik, Henry. Leonard Cohen : Everybody Knows. London, England: Omnibus Press, 2014.
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Falardeau, Marie-Chantal. “L’impact du climat social et économique sur la musique francophone et anglophone au Québec.” Master’s Thesis, Université du Québec à Trois-Rivières, 2014. http://depot-e.uqtr.ca/id/eprint/7531/1/030827085.pdf.
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Burger, Jeff, ed. Leonard Cohen on Leonard Cohen: Interviews and Encounters. Chicago, IL: Chicago Review Press, 2014.
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Desjardins, Marie. Vic Vogel : histoires de jazz. Montréal: Éditions du CRAM, 2013.
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Cummins-Russell, Thomas A., and Norma M. Rantisi. “Networks and Place in Montreal’s Independent Music Industry.” Canadian Geographer/Le Géographe canadien Vol. 56, no. 1 (February 2012): 80–97.
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Glazer, Aubrey L. “Leonard Cohen and The Tosher Rebbe: On Exile as Redemptions in Canadian Jewish Mysticism.” Canadian Jewish Studies / Études juives canadiennes Vol. 20, no. 1 (2012): 149–189. http://pi.library.yorku.ca/ojs/index.php/cjs/article/view/34696.
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Boucher, Denis. “Église Erskine and American : Un patrimoine polyphonique.” Continuité, t 2011. https://www.erudit.org/fr/revues/continuite/2011-n129-continuite1812835/64384ac.pdf.
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Ackerman, Marianne. Minority Report: An Alternative History of English-Language Arts in Quebec. Edited by Guy Rodgers. Toronto, ON: Guernica, 2011.