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16 resources
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Léger, Danielle. “Théâtre à Montréal, 1825-1930 : un récit visuel mettant en scène des documents patrimoniaux.” Archives Vol. 48, no. 1 (2019): 89–106. https://www.erudit.org/fr/revues/archives/2019-v48-n1-archives04662/1060816ar.pdf.
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Audette-Longo, Patricia, Mariam Esseghaier, and Marie-Eve Lefebvre. “‘It Won’t Go Viral’: Documenting the Charter of Québec Values and Talking Theory on YouTube.” Canadian Journal of Communication Vol. 42, no. 1 (2017): 121–129. http://www.cjc-online.ca/index.php/journal/article/view/3088/3329.
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Roy, Julie. “Mack Sennett, producteur hollywoodien originaire des Cantons-de-l’Est.” Instantanés : La vitrine des archives de BAnQ, January 29, 2016. http://blogues.banq.qc.ca/instantanes/2016/01/29/mack-sennett-producteur-hollywoodien-originaire-des-cantons-de-lest/.
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Bussières, Jean-François, Denis Lebel, Adrian Maxim, Lorine de Prémonville, Nancy Marando, and Pierre-André Savard. “Development and Use of a Video about the History of Pharmacy: The Case of Quebec.” Pharmacy in History Vol. 58, no. 1–2 (2016): 36–40.
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Aloisio, Anita. “The Transmemoric Process: The Journey of Italian-Québécois Artists.” Master’s Thesis, Concordia University, 2016. http://spectrum.library.concordia.ca/981072/2/The%20Transmemoric%20Process-%20The%20Journey%20of%20Italian-Qu%C3%A9b%C3%A9cois%20Artists-Final.pdf.
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Foss, Brian. “Out on the Town: Modernism, Arts and Entertainment in Montreal, 1920-33.” In 1920s Modernism in Montreal: The Beaver Hall Group, edited by Jacques Des Rochers and Brian Foss, 126–159. Montreal; Montreal Museum of Fine Arts, 2015.
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Marquis, Greg. “A War Within a War : Canadian Reactions to D. W. Griffith’s The Birth of a Nation.” Histoire sociale / Social History Vol. 47, no. 94 (June 2014): 421–442. https://hssh.journals.yorku.ca/index.php/hssh/article/view/40352.
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Sajnani, Nisha, Warren Linds, Alan Wong, and Lisa Ndejuru. “Turning Together: Playback Theatre, Oral History, Trauma, and Arts-Based Research in the Montreal Life Stories Project.” In Remembering Mass Violence: Oral History, New Media and Performance, edited by Steven High, Edward Little, and Thi Ry Duong, 91–110. Toronto, ON: University of Toronto Press, 2014.
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Mok, Lucille Yehan. “Glenn Gould, Oscar Peterson, and New World Virtuosities.” PhD dissertation, Harvard University, 2014. http://dash.harvard.edu/bitstream/handle/1/13064972/Mok_gsas.harvard.inactive_0084L_11837.pdf?sequence=1.
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Kreiner, Emma. “Saint-Henri and the Urban Uncanny: A Comparative Analysis of Hubert Aquin’s À Saint Henri Le Cinq Septembre (1962), and Shannon Walsh’s Saint-Henri The 26th of August (2011).” Master’s Thesis, Concordia University, 2013. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-977605.pdf.
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Nadeau-Saumier, Monique. “Le Sherbrooke Library and Art Building, 1887-1927 : un espace et un lieu de rencontre entre les cultures anglophone et francophone.” Journal of Eastern Townships Studies/Revue d’études de Cantons de l’Est No. 38 (Printemps 2012): 33–49. http://www.etrc.ca/journal/jets-archive/.
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Pageau, Pierre. “Colin Low, an Anglophone in Quebec.” Off Screen, February 2012. https://offscreen.com/view/anglophone_in_quebec.
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Plummer, Christopher. In Spite of Myself : A Memoir. New York, NY: Knopf, 2012.
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Pelletier, Louis. “The Fellows Who Dress the Pictures: Montreal Film Exhibitors in the Days of Vertical Integration (1912-1952).” PhD dissertation, Concordia University, 2012. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-975128.pdf.
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Ackerman, Marianne. Minority Report: An Alternative History of English-Language Arts in Quebec. Edited by Guy Rodgers. Toronto, ON: Guernica, 2011.
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Coulombe, Michel. “Les anglophones et les immigrants dans le cinéma québécois : un cinéma blanc, blanc, blanc.” Ciné-Bulles Vol. 28, no. 4 (2010): 34–37.