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493 resources
Page 11 of 17
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Antoniou, Sylvia. “The Sculpture of Anne Kahane.” Master’s Thesis, Concordia University, 1992. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-6091.pdf.
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Antaki, Karen. “H. Mabel May (1877-1971), the Montreal Years: 1909-1938.” Master’s Thesis, Concordia University, 1992. http://spectrum.library.concordia.ca/6035/1/MM73690.pdf.
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Béland, Mario, ed. Painting in Quebec, 1820-1850: New Views, New Perspectives. Québec: Musée du Québec, 1992.
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Trudel, Jean. “Une élite et son musée.” Cap-aux-Diamants No. 25 (Printemps 1991): 22–25. https://www.erudit.org/en/journals/cd/1991-n25-cd1042089/7834ac.pdf.
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Valliant, Lois. “Robert Hugh Ayre, 1900-1980: Art, A Place in the Community : Reviews at The Gazette, Montreal, 1935-1937, and at The Standard, Montreal, 1938-1942.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-4139.pdf.
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Trépanier, Esther. “The Expression of a Difference : The Milieu of Quebec Art and the Group of Seven.” In The True North: Canadian Landscape Painting, 1896-1939, edited by Michael Tooby, 98–116. London, England: Lund Humphries in association with Barbican Art Gallery, 1991.
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Trépanier, Esther. “Peinture et modernité au Québec, 1919-1939.” PhD dissertation, Université de Paris I, Panthéon-Sorbonne, 1991.
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Trépanier, Esther. “La peinture et la question du régionalisme dans l’Entre-deux-guerres.” Québec Studies Vol. 12 (1991): 115–126.
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Shtychno, Alexandra. “Luigi Giovanni Vitale Capello a.k.a. Cappello (1843-1902), Itinerant Piedmontese Artist of Late Nineteenth-Century Quebec.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-3622.pdf.
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Prioul, Didier. “Les paysagistes britanniques au Québec : de la vue documentaire à la vision poétique.” In La Peinture au Québec, 1820-1850: nouveaux regards, nouvelles perspectives, edited by Mario Béland, 50–59. Québec: Musée du Québec & Les Publications du Québec, 1991.
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Page, Anne Mandely. “Canada’s First Professional Women Painters, 1890-1914: Their Reception in Canadian Writing on the Visual Arts.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-2659.pdf.
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Nicolai, Eric. “Portraits of Children in Quebec Art, 1800-1860.” Master’s Thesis, Université Laval, 1991. https://corpus.ulaval.ca/jspui/handle/20.500.11794/33467.
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Meadowcroft, Barbara. Sarah Robertson, 1891-1948: Exposition Rétrospective / Sarah Robertson, 1891-1948: Retrospective Exhibition. Montreal: Galerie Walter Klinkhoff, 1991.
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Borenstein, Joyce. The Colours of My Father: A Portrait of Sam Borenstein. National Film Board of Canada and Imageries P.B. Ltée, 1991. https://www.nfb.ca/film/colours_of_my_father_a_portrait_of_sam_borenstein/.
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Borcoman, Katharine J. “William Notman’s Portraits of Children.” Master’s Thesis, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-5914.pdf.
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Bara, Jana L. “The Image of Canada : Iconological Sources of Canadian Popular Symbolism: Nineteenth-Century Souvenir Photographs.” PhD dissertation, Concordia University, 1991. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-5149.pdf.
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Trudel, Jean. “The Montreal Society of Artists : Une galerie d’art contemporain à Montréal en 1847.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 13, no. 1 (1990): 61–87. http://jcah-ahac.concordia.ca/fr/archive/1990_13-1.
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Massey, Irving. “Public Lives in Private: Ida Maze and the Montreal Yiddish Renaissance.” In An Everyday Miracle: Yiddish Culture in Montreal, edited by Ira Robinson, Pierre Anctil, and Mervin Butovsky, 129–157. Montreal: Véhicule Press, 1990.
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Martin, Denis. Printmaking in Québec, 1900-1950. Québec: Musée du Québec, 1990.
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Fraser, Heather C. “Paterson Ewen: The Turn from Non-Figurative to Figurative Painting.” Journal of Canadian Art History/Annales d’histoire de l’art Vol. 13, no. 1 (1990): 25–52. http://jcah-ahac.concordia.ca/fr/archive/1990_13-1.
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Bowser & Blue. Westmount Rhodesians. Record Album. Montreal: Justin Time, 1990.
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Bertrand, Magdeleine. “Les femmes artistes du Québec de 1875 à 1925.” Master’s Thesis, Université de Montréal, 1990.
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Bara, Jana. “Cradled in Fur: Winter Fashions in Montreal in the 1860s.” Dress: Journal of the Costume Society of America Vol. 16 (1990): 39–47.
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Trépanier, Esther. “Peintres juifs au rendez-vous de la modernité.” Continuité, Automne 1989. https://www.erudit.org/en/journals/continuite/1989-n45-continuite1053216/610ac.pdf.
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Perreault-Dorval, Gaby. “Le centre Saidye-Bronfman.” Continuité, Automne 1989. https://www.erudit.org/en/journals/continuite/1989-n45-continuite1053216/608ac.pdf.
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Wilson, P. Roy. Design and Delight: 90 Years in the Life of P. Roy Wilson, Architect and Artist. Montreal: Price-Patterson, 1989.
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Villeneuve, Claudine. “Le portrait dans l’estampe diffusée au Bas-Canada entre 1825 et 1850 : essai d’analyse stylistique.” Master’s Thesis, Université Laval, 1989. https://corpus.ulaval.ca/jspui/handle/20.500.11794/33483.
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Trépanier, Esther. “Entre socialisme et modernisme : les peintres progressistes québécois (1930-1945).” In Le droit de se taire: Histoire des communistes au Québec, de la Première Guerre mondiale à la Révolution tranquille, edited by Robert Comeau and Bernard Dionne, 134–161. Outremont, QC: VLB Éditeur, 1989.
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Thom, Ian M. The Prints of Edwin Holgate. Kleinburg, ON: McMichael Canadian Art Collection, 1989.
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Sicotte, Hélène. “WaIter Abell, Robert Ayre, Graham Mclnnes: aperçu de la perspective sociale dans la critique d’art canadienne entre 1935 et 1945.” Master’s Thesis, Université du Québec à Montréal, 1989.
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