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16 resources
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Schwartz, Stephanie Tara. “Occupation and 20 Ans Après: Representing Jewish Activism in Montreal, 1968-1977.” Canadian Jewish Studies / Études juives canadiennes Vol. 25 (2017): 60–78. https://cjs.journals.yorku.ca/index.php/cjs/issue/view/2288.
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Aloisio, Anita. “The Transmemoric Process: The Journey of Italian-Québécois Artists.” Master’s Thesis, Concordia University, 2016. http://spectrum.library.concordia.ca/981072/2/The%20Transmemoric%20Process-%20The%20Journey%20of%20Italian-Qu%C3%A9b%C3%A9cois%20Artists-Final.pdf.
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Simon, Sherry. Cities in Translation: Intersections of Language and Memory. Milton Park, Abingdon, Oxon, UK & New York, NY: Routledge, 2012.
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Antoncic, Debra Anne. “‘Oddballs and Eccentrics’ ('Les Hirsutes et Les Excentriques’): Visual Arts and Artists in the Popular Press in Post-War Canada.” PhD dissertation, Queen’s University, 2011. https://qspace.library.queensu.ca/bitstream/1974/6540/3/Antoncic_Debra_A_201105_PhD.pdf.
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Rodgers, Guy. “Quebec’s English-Speaking Artists: Reinventing a Cultural Landscape.” Canadian Diversity/Diversité canadienne Vol. 8, no. 2 (Spring 2010): 24–28. http://static1.1.sqspcdn.com/static/f/633158/9324644/1289241710847/Spring+2010.pdf?token=%2FZ5n70Dp8KP74kwP5lcLm8gNLkI%3D.
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Matte, Gabrielle. “Tourisme et vulgarisation historique dans le milieu artistique montréalais entre les années 1910 et 1930 : étude des recueils ‘Old Montreal’ de Herbert Raine et...’Croquis montréalais’ de Charles Walter Simpson.” Master’s Thesis, Université du Québec à Montréal, 2007. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMUQ/TC-QMUQ-850.pdf.
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Carlevaris, Anna Maria. “Cultivating Heroes: From Dante and Caboto to Mussolini, The Public Art of Montreal’s Italians in the 1920s - 1930s.” PhD dissertation, Concordia University, 2004. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-8202.pdf.
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St-Jean, France. “La réception critique dans la presse montréalaise francophone des décennies 1930 et 1940 de l’œuvre de cinq femmes artistes : Prudence Heward, Lilias Torrance Newton, Anne Savage, Marian Scott et Jori Smith.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Morris, Raymond N. The Carnivalization of Politics: Quebec Cartoons on Relations with Canada, England and France, 1960-1979. Montreal and Kingston: McGill-Queen’s University Press, 1995.
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Poulter, Gillian. “Representation as Colonial Rhetoric : The Image of ‘the Native’ and ‘the Habitant’ in the Formation of Colonial Identities in Early Nineteenth-Century Lower Canada.” The Journal of Canadian Art History/Annales d’histoire de l’art canadien Vol. 16, no. 1 (1994): 10–29. http://jcah-ahac.concordia.ca/fr/archive/1994_16-1.
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Bowser & Blue. Westmount Rhodesians. Record Album. Montreal: Justin Time, 1990.
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Edmonton Art Gallery. The Contemporary Arts Society, Montreal, 1939-1948/La Societe d’art Contemporain, Montréal, 1939-1948. Edmonton, AB: Edmonton Art Gallery, 1980.
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Turner, Evan H. “The Coming of Age of Quebec Painting.” Apollo Vol. 103, no. 171 (May 1976): 428–433.
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Perreault, Lise. “La Société d’art contemporain : 1939-1948.” Master’s Thesis, Université de Montréal, 1975.
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Lortie, Léon. “The English Contribution to Quebec’s Cultural Life.” In Aux Sources Du Présent/The Roots of the Present. Études Présentées à La Section I de La Société Royale Du Canada/Studies Presented to Section I of the Royal Society of Canada, edited by Léon Lortie and Adrien Plouffe, 51–69. Toronto, ON: University of Toronto Press, 1960.
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Bourassa, Napoléon. “Quelque réflexions critiques à propos l’Art Association of Montreal.” Revue canadienne Vol. 1, no. 3 (March 1863): 170–182.