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Page 6 of 17
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Grants, Anita. “Selectivity, Interpretation and Application: The Influence of John Ruskin in Canada.” PhD dissertation, Concordia University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-9098.pdf.
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Farah, Myriam. “Impact de la genèse d’une collection muséale sur le processus d’acquisition futur : Étude comparative de l’histoire des collections de l’Art Association of Montreal et de la Royal Canadian Academy of Arts.” Master’s Thesis, Université du Québec à Montréal, 2006.
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Falardeau, Mira. Histoire du cinéma d’animation au Québec. Montréal: Typo, 2006.
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Dalgleish, George R. “Aspects of Scottish-Canadian Material Culture: Heart Brooches and Scottish Pottery.” In A Kingdom of the Mind: How the Scots Helped Make Canada, edited by Peter E. Rider and Heather McNabb, 122–136. Montreal and Kingston: McGill-Queen’s University Press, 2006.
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Beavis, Lori. “An Educational Journey: Women’s Art Training in Canada and Abroad, 1880-1929.” Master’s Thesis, Concordia University, 2006. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-9279.pdf.
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Walters, Evelyn. The Women of Beaver Hall: Canadian Modernist Painters. Toronto: Dundurn Press, 2005.
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Sicotte, Hélène. “Suzor-Coté chez W. Scott & Sons de Montréal : Du rôle de l’éxposition particulière dans la consécreation d’une carrière d’artiste.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 26 (2005): 108–126. http://jcah-ahac.concordia.ca/en/archive?page=4.
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Rousseau, Marlène. “Alexander Henderson (1831-1913) : photographe paysagiste montréalais du XIXe siècle.” Master’s Thesis, Université du Québec à Montréal, 2005.
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Pepall, Rosalind, and Brian Foss. Edwin Holgate. Montreal: Montreal Museum of Fine Arts, 2005.
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Parkinson, Kamille T. H. “Philip John Bainbrigge and the Group of 1838: Imperial Landscapes and the Colonial Art Scene in Canada.” PhD dissertation, Queen’s University, 2005.
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Parent, Alain. Entre empire et nation : les représentations de la ville de Québec et de ses environs, 1760-1833. Sainte-Foy, QC: Presses de l’Université Laval, 2005.
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Lerner, Loren. Sam Borenstein. Montreal: Montreal Museum of Fine Arts, 2005.
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Dussault, Nathalie. “Parachute : discours de médiation : études de cas : Pierre Boogaerts, Geneviève Cadieux, Melvin Charney, Betty Goodwin, Robert Racine et Irene Whittome.” Master’s Thesis, Université du Québec à Montréal, 2005.
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Chatti, Amel. “Le comportement de consommation artistique et culturel des groupes francophones et anglophones à Montréal.” Master’s Thesis, Université du Québec à Montréal, 2005.
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Campbell, James D. Fonds et Figures: L’oeuvre de Ross Heward: Avec Une Esquisse de La Vie et de l’oeuvre de Sa Tante, Prudence Heward/Figures and Grounds: The Work of Ross Heward: With a Brief Sketch of the Life and Work of His Aunt Prudence Heward. Montreal: Visual Arts Centre, McClure Gallery, 2005.
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Burton, Samantha. “Re-Mapping Modernity: The Sites and Sights of Helen McNicoll (1879-1915).” Master’s Thesis, McGill University, 2005. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMM/TC-QMM-83172.pdf.
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Lamarche, Hélène. “Elizabeth Frances Hale, seigneuresse et artiste.” Mémoires de la Société généalogique canadienne-française, t 2004.
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Huneault, Kristina. “Impressions of Difference: The Painted Canvases of Helen McNicoll.” Art History Vol. 27, no. 2 (April 2004): 212–249.
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Meyer, Noel. “Prudence Heward (1896-1947).” MagazinArt No. 66 (Hiver -2005 2004): 88–127.
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Vallée, Anne-Élisabeth. “L’art de la miniature au Bas-Canada entre 1825 et 1850 : Gérôme Fassio et ses contemporains.” Master’s Thesis, Université du Québec à Montréal, 2004.
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Trépanier, Esther, and Sandra Paikowsky. Jack Beder : Lumières de la ville/City Lights. Montreal: Leonard & Bina Ellen Art Gallery, Concordia University, 2004.
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Todd, Phillip. “Breaking Bones in Political Cartooning: Aislin and the Free Trade Fight of 1998.” Master’s Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/-?func=dbin-jump-full&object_id=79981&silo_library=GEN01.
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Tierney, Cara. “Jori Smith: A Contextual Analysis.” Master’s Thesis, Carleton University, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/001/mq99003.pdf.
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Stack, Eileen. “‘Very Picturesque and Very Canadian’: The Blanket Coat and Anglo-Canadian Identity in the Second Half of the Nineteenth Century.” In Fashion: A Canadian Perspective, edited by Alexandra Palmer, 17–40. Toronto, ON: University of Toronto Press, 2004.
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Rigelhof, T. F. Philip Surrey, 1910-1990: Retrospective Exhibition, September 18-October 2, 2004. Montreal: Walter Klinkhoff Gallery, 2004.
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Pageot, Édith-Anne. “Images du subjet, du feminine et du masculine chez Smith, Roberts, Lyman et M. Gagnon.” PhD dissertation, Université de Montréal, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/001/nq92748.pdf.
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Moreault, Michel, François-Marc Gagnon, and Édith-Anne Pageot. Max Stern: Montreal Dealer and Patron. Montreal: Montreal Museum of Fine Arts, 2004.
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Lerner, Loren. “Sam Borenstein, Artist and Art Dealer: The Polemics of Post-Holocaust Jewish Cultural Identity.” Canadian Jewish Studies/Études juives canadiennes. Vol. 12 (2004): 31–44. http://cjs.journals.yorku.ca/index.php/cjs/article/view/22625/21096.
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Hill, Charles. “Beaver Hall Group.” In The Oxford Companion to Canadian History, edited by Gerald Hallowell, 66–67. Don Mills, ON: Oxford University Press, 2004.
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Collins, John. Quebec Sketchbook 1940-2004: Over 60 Years of Skteching Our City and Our Province. Ste-Anne-de-Bellevue, QC: Shoreline Press, 2004.
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