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6 resources
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St-Jean, France. “La réception critique dans la presse montréalaise francophone des décennies 1930 et 1940 de l’œuvre de cinq femmes artistes : Prudence Heward, Lilias Torrance Newton, Anne Savage, Marian Scott et Jori Smith.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Skidmore, Colleen Marie. “Women in Photography at the Notman Studio, Montreal, 1856-1881.” PhD dissertation, University of Alberta, 1999. https://era.library.ualberta.ca/items/530019af-f126-4a3b-bf75-4539d329012f.
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Mathieu, Christine Johanne. “The History of the Tiffany Windows at the Erskine and American Church, Montreal.” Master’s Thesis, Concordia University, 1999. http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/QMG/TC-QMG-742.pdf.
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Israël, Véronique. “La problématique de la fonction de l’art dans la production des années quarante de Ghitta Caiserman-Roth.” Master’s Thesis, Université du Québec à Montréal, 1999.
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Emeny, Shirley Kathleen. “Plurality and Agency: Portraits of Women by Prudence Heward.” Master’s Thesis, University of Alberta, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp01/MQ40006.pdf.
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Adley, Allyson Sarah. “Re-Presenting Diasporic Difference: Images of Immigrant Women by Canadian Women Artists, 1912-1935.” Master’s thesis, Concordia University, 1999. http://www.nlc-bnc.ca/obj/s4/f2/dsk3/ftp04/mq39122.pdf.